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Pimpinone
''Pimpinone'', TWV 21:15, is a comic opera by the German composer Georg Philipp Telemann with a libretto by Johann Philipp Praetorius. Its full title is ''Die Ungleiche Heirat zwischen Vespetta und Pimpinone oder Das herrsch-süchtige Camer Mägden'' (''The Unequal Marriage Between Vespetta and Pimpinone or The Domineering Chambermaid''). The work is described as a ''Lustiges Zwischenspiel'' ("comic intermezzo") in three parts. It was first performed at the Oper am Gänsemarkt in Hamburg on 27 September 1725 as light relief between the acts of Telemann's adaptation of Handel's opera seria ''Tamerlano''. ''Pimpinone'' was highly successful and pointed the way forward to later intermezzi, particularly Giovanni Battista Pergolesi's ''La serva padrona''. __NOTOC__ Roles Plot Vespetta the chambermaid wheedles her way into marrying her employer, old Pimpinone. Once married she shows her waspish nature (the name Vespetta means "little wasp") and completely dominates her husband. Record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1725 In Music
The year 1725 in music involved some significant events. Events *March 25 (Palm Sunday) – First performance of Johann Sebastian Bach's chorale cantata ''Wie schön leuchtet der Morgenstern'', BWV 1, at St. Thomas Church, Leipzig. *March 30 – Repeat performance of Johann Sebastian Bach's ''St John Passion'' (BWV 245, BC D 2b ncluding BWV 245a, b, and c at St. Thomas Church, Leipzig (using parts from his ''Weimarer Passion''). *Giovanni Battista Pergolesi goes to Naples to study under Gaetano Greco. Domenico Scarlatti is also in Naples at this time. *Nineteen-year-old Giovanni Battista Martini is appointed chapel-master of the Franciscan church at Bologna. Publications *Johann Sebastian Bach – ''Notebook for Anna Magdalena Bach, Book 2'' *Joseph Bodin De Boismortier **6 Sonatas for 3 Flutes, Op. 7 **6 Sonatas for 2 Flutes, Op. 8 *Johann Fux – ''Gradus ad Parnassum'' (Vienna) *''Concerti di flauto, violini, violetta, e basso di diversi autori'' (24 concertos for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zwischenspiel
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erich Wenk
Erich Wenk (12 August 1923 – 30 March 2012) was a German bass-baritone singer in opera and especially in concert. He was a professor of voice at the . Career Wenk was born in . In 1957 he performed the by Johannes Brahms on a tour through Germany with Erna Berger, Gertrude Pitzinger and Walther Ludwig. He recorded the part of Don Fernando in Beethoven's ''Fidelio'' for the NDR, conducted by , with Gladys Kuchta and Julius Patzak in leading roles. In 1960, he sang the part of nobleman from Genova in a recording of Franz Schreker's ''Die Gezeichneten'' of the NDR, with Thomas Stewart and Evelyn Lear in leading roles, conducted by Winfried Zillig. In 1967, he recorded Georg Philipp Telemann's '' Pimpinone'' with the Bach-Collegium Stuttgart, alongside Yvonne Ciannella. Wenk appeared in oratorios such as Haydn's and ''Ein Deutsches Requiem'' by Brahms, performed by the and the in 1959, conducted by Mattias Büchel. In 1967 he sang in Frank Martin's , in 1968 in Bach's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yvonne Ciannella
Yvonne Regina Ciannella (July 25, 1926 – March 1, 2022) was an American coloratura soprano in opera and concert. She began her career performing and recording with the Robert Shaw Chorale in the early 1950s. After graduate voice studies at the Mozarteum in Salzburg, she embarked on a career as an opera singer; working mainly in Germany at the Staatstheater Braunschweig, Theater Bonn, and Theater Dortmund during the 1960s. She also appeared as a guest artist with opera companies in Berlin, Cologne, Florida, Frankfurt, Hamburg, and Vienna. For many years she was a member of the voice faculty of the College of Music at Florida State University. Career Born in New York City, Ciannella earned a Bachelor of Music degree in vocal performance from Queens College, City University of New York. A Fulbright Scholarship enabled her to pursue further studies in voice at the Mozarteum University of Salzburg in Austria. She became a regular soloist with the Robert Shaw Chorale (RSC) during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmut Koch (conductor)
Helmut Koch (5 April 190826 January 1975) was a German conductor, choir leader, composer, and academic teacher. He was recording manager for the Berliner Rundfunk from 1945, where he founded the Rundfunkchor Berlin#Vorgeschichte, Solistenvereinigung Berlin, the Kammerorchester Berlin and the Großer Chor des Berliner Rundfunks. He conducted a recording of Monteverdi's ''L'Orfeo'' in 1949, and later also contemporary music by composers including Hanns Eisler, Fritz Geißler, Ernst Hermann Meyer and Ruth Zechlin. He was professor at the Hochschule für Musik "Hanns Eisler" from its beginning. After working as a regular guest conductor at the Staatsoper Berlin, he became Generalmusikdirektor. He was the first conductor of the Berliner Singakademie (East Berlin), Berliner Singakademie in East Berlin, and held the position until his death. Life and career Koch was born in Barmen, now part of Wuppertal, North Rhine-Westphalia. As buying a piano was unaffordable for his parents, Koch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Schneider (conductor)
Michael Schneider (born 10 August 1953) is a German flautist, recorder player, conductor and academic teacher. He is especially connected with later Baroque repertoire such as the works of Telemann and with early Classical repertoire such as the works of Carl Philipp Emanuel Bach, and founded the orchestra La Stagione to perform and record such repertoire. Career Schneider was born in Nordhorn. He studied flute and recorder at the Musikhochschule Köln. In 1978 he was a winner of the ARD International Music Competition in the category recorder.Michael Schneider University of Music and Performing Arts, Frankfurt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mechthild Bach
Mechthild Bach is a German soprano and a professor at the Hochschule für Musik Trossingen. Biography and career Bach was born in Limburg an der Lahn, where she was a member of the Limburg Cathedral's girl choir from a very young age. After her abitur, she began her studies at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main, under Elsa Cavelti's tutelage. During her time there she also made her operatic debut at the Staatstheater Darmstadt. Since then, Bach has performed in such opera houses such as the Deutsche Oper am Rhein, the Nationaltheater München, and the Theater der Stadt Heidelberg, with conductors Reinhard Goebel, Peter Neumann, Ton Koopman, and Helmuth Rilling, among others. Additionally, she has performed the soprano parts in Mahler's symphonies, as Antigona in Handel's ''Admeto'', and as Alice Ford in Verdi's ''Falstaff''. She has also performed with the Internationale Bachakademie Stuttgart, the Royal Concertgebouw Orchestra, and the Berli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amanda Holden (writer)
Amanda Juliet Holden (; 19 January 1948 – 7 September 2021) was a British pianist, librettist, translator, editor and academic teacher. She is known for translating opera librettos to more contemporary English for the English National Opera, and for writing new librettos, especially in collaboration with Brett Dean. She contributed to encyclopedias such as the ''New Penguin Opera Guide''. Life and career Amanda Juliet Warren was born in London, the daughter of Sir Brian Warren and Dame Josephine Barnes. She was educated at Benenden School, and studied at Lady Margaret Hall, Oxford, with Egon Wellesz where she gained a Master of Arts (MA), at Guildhall School of Music and Drama and a MA at the American University, Washington, DC. She also had degrees from the Royal Academy of Music (ARCM and LRAM).Holden /Amanda, ''Who's Who'' (UK), 2012 She first worked as a freelance pianist and accompanist, teacher at the Guildhall School, and therapist from 1973 to 1986. Libret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmuth Rilling
Helmuth Rilling (born 29 May 1933) is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakademie Stuttgart (1981) and other Bach Academies worldwide, as well as the "Festival Ensemble Stuttgart" (2001) and the "Junges Stuttgarter Bach Ensemble" (2011). He taught choral conducting at the Frankfurt Musikhochschule from 1965 to 1989 and led the Frankfurter Kantorei from 1969 to 1982. Education Rilling was born into a musical family. He received his early training at the Protestant Seminaries in Württemberg. From 1952 to 1955 he studied organ, composition, and choral conducting at the Stuttgart College of Music. He completed his studies with Fernando Germani in Rome and at the Accademia Musicale Chigiana in Siena. While still a student in 1954, he founded his first choir, the Gächinger Kantorei. Starting in 1957, he was organist and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Collegium Stuttgart
Bach-Collegium Stuttgart is an internationally known German instrumental ensemble, founded by Helmuth Rilling in 1965 to accompany the Gächinger Kantorei in choral music with orchestra. Its members are mostly orchestra musicians from Germany and Switzerland who get together for projects associated with the choir and also instrumental programs of their own. The ensemble has performed at festivals such as the "Musikfest Stuttgart" of the Internationale Bachakademie Stuttgart, Salzburg Festival, Lucerne Festival, Prague Spring or Rheingau Musik Festival. Gächinger Kantorei and Bach-Collegium Stuttgart, conducted by Rilling, completed a first recording worldwide of Bach's cantatas and oratorios, a project of 15 years in collaboration with Hänssler Classic, in 1985 on the occasion of the composer's 300th birthday. The recording was awarded a Grand Prix du Disque. The Bach-Collegium Stuttgart has been instrumental in premieres of works such as Wolfgang Rihm's ''Deus Passus (Passions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
