Piraeus Painter
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Piraeus Painter
The Piraeus Painter was one of the first Attic black-figure vase painters. He was active between 630 and 600 BC. The Piraeus Painter was a contemporary of the Nessos Painter, whose importance and artistic class he did not reach. His name vase, a neck amphora in Athens, National Archaeological Museum 353, was found at Piraeus. The most noteworthy feature of that vase is the snout of the depicted lion, stylised into the shape of a volute. Images of lions were quite popular at the time, as in the works of the Lion Painter and the Gorgon Painter The Gorgon Painter was one of the early Attic black-figure vase painters. He was active between 600 and 580 BC. His name vase, ''Dinos of the Gorgon Painter'', is currently on display in the Louvre and depicts Perseus fleeing the Gorgons. The Go .... Except his animal figures, which display a safe intuition for design and proportions, his other figures appear very stiff and awkward. Bibliography * John Beazley: ''Attic Black-figure ...
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Amphora
An amphora (; grc, ἀμφορεύς, ''amphoreús''; English plural: amphorae or amphoras) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting. The amphora complements a vase, the pithos, which makes available capacities between one-half and two and one-half tons. In contrast, the amphora holds under a half-ton, typically less than . The bodies of the two types have similar shapes. Where the pithos may have multiple smal ...
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Volute
A volute is a spiral, scroll-like ornament that forms the basis of the Ionic order, found in the capital of the Ionic column. It was later incorporated into Corinthian order and Composite column capitals. Four are normally to be found on an Ionic capital, eight on Composite capitals and smaller versions (sometimes called ''helix'') on the Corinthian capital. The word derives from the Latin ''voluta'' ("scroll"). It has been suggested that the ornament was inspired by the curve of a ram's horns, or perhaps was derived from the natural spiral found in the ovule of a common species of clover native to Greece. Alternatively, it may simply be of geometrical origin."Volute". ''The Concise Oxford Dictionary of Archaeology''. Timothy Darvill. Oxford University Press, 2002 The ornament can be seen in Renaissance and Baroque architecture and is a common decoration in furniture design, silverware and ceramics. A method of drawing the complex geometry was devised by the ancient Roman arch ...
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Year Of Death Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the mea ...
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600s BC Deaths
6 (six) is the natural number following 5 and preceding 7. It is a composite number and the smallest perfect number. In mathematics Six is the smallest positive integer which is neither a square number nor a prime number; it is the second smallest composite number, behind 4; its proper divisors are , and . Since 6 equals the sum of its proper divisors, it is a perfect number; 6 is the smallest of the perfect numbers. It is also the smallest Granville number, or \mathcal-perfect number. As a perfect number: *6 is related to the Mersenne prime 3, since . (The next perfect number is 28.) *6 is the only even perfect number that is not the sum of successive odd cubes. *6 is the root of the 6-aliquot tree, and is itself the aliquot sum of only one other number; the square number, . Six is the only number that is both the sum and the product of three consecutive positive numbers. Unrelated to 6's being a perfect number, a Golomb ruler of length 6 is a "perfect ruler". Six is a con ...
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7th-century BC Births
The 7th century is the period from 601 ( DCI) through 700 ( DCC) in accordance with the Julian calendar in the Common Era. The spread of Islam and the Muslim conquests began with the unification of Arabia by Muhammad starting in 622. After Muhammad's death in 632, Islam expanded beyond the Arabian Peninsula under the Rashidun Caliphate (632–661) and the Umayyad Caliphate (661–750). The Muslim conquest of Persia in the 7th century led to the downfall of the Sasanian Empire. Also conquered during the 7th century were Syria, Palestine, Armenia, Egypt, and North Africa. The Byzantine Empire suffered setbacks during the rapid expansion of the Caliphate, a mass incursion of Slavs in the Balkans which reduced its territorial limits. The decisive victory at the Siege of Constantinople in the 670s led the empire to retain Asia Minor which assured the existence of the empire. In the Iberian Peninsula, the 7th century was known as the ''Siglo de Concilios'' (century of councils) refe ...
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John Boardman (art Historian)
Sir John Boardman, (; born 20 August 1927) is a classical archaeologist and art historian. He has been described as "Britain's most distinguished historian of ancient Greek art." Biography John Boardman was educated at Chigwell School (1938–1945); then Magdalene College, Cambridge, where he read Classics beginning in 1945. After completing two years' national service in the Intelligence Corps he spent three years in Greece, from 1952 to 1955, as the Assistant Director of the British School at Athens. He married Sheila Stanford in 1952 (d. 2005), and has two children, Julia and Mark. On his return to England in 1955, Boardman took up the post of Assistant Keeper at the Ashmolean Museum in Oxford, thus beginning his lifelong affiliation with it. In 1959 he was appointed Reader in Classical Archaeology in the University of Oxford, and in 1963 was appointed a Fellow of Merton College. Here he remained until his appointment as Lincoln Professor of Classical Art and Arch ...
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John Beazley
Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford he became a close friend of the poet James Elroy Flecker. Academic career After graduating, Beazley spent time at the British School at Athens. He then returned to University of Oxford as a student (equivalent to fellow) and tutor in Classics at Christ Church. ...
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Gorgon Painter
The Gorgon Painter was one of the early Attic black-figure vase painters. He was active between 600 and 580 BC. His name vase, ''Dinos of the Gorgon Painter'', is currently on display in the Louvre and depicts Perseus fleeing the Gorgons. The Gorgon Painter is considered as a very productive successor of the Nessos Painter. Additionally, in accordance with other Geometric style artists, he arranged his subjects in symmetric patterns. Characteristic of his paintings are flat representations of humans or gods and animals painted in sections around the pottery. Rather than filling blank spaces with geometric patterns, the Gorgon Painter uses the Animal style; depicting real and fantastical animals in friezes around the vases which is considered to be a Corinthian tradition. The better recorded artist Sophilos is said to be influenced by the Gorgon Painter, continuing work in the black-figure style and zoomorphic decoration. Style Corinthian The Gorgon Painter is considered to ...
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Lion Painter
The Lion Painter was one of the earliest Athens black-figure vase painters. He was active between 630 and 600 BC. He was a contemporary of the Nessos Painter, but remained a less significant influence, in spite of his artistic achievements. All vases ascribed to him depict lions. His work is only known from a few fragments, which are, however, consistently of very high quality. The bald lion on his name vase In classical archaeology, a name vase is a specific "vase"In the study of ancient Greek pottery a "vase" is a general term covering all pottery shapes. whose painter's name is unknown but whose workshop style has been identified. The painter is co ... appears to look sorrowful. Works *Athen, National Museum: Neck amphora 16392, 16393 and 16394 *Athen, Vlasto collection: Fragment of a neck amphora *New York, Metropolitan MuseumFragment 38.11.10 Bibliography * John D. Beazley: ''Attic Black-figure Vase-painters''. Oxford 1956, p. 2. * John Boardman: ''Schwarzfigurige ...
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Neck Amphora
An amphora (; grc, ἀμφορεύς, ''amphoreús''; English plural: amphorae or amphoras) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting. The amphora complements a vase, the pithos, which makes available capacities between one-half and two and one-half tons. In contrast, the amphora holds under a half-ton, typically less than . The bodies of the two types have similar shapes. Where the pithos may have multiple small ...
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Piraeus
Piraeus ( ; el, Πειραιάς ; grc, Πειραιεύς ) is a port city within the Athens urban area ("Greater Athens"), in the Attica region of Greece. It is located southwest of Athens' city centre, along the east coast of the Saronic Gulf. The municipality of Piraeus and four other suburban municipalities form the regional unit of Piraeus, sometimes called the Greater Piraeus area, with a total population of 448,997. At the 2011 census, Piraeus had a population of 163,688 people, making it the fifth largest municipality in Greece2011 POPULATION AND HOUSING CENSUS, HELLENIC STATISTICAL AUTHORITY, http://www.statistics.gr/documents/20181/1215267/A1602_SAM01_DT_DC_00_2011_03_F_EN.pdf/cb10bb9f-6413-4129-b847-f1def334e05e and the second largest (after the municipality of Athens) within the Athens urban area. Piraeus has a long recorded history, dating back to ancient Greece. The city was founded in the early 5th century BC, when plans to make it the new port of Athens ...
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Name Vase
In classical archaeology, a name vase is a specific "vase"In the study of ancient Greek pottery a "vase" is a general term covering all pottery shapes. whose painter's name is unknown but whose workshop style has been identified. The painter is conventionally named after the selected "name vase" that embodies his characteristic style, or for one of its distinctive painted subjects, or for other attributes. The allocation of such names is necessary because the majority of ancient Greek and South Italian vase painters did not sign their works. For discussion and analysis of the work and career of individual artists conventional names were needed in order to designate them. The name can refer to a vase's motif (the Meleager Painter), former owner (the Shuvalov Painter), present location (the Baltimore Painter), find location (the Dipylon Master), inscription, habitual potter (the Kleophrades Painter), shape, and so on. For Athenian vases, the majority of such names were introduced ...
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