Pip (Moby-Dick Character)
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Pip (Moby-Dick Character)
Pip, short for Pippin, is the African-American cabin-boy on the whaling-ship ''Pequod'' in Herman Melville's 1851 novel, '' Moby-Dick''. When Pip falls overboard he is left stranded in the sea, and rescued only by chance and becomes "mad." The book's narrator, Ishmael, however, thinks that this "madness" gives Pip the power to see the world as it is. Pip is first described as "insignificant," but is the only member of the crew to awaken feelings of humanity in Ahab, the ship's monomaniacal captain. Critics say that Pip shows Melville's use of irony and contradiction to explore race relations and human rights in the 19th century United States. Pip Cliffs is a site in the Antarctic Peninsula, one of a group named after characters in ''Moby-Dick'' Role in the plot Pip may have been inspired by John Backus, a member of the ''Acushnet'', Melville's first whaling ship. Melville listed the members of that crew, describing Backus as a "little black", and another member of that c ...
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Moby Dick
''Moby-Dick; or, The Whale'' is an 1851 novel by American writer Herman Melville. The book is the sailor Ishmael's narrative of the obsessive quest of Ahab, captain of the whaling ship ''Pequod'', for revenge against Moby Dick, the giant white sperm whale that on the ship's previous voyage bit off Ahab's leg at the knee. A contribution to the literature of the American Renaissance, ''Moby-Dick'' was published to mixed reviews, was a commercial failure, and was out of print at the time of the author's death in 1891. Its reputation as a " Great American Novel" was established only in the 20th century, after the 1919 centennial of its author's birth. William Faulkner said he wished he had written the book himself, and D. H. Lawrence called it "one of the strangest and most wonderful books in the world" and "the greatest book of the sea ever written". Its opening sentence, "Call me Ishmael", is among world literature's most famous. Melville began writing ''Moby-Dick'' in February ...
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Queequeg
Queequeg is a character in the 1851 novel '' Moby-Dick'' by American author Herman Melville. The son of a South Sea chieftain who left home to explore the world, Queequeg is the first principal character encountered by the narrator, Ishmael. The quick friendship and relationship of equality between the tattooed cannibal and the white sailor show Melville's basic theme of shipboard democracy as well as his fondness for Polynesians (see '' Typee'', ''Omoo'' and ''Mardi''). Once aboard the whaling ship ''Pequod'', Queequeg becomes the harpooner for the mate Starbuck. Melville drew inspiration for Queequeg from a description in George Lillie Craik's book, ''The New Zealanders'' (1830), of Te Pēhi Kupe, a Māori chief of the Ngāti Toa iwi famous for his travels in England. Description Queequeg is a native of a fictional island in the South Pacific Ocean named Rokovoko. The island is the home to his primitive tribe, who practice cannibalism, in particular devouring the fl ...
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Literary Characters Introduced In 1851
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymologically, the term derives from Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In spite of this, the term has also been applied to spoken or sun ...
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Characters In American Novels Of The 19th Century
Character or Characters may refer to: Arts, entertainment, and media Literature * ''Character'' (novel), a 1936 Dutch novel by Ferdinand Bordewijk * ''Characters'' (Theophrastus), a classical Greek set of character sketches attributed to Theophrastus Music * ''Characters'' (John Abercrombie album), 1977 * ''Character'' (Dark Tranquillity album), 2005 * ''Character'' (Julia Kent album), 2013 * ''Character'' (Rachael Sage album), 2020 * ''Characters'' (Stevie Wonder album), 1987 Types of entity * Character (arts), an agent within a work of art, including literature, drama, cinema, opera, etc. * Character sketch or character, a literary description of a character type * Game character (other), various types of characters in a video game or role playing game ** Player character, as above but who is controlled or whose actions are directly chosen by a player ** Non-player character, as above but not player-controlled, frequently abbreviated as NPC Other uses in ar ...
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African-American Media Personalities
African Americans (also referred to as Black Americans and Afro-Americans) are an ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American" generally denotes descendants of enslaved Africans who are from the United States. While some Black immigrants or their children may also come to identify as African-American, the majority of first generation immigrants do not, preferring to identify with their nation of origin. African Americans constitute the second largest racial group in the U.S. after White Americans, as well as the third largest ethnic group after Hispanic and Latino Americans. Most African Americans are descendants of enslaved people within the boundaries of the present United States. On average, African Americans are of West/Central African with some European descent; some also have Native American and other ancestry. According to U.S. Census Bureau data, African immigrants generally do not self-iden ...
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Fictional Sailors
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Alan Cheuse
Alan Stuart Cheuse (January 23, 1940 – July 31, 2015) was an American writer, editor, professor of literature, and radio commentator. A longtime NPR book commentator, he was also the author of five novels, five collections of short stories and novellas, a memoir and a collection of travel essays. In addition, Cheuse was a regular contributor to All Things Considered. His short fiction appeared in respected publications like ''The New Yorker'', ''Ploughshares'', ''The Antioch Review'', ''Prairie Schooner'', among other places. He taught in the Writing Program at George Mason University and the Community of Writers. Early life Cheuse was born in Perth Amboy, New Jersey. Cheuse grew up in a Jewish family, the son of a Russian immigrant father and a mother of Russian and Romanian descent. Cheuse graduated from Perth Amboy High School in 1957. Education Cheuse graduated from Rutgers University in 1961. After traveling abroad and working for several years at writing and editing ...
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Moby-Dick (opera)
''Moby-Dick'' is an American opera in two acts, with music by Jake Heggie and libretto by Gene Scheer, adapted from Herman Melville's 1851 novel ''Moby-Dick''. The opera received its premiere at Dallas Opera in Dallas, Texas, on 30 April 2010. Heggie dedicated the opera to Stephen Sondheim. Composition history In 2005, Dallas Opera commissioned an opera from Heggie, intended for the company's inaugural season in the Winspear Opera House in 2010. In consultation with Terrence McNally, Heggie suggested ''Moby-Dick'' as the subject. Subsequently, Dallas Opera shared this commission jointly with San Francisco Opera, San Diego Opera, State Opera of South Australia and Calgary Opera. McNally subsequently withdrew from work on the opera because of health issues. Heggie continued work on the opera in collaboration with Scheer and stage director Leonard Foglia. Scheer estimated that approximately 50% of his libretto used Melville's words directly. Heggie specifically wrote the role ...
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Jake Heggie
Jake Heggie (born March 31, 1961) is an American composer of opera, vocal, orchestral, and chamber music. He is best known for his operas and art songs as well as for his collaborations with internationally renowned performers and writers. Biography Childhood John ("Jake") Stephen Heggie was born in West Palm Beach, Florida, to Judith (née: Rohrbach) and John Francis Heggie, the third of four children. His father was a physician and an amateur saxophonist, and his mother was a nurse. Shortly after Heggie's birth, his family relocated to Columbus, Ohio. He began studying piano when he was seven years old. In 1972, Heggie's father committed suicide after a long battle with depression. Shortly thereafter, Heggie began writing music. A few years after his father's death, the family moved to the San Francisco Bay Area, where Heggie completed high school and continued his studies in piano. Education and musical training As a teenager, Heggie studied composition privately with ...
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American Civil War
The American Civil War (April 12, 1861 – May 26, 1865; also known by other names) was a civil war in the United States. It was fought between the Union ("the North") and the Confederacy ("the South"), the latter formed by states that had seceded. The central cause of the war was the dispute over whether slavery would be permitted to expand into the western territories, leading to more slave states, or be prevented from doing so, which was widely believed would place slavery on a course of ultimate extinction. Decades of political controversy over slavery were brought to a head by the victory in the 1860 U.S. presidential election of Abraham Lincoln, who opposed slavery's expansion into the west. An initial seven southern slave states responded to Lincoln's victory by seceding from the United States and, in 1861, forming the Confederacy. The Confederacy seized U.S. forts and other federal assets within their borders. Led by Confederate President Jefferson Davis, ...
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Black-face
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practice ( ...
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Minstrel Show
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.The Coon Character
, Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.
John Kenrick

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