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Piphat
A ''piphat'' is a kind of ensemble in the classical music of Thailand, which features wind and percussion instruments. It is considered the primary form of ensemble for the interpretation of the most sacred and "high-class" compositions of the Thai classical repertoire, including the Buddhist invocation entitled ''sathukan'' ( th, สาธุการ) as well as the suites called ''phleng rueang''. It is also used to accompany traditional Thai theatrical and dance forms including ''khon'' ( th, โขน) (masked dance-drama), '' lakhon'' (classical dance), and shadow puppet theater. Piphat in the earlier time was called ''phinphat''. It is analogous to its Cambodian musical ensemble of pinpeat and Laotian ensemble of pinphat. Types of ''piphat'' The smallest ''piphat'', called ''piphat khrueang ha'', is composed of six instruments: '' pi nai'' (oboe); ''ranat ek'' (xylophone); ''khong wong yai'' (gong circle); ''taphon'' or other Thai drums; ''glong thad'', a set of two l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piphat In Sala Of Wat Kung Taphao
A ''piphat'' is a kind of ensemble in the Art music, classical music of Thailand, which features wind and percussion instruments. It is considered the primary form of ensemble for the interpretation of the most sacred and "high-class" compositions of the Thai classical repertoire, including the Buddhist invocation entitled ''sathukan'' ( th, สาธุการ) as well as the suites called ''phleng rueang''. It is also used to accompany traditional Thai theatrical and Dance of Thailand, dance forms including ''khon'' ( th, โขน) (masked dance-drama), ''Dance of Thailand#Lakhon, lakhon'' (classical dance), and Nang drama, shadow puppet theater. Piphat in the earlier time was called ''phinphat''. It is analogous to its Cambodian musical ensemble of pinpeat and Laotian ensemble of pinphat. Types of ''piphat'' The smallest ''piphat'', called ''piphat khrueang ha'', is composed of six instruments: ''Pi (instrument), pi nai'' (oboe); ''ranat ek'' (xylophone); ''khong wong y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piphat In Wat Khung Taphao
A ''piphat'' is a kind of ensemble in the classical music of Thailand, which features wind and percussion instruments. It is considered the primary form of ensemble for the interpretation of the most sacred and "high-class" compositions of the Thai classical repertoire, including the Buddhist invocation entitled ''sathukan'' ( th, สาธุการ) as well as the suites called ''phleng rueang''. It is also used to accompany traditional Thai theatrical and dance forms including ''khon'' ( th, โขน) (masked dance-drama), '' lakhon'' (classical dance), and shadow puppet theater. Piphat in the earlier time was called ''phinphat''. It is analogous to its Cambodian musical ensemble of pinpeat and Laotian ensemble of pinphat. Types of ''piphat'' The smallest ''piphat'', called ''piphat khrueang ha'', is composed of six instruments: '' pi nai'' (oboe); ''ranat ek'' (xylophone); ''khong wong yai'' (gong circle); ''taphon'' or other Thai drums; ''glong thad'', a set of two l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khong Wong Yai
The ''khong wong yai'' ( th, ฆ้องวงใหญ่, ) is a circle with gongs used in the music of Thailand. It has 16 tuned bossed gongs in a rattan frame and is played with two beaters. The player sits in the center of the circle. It is used in the ''piphat'' ensemble to provide the skeletal melody the other instruments of the elaborate ensemble. The gongs are individually tuned with beeswax under the gongs. The khong wong yai can either be played with soft beaters or hard beaters. It is equivalent to the kong thom in Cambodian music. History Khong Wong Yai can be considered a musical instrument with a long history. Among the instruments used today and it has been an important instrument since ancient times. It is the main instrument of the Thai music band. both in the orchestra and Piphat band The gong has found evidence. By focusing on the majestic drum, the majestic drum was first discovered in southern China near Yunnan and nearby provinces. Continuing to Vietnam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinpeat
The ''Pinpeat'' ( km, ពិណពាទ្យ, ) is the largest Khmer traditional musical ensemble. It has performed the ceremonial music of the royal courts and temples of Cambodia since ancient times. The orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ... consists of approximately nine or ten instruments, mainly wind instrument, wind and percussion instrument, percussion (including several varieties of xylophone and Drum kit, drums). It accompanies Royal Ballet of Cambodia, court dances, Lakhon Khol, masked plays, Khmer shadow theatre, shadow plays, and religion, religious ceremonies. This ensemble is originated in Cambodia since before Angkorian era. The pinpeat is analogous to the pinphat adopted from the Khmer court by the Lao people and the piphat ensemble of Thail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taphon
200px, ''taphon'' The taphon ( th, ตะโพน, ) is a traditional drum of Thailand. It is barrel-shaped with two heads, and is played by the hands and fingers of both hands, much like the more popular congas. Originally called the Sa Phon, the taphon is used in the classical Thai wind-and-percussion ensemble called ''piphat''. Moreover, it is the most commonly used drum in Thai folk music, and is performed often in Bangkok and Chiang Mai. Often used to accompany performances in Thai shrines which are meant to entertain the resident god in offering, it is considered a particularly sacred instrument in the Thai culture, and is generally kept in a higher place than other instruments. In many cases, designs are woven into the middle section of the taphon. The ''taphon'' is very similar to the Cambodian ''sampho''. An example of the taphon being played: See also *Piphat *Music of Thailand *Sampho *Congas The conga, also known as tumbadora, is a tall, narrow, single-hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pi Chawa
''Pi'' ( th, ปี่, ) is the generic term for any of a variety of quadruple reed oboes used in the traditional music of Thailand, ''piphat''. It is very similar in construction and playing technique to Burmese Hne and Cambodian ''sralai''. Varieties An entirely different instrument, a bamboo free reed pipe called ''pi chum'' (ปี่จุม), is used by the Lanna of Northern Thailand. Pi nok The ''pi nok'' is smallest among pi nok, klang, and nai. Pi noks have been played since the ancient times. Pi nai The ''pi nai'' (41–42×4.5 cm) is commonly seen in Thai literature such as ''Phra Aphai Mani''. Pi cha nai The ''pi chanai'' is ''pi song thon'' (ปี่สองท่อน, ''pi'' that consists of two parts). The body part is called ''lao pi'' (เลาปี่), the mouthpiece part is called "lamphong" (ลำโพง). Both parts are made from wood or ivory. It is presumed that the Thais obtained this musical influence from India due to its similarity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pi (instrument)
''Pi'' ( th, ปี่, ) is the generic term for any of a variety of quadruple reed oboes used in the traditional music of Thailand, ''piphat''. It is very similar in construction and playing technique to Burmese Hne and Cambodian ''sralai''. Varieties An entirely different instrument, a bamboo free reed pipe called ''pi chum'' (ปี่จุม), is used by the Lanna of Northern Thailand. Pi nok The ''pi nok'' is smallest among pi nok, klang, and nai. Pi noks have been played since the ancient times. Pi nai The ''pi nai'' (41–42×4.5 cm) is commonly seen in Thai literature such as ''Phra Aphai Mani''. Pi cha nai The ''pi chanai'' is ''pi song thon'' (ปี่สองท่อน, ''pi'' that consists of two parts). The body part is called ''lao pi'' (เลาปี่), the mouthpiece part is called "lamphong" (ลำโพง). Both parts are made from wood or ivory. It is presumed that the Thais obtained this musical influence from India due to its similarity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinphat
Pinphat is a traditional Lao ensemble used to accompanied in Laotian shadow theater and masked theater Phralak Phralam, the Laotian version of Indian Ramaya. This ensemble was adopted from the Khmer orchestra. Pinphat is analogous to Khmer Pinpeat and Thai Piphat. Etymology As Pinphat was adopted from the Khmer traditional ensemble called Pinpeat, the pronunciation is very similar to its Cambodian cousin and sharing the same words root from Sanskrit ''vînâ'' and ''vadya'' meaning 'musical instrument'. See also * Khene The ''khene'' (; spelled "Can" in English; Lao: ແຄນ; th, แคน, , ; km, គែន - ''Ken''; Vietnamese: ''khèn'') is a Lao mouth organ whose pipes, which are usually made of bamboo, are connected with a small, hollowed-out h ... References Laotian music Classical and art music traditions {{Laos-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thailand
Thailand ( ), historically known as Siam () and officially the Kingdom of Thailand, is a country in Southeast Asia, located at the centre of the Indochinese Peninsula, spanning , with a population of almost 70 million. The country is bordered to the north by Myanmar and Laos, to the east by Laos and Cambodia, to the south by the Gulf of Thailand and Malaysia, and to the west by the Andaman Sea and the extremity of Myanmar. Thailand also shares maritime borders with Vietnam to the southeast, and Indonesia and India to the southwest. Bangkok is the nation's capital and largest city. Tai peoples migrated from southwestern China to mainland Southeast Asia from the 11th century. Indianised kingdoms such as the Mon, Khmer Empire and Malay states ruled the region, competing with Thai states such as the Kingdoms of Ngoenyang, Sukhothai, Lan Na and Ayutthaya, which also rivalled each other. European contact began in 1511 with a Portuguese diplomatic mission to Ayutthaya, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thai Royal Funeral
Thai royal funerals are elaborate events, organised as royal ceremonies akin to state funerals. They are held for deceased members of the Royal Family, and consist of numerous rituals which typically span several months to over a year. Featuring a mixture of Buddhist and animist beliefs, as well as Hindu symbolism, these rituals include the initial rites that take place after death, a lengthy period of lying-in-state, during which Buddhist ceremonies take place, and a final cremation ceremony. For the highest-ranking royalty, the cremation ceremonies are grand public spectacles, featuring the pageantry of large funeral processions and ornate purpose-built funeral pyres or temporary crematoria known as ' or '. The practices date to at least the 17th century, during the time of the Ayutthaya Kingdom. Today, the cremation ceremonies are held in the royal field of Sanam Luang in the historic centre of Bangkok. Overview The main components of a royal funeral do not differ much from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranat Thum Lek
The ''ranat thum lek'' ( th, ระนาดทุ้มเหล็ก, ) is a metallophone used in the classical music of Thailand. It is the larger of the two sizes of Thai metallophone; the smaller one is called ''ranat ek lek''. The ''ranat thum lek'' consists of flat metal slabs placed over a rectangular wooden resonator. It is played with two bamboo sticks with padded ends. The origin of this instrument is attributed to the brother of King Rama IV (1854–1868) the same time as the creation of ''roneat ek lek''. The ''ranat thum lek'' is very similar to the Khmer ''roneat thong Roneat ( km, រនាត) is the generic Khmer word for referring to several types of xylophones used in traditional Cambodian music; the pinpeat and mohaori. Roneat may refers to several Cambodian xylophone types such as roneat thmor, roneat e ...''. References External links ListeningKhryang Tii : hit instruments (made of metal) pagefrom SEAsite Plaque percussion idiophones Key ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajiravudh
Vajiravudh ( th, วชิราวุธ, , 1 January 188126 November 1925) was the sixth monarch of Siam under the Chakri dynasty as Rama VI. He ruled from 23 October 1910 until his death in 1925. King Vajiravudh is best known for his efforts to create and promote Siamese nationalism. His reign was characterized by Siam's movement further towards democracy and minimal participation in World War I. He had keen interests in Siamese history, archaeology, and literature, as well as economics, politics and world affairs, and founded the country's first university, Chulalongkorn University. Education Vajiravudh was born on 1 January 1881 to Chulalongkorn and one of his four queens and half sister Saovabha Phongsri. In 1888, upon coming of age, Vajiravudh received the title ''Krom Khun'' Thep Dvaravati (Prince of Ayutthaya). Prince Vajiravudh was first educated in the royal palace in Thai and English. His full siblings were Bahurada Manimaya, Tribejrutama Dhamrong, Chakrabongse B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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