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Pilón
Pilón is a Cuban musical form and a popular dance created in the 1950s. named for the town of Pilón, on the southern coast of Cuba. The rhythms of Pilón are based on the motions of pounding sugarcane. One unique aspect of the pilón is the use of simultaneous piano and electric guitar guajeos. Rhythmically, the guitar plays a much simpler form of the piano part. The following example is written in 4/4 rather than cut-time. The creation of Pilón is often attributed to bandleader and singer Pacho Alonso in collaboration with percussionist/composer Enrique Bonne. Enrique Bonne Enrique Bonne asa timbalero, prolific songwriter and creator of various rhythms such as pilón, simalé and upa upa. As the leader of Enrique Bonne y sus Tambores, he was also a pioneer in bringing Afro‐Cuban folkloric influences into popular music. Of the many rhythms that Bonne created or popularized for Pacho's band, the most important was pilón. It started as a dance craze, with the dancers mimic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilón, Cuba
Pilón is a municipality and town in the Granma Province of Cuba. It is located on the southern coast of Cuba, in an inlet of the Caribbean Sea. Demographics In 2004, the municipality of Pilón had a population of 29,751. With a total area of , it has a population density of . Transport The town is crossed by the state highway "Circuito Sur de Oriente" (CSO). See also * Pilón music style *Municipalities of Cuba The provinces of Cuba are divided into 168 municipalities or ''municipios''. They were defined by Cuban Law Number 1304 of July 3, 1976Fifth United Nations Conference on the Standardization of Geographical Names, Vol. II, published by the United N ... * List of cities in Cuba References External links Populated places in Granma Province {{Cuba-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guajeos
A guajeo (Anglicized pronunciation: ''wa-hey-yo'') is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term ''guajeo'' for ostinato patterns played specifically by a tres, piano, an instrument of the violin family, or saxophones. Piano guajeos are one of the most recognizable elements of modern-day salsa. Piano guajeos are also known as ''montunos'' in North America, or ''tumbaos'' in the contemporary Cuban dance music timba. History The guajeo shares rhythmic, melodic and harmonic similarities with the short ostinato figures played on marimbas, lamellophones, and string instruments in sub-Saharan Africa. The guajeo is a seamless blend of African and European musical sensibilities, and was first played as accompaniment on the tres in the Afro-Cuban son and related music. The tres is a Cuban guitar-like instrument, consisting of three sets of double strings. Changüí The guajeo emerged in Cuba duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cuba
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century. Since the 19th-century Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pacho Alonso
Pacho Alonso (August 22, 1928 – August 27, 1982) was a Cuban singer and bandleader from Santiago de Cuba who is attributed with creating the musical form pilón in collaboration with percussionist/composer Enrique Bonne. He founded his first conjunto in Havana in 1957. In the 1950s, Alonso sang with Benny Moré and Fernando Álvarez, a trio popularly known as "''The Three Musketeers''". Later he sang with Ibrahim Ferrer. Pacho Alonso also enjoyed tremendous success in his international tours through Latin America, Europe and Africa Africa is the world's second-largest and second-most populous continent, after Asia in both cases. At about 30.3 million km2 (11.7 million square miles) including adjacent islands, it covers 6% of Earth's total surface area .... References {{DEFAULTSORT:Alonso, Pacho 1928 births 1982 deaths 20th-century Cuban male singers Cuban bandleaders People from Santiago de Cuba People from Havana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbalero
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upa Upa
The upaupa (often written as upa upa) is a traditional dance from Tahiti. It was mentioned by European explorers, who described it as very indecent. It is not quite clear how similar the gestures at that time were with the now immensely popular tāmūrē. In both dances the performers form groups of pairs of a boy and a girl, dancing more or less in sexually oriented movements. History After having arrived on Tahiti in 1797, the LMS missionaries quickly intimidated the local rulers of the island and fixed themselves in a position of power. Although this enabled them to abolish such habits as infanticide, cannibalism and tribal wars, it also enabled them to introduce the idea of sin, which was unknown on Tahiti until then. The joy of dancing, so dear to the Polynesian heart, was one of the first to be axed. The famous Pōmare code of 1819 declared the upaupa (and tattooing in the same line) to be bad and immoral habitudes, severely to be opposed. The Leewards followed suit soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Changuito
Changuito (born José Luis Quintana on January 18, 1948) is a Cuban percussionist. Biography Quintana was born in 1948 in Casablanca, Cuba.Changuito ", '''', retrieved 2010-08-28 As a child he played professionally in bands such as Havana Jazz (joining aged 8), with his musician father, and with La Pandilla de los Cabezas de Perros. At the age of 13, he volunteered for military service and played in army bands, serving for three years, during which he also played in the jazz band Estrellas de Occidente. His mother died when he was 17 years old. In 1964 he joined the popular b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Van Van
Los Van Van is one of the leading musical groups of post-revolutionary Cuba. It was founded in 1969 by bassist Juan Formell, who directed the band until his death in 2014. Formell and former band members Changuito and Pupy are some of the most important figures in contemporary Cuban music, having contributed to the development of songo and timba, two popular dance music genres. History In 1967, Formell became musical director of Elio Revé's charanga orchestra. The sound of Orquesta Revé at that time was a unique blend of Cuban son and late-'60s rock. Formell reformed the group into Changui '68, and then founded his own group, Los Van Van, on December 4, 1969. uan Formellwas convinced that he could capture the imagination of Cuba's younger generation by infusing Revé's arrangements with elements of North American rock and roll, creating an odd new style that he called ''changüí 68''. Early the next year, almost exactly a decade after Revé's band had jumped ship to form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charanga Habanera
La Charanga Habanera is a timba ensemble from Havana directed by David Calzado. The band has been nominated for awards including the Latin Grammy in 2003 for the album ''Live in the U.S.A''. In 2005 Charanga Habanera was nominated for " Orgullosamente Latino" awards in three categories: best video, best album, and best group. Furthermore, the group has won numerous awards from Cubadiscos and Lucas. History La ''Charanga Habanera'' began in 1988 when a group of young people recently graduated from the art schools in Cuba formed a group to do a project of Cuban music style called charanga, that was popular in the 1940s and 1950s. The project was popular enough that they extended it for five more years. During this time they shared stage with such famous artists as Donna Summer, Stevie Wonder, James Brown, Barry White, Ray Charles, Frank Sinatra, Jerry Lewis, Whitney Houston, and Kool and the Gang. The group toured internationally in Japan, Mexico, Argentina, Peru and the United ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Issac Delgado
Issac Delgado (born Isaac Felipe Delgado-Ramirez on April 11, 1962 in Marianao, Habana, Cuba) is one of the founders of the band NG La Banda and is a popular Salsa music, salsa and timba performer. Early life and family His father, Luis Delgado, was a tailor and his mother, Lina Ramirez, was an actress, dancer and singer in the Teatro Musical de La Habana. When he was ten years old he entered the Amadeo Roldan Conservatory where he studied violoncello, an instrument that did not interest him. At twelve he left the conservatory, and pursued the study of sports and football. He later graduated in sport education. At 18, Isaac joined the group "Proyecto" at the request of the pianist, Gonzalo Rubalcaba. This sparked his innate love for music. It was at this point that he decided to study vocal technique with one of the best vocal instructors in Cuba, Mariana De Gonish. He also enrolled in the school for professional musicians, "Ignacio Cervantes". Professional life Issac Delga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paulito FG
Paulito FG (aka Paulo FG, Pablo FG) (born Pablo Alfonso Fernández Gallo in Cuba) is one of the original innovators of timba and is a popular salsa and timba performer. Career Paulito began his professional career singing with Adalberto Álvarez and Dan Den. He then joined the band Opus 13, led by the arrangers Joaquín Betancourt and Juan Manuel Ceruto. Paulito took over leadership of Opus 13 in the early 1990s, and changed the name of the group. In 1995 Paulito released ''Sofocándote'', one of the most innovative recordings of the new dance genre timba. This was the first CD featuring his drummer Yoel Páez, one of Cuba's best. ''Paulito (El bueno soy yo)'' was released in 1996. It features Sergio Noroña (piano), Yosvel Bernal (synthesizer keyboard), Joel Domínguez (bass), Tomás Cruz (congas), and Yoel Páez (drums). In 1997 he released ''Con la conciencia tranquila'', considered by many to be his masterpiece (Moore 2011: web) The piano guajeos were individually construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Jazz
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova. Afro-Cuban jazz "Spanish tinge"—The Cuban influence in early jazz and proto-Latin jazz African American music began incorporating Afro-Cuban musical motifs in the 19th century, when the habanera (Cuban contradanza) gained international popularity. The habanera was the first written music to be rhythmically based on an African motif. The ''habanera rhythm'' (also known as ''congo'', ''tango-congo'', or ''tango'' ) can be thought of as a combination of tresillo and the backbeat. Wynton Marsalis considers tresillo to be the New Orleans "clave," although technically, the pattern is only half a clave. "St. Louis Blues" (1914) by W. C. Handy has a habanera-tresillo bass line. Handy noted a reaction to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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