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Pietà (Cosmè Tura)
''Pietà'' is a tempera on panel painting by Cosmè Tura, measuring 47.7 cm by 33.5 cm. It is now in the Museo Correr in Venice, to which it was left with the rest of the collection of Teodoro Correr on 1 January 1830. It was attributed to Luca d'Olanda until 1859, when Vincenzo Lazari recognised it as a work by Tura. By comparison with the same artist's ''Calliope'' and his Roverella Altarpiece, it has been dated to around 1460. Description and style The work presents a fairly classic iconography, that of Vesperbild, slightly revisited, where the dimension of pain is sublimated. Mary is seen seated on the edge of the vault, in the center of the composition, holding the body of her dead son; the Calvary is in the background. The pictorial quality is very high, in some points the underlying drawing made directly on the plaster layer is visible, it can be admired a wise use of lacquers and oil glazing. The work is rich in symbols and meanings, among these, the most curious is on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmè Tura
Cosmê Tura (c. 1430 – 1495), also known as Il Cosmè or Cosimo Tura (), was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara (Painting), School of Ferrara. Biography Formation The painter's origins are humble: he was born in Ferrara, the son of a shoemaker named Domenico. There is no news on his apprenticeship, which Vasari linked to the mysterious artist Galasso Ferrarese, an almost mythical figure, linked by friendship to Piero della Francesca. The first documents concerning him are dated to the two-year period 1451–1452, when he decorated some objects for the Este court, such as some flags with Este coats of arms for the Castle or a helmet given as a prize to the winner of a tournament. These works were the order of the day in the artistic workshops and represented for them one of the major sources of livelihood. Perhaps he was able to work among the court illuminators. From mid-1452 to April 1456 there ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Correr
The Museo Correr () is a museum in Venice, northern Italy. Located in St. Mark's Square, Venice, it is one of the 11 civic museums run by the Fondazione Musei Civici di Venezia. The museum extends along the southside of the square on the upper floors of the Procuratorie Nuove. With its rich and varied collections, the Museo Correr covers both the art and history of Venice. History The Museo Correr originated with the collection bequeathed to the city of Venice in 1830 by Teodoro Correr. A member of a traditional Venetian family, Correr was a meticulous and passionate collector, dedicating most of his life to the collection of both works of art and documents or individual objects that reflected the history of Venice. Upon his death, all this material was donated to the city, together with the family's Grand Canal palace which then housed it. The nobleman also left the city funds to be used in conserving and extending the collections and in making them available to the public ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studiolo Of The Palazzo Belfiore
The Studiolo of the Palazzo Belfiore was a former study, or room for intellectual pursuits, that was once found in a razed Renaissance palace in Ferrara, region of Emilia-Romagna, Italy. While the palace has disappeared, records do list the paintings, consisting of depictions of muses, that hung in the room. These secular works are now dispersed across museums, but their collective presences recall the renewed attention of Renaissance patrons to symbols from classic mythology. The palace, like the Palazzo Schifanoia, is described now a ''delizia'' of the Este dynasty, which are now considered semi-rural palaces for the enjoyment of ''delights''. The palace was commissioned in 1447 by Leonello d'Este but completed by Borso d'Este around 1463. The exact layout of the palace, located near the church of Santa Maria degli Angeli is unknown, since in 1483, it was severely damaged by the besieging Venetian armies, and a fire in 1683 completed the destruction. Domenico da Piacenza is rep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roverella Altarpiece
The Roverella Altarpiece was a religious painting by Cosmè Tura completed during 1470–1474 using oil and egg-tempera on poplar panel work, commissioned by abbot and cardinal Bartolomeo Roverella for San Giorgio fuori le mura in Ferrara in memory of his brother bishop Lorenzo Roverella. It was one of the most significant works of the artist and of the Ferrara Renaissance in general. It was damaged in an explosion in 1709 and moved out of the church. It is now dismembered and their panels split up between several museums. Description An 18th century description of the altarpiece was made by Girolamo Baruffaldi. Based on that information Maurizio Bonora created a reconstruction with the technique of graphite on paper. The altarpiece was composed of six main panels, with a large ''Madonna and Child Enthroned'' in the center and on the sides two lower panels, with saints and characters of the Roverella family, surmounted by a panel with a kneeling saint each. Above was the large lu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola di Carturo, Venetian Republic close to Padua (now Italy), second son of a carpenter, Biagio. At the age of 11, he became the apprentice of Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was an ancient Rome enthusiast: he traveled in Italy, and perhaps a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padua
Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000 (). The city is sometimes included, with Venice (Italian ''Venezia'') and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Padua stands on the Bacchiglione, Bacchiglione River, west of Venice and southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (''Pianura Veneta''). To the city's south west lies the Colli Euganei, Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Percy Bysshe Shelley, Shelley. Padua appears twice in the UNESCO World Heritage List: for its Botanical Garden of Padua, Botanical Garden, the most anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of The Pietà
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1460s Paintings
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Paintings By Cosmè Tura
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
