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Pietro Lorenzetti
Pietro Lorenzetti (; – 1348) or Pietro Laurati was an Italian painter, active between c. 1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance. Overview Little is known of Lorenzetti's life other than that he was (putatively) born in Siena in the late 13th century (c. 1280/90), died there (possibly) in 1348 a victim of the first Black Death pandemic then devastating Europe, and had a younger brother, Ambrogio, also an artist. That the men were brothers was unknown to Vasari because he misread Pietro's surname on a painting in Pistoia's church of San Francesco as "Laurati". Thus the kinship between the artists was missed. Pietro worked in Assisi, Florence, Pistoia, Cortona, and Siena, although the precise chronology is unknown. His work suggests the influence of Duccio (in whose studio he may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Lorenzetti, Compianto (dettaglio) Basilica Inferiore Di Assisi (1310-1329)
Pietro is an Italian masculine given name. Notable people with the name include: People * Pietro I Candiano (c. 842–887), briefly the 16th Doge of Venice * Pietro Tribuno (died 912), 17th Doge of Venice, from 887 to his death * Pietro II Candiano (c. 872–939), 19th Doge of Venice, son of Pietro I A–E * Pietro Accolti (1455–1532), Italian Roman Catholic cardinal * Pietro Aldobrandini (1571–1621), Italian cardinal and patron of the arts * Pietro Anastasi (1948–2020), Italian former footballer * Pietro di Antonio Dei, birth name of Bartolomeo della Gatta (1448–1502), Florentine painter, illuminator and architect * Pietro Aretino (1492–1556), Italian author, playwright, poet, satirist and blackmailer * Pietro Auletta (1698–1771), Italian composer known mainly for his operas * Pietro Baracchi (1851–1926), Italian-born astronomer * Pietro Bellotti (1625–1700), Italian Baroque painter * Pietro Belluschi (1899–1994), Italian architect * Pietro Bembo (1470–154 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arezzo
Arezzo ( , , ) , also ; ett, 𐌀𐌓𐌉𐌕𐌉𐌌, Aritim. is a city and ''comune'' in Italy and the capital of the province of the same name located in Tuscany. Arezzo is about southeast of Florence at an elevation of above sea level. As of 2022, the population was about 97,000. Known as the city of gold and of the high fashion, Arezzo was home to artists and poets such as Giorgio Vasari, Guido of Arezzo and Guittone d'Arezzo and in its province to Renaissance artist Michelangelo. In the artistic field, the city is famous for the frescoes by Piero della Francesca inside the Basilica of San Francesco, and the crucifix by Cimabue inside the Basilica of San Domenico. The city is also known for the important Giostra del Saracino, a game of chivalry that dates back to the Middle Ages. History Described by Livy as one of the ''Capita Etruriae'' (Etruscan capitals), Arezzo (''Aritim'' in Etruscan) is believed to have been one of the twelve most important Etruscan cities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna And Child (Duccio, Metropolitan)
''Madonna and Child'' was painted by one of the most influential artists of the late 13th and early 14th century, Duccio di Buoninsegna. This iconic image of the Madonna and Child, seen throughout the history of western art, holds significant value in terms of stylistic innovations of religious subject matter that would continue to evolve for centuries. Description and influences Comparing the compact size of this work of 11X8 1/8 in. to larger, more illustrious altarpieces and large scale frescoes, the ''Madonna and Child'' is understood to be an intimate, devotional image. Some evocations of this understanding come from the burnt edges on the bottom of the original engaged frame caused by burning candles that likely would have sat just beneath.Christiansen, Keith. "The Metropolitan's Duccio." Apollo (London, England) 165.(2007): 40–47. Art Full Text (H.W. Wilson). Web. 18 Apr. 2012. Looking past the abrupt simplicity of the image, one can begin to understand the changes Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rucellai Madonna
The ''Rucellai Madonna'' is a panel painting representing the Virgin and Child enthroned with Angels by the Sienese painter Duccio di Buoninsegna. The original contract for the work is dated 1285; the painting was probably delivered in 1286. The painting was commissioned by the Laudesi confraternity of Florence to decorate the chapel they maintained in the Dominican church of Santa Maria Novella (in 1591, the painting was moved to the adjacent, much larger Rucellai family chapel, hence the modern title of convenience). It was transferred to the Galleria degli Uffizi in the 19th century. The Rucellai Madonna is the largest 13th-century panel painting extant. History The ''Rucellai Madonna'' is the earlier of the two works by Duccio for which there is written documentation (the other is the Maestà of 1308–11). The altarpiece was commissioned by the ''Compagnia dei Laudesi, a'' lay confraternity devoted to the Virgin, to decorate the chapel they occupied in the transept of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castiglione D'Orcia
Castiglione d'Orcia is a ''comune'' (municipality) in the Province of Siena in the Italian region of Tuscany, located about southeast of Florence and about southeast of Siena, in the Val d'Orcia, not far from the Via Cassia. Castiglione d'Orcia borders the following municipalities: Abbadia San Salvatore, Castel del Piano, Montalcino, Pienza, Radicofani, San Quirico d'Orcia, Seggiano and with a little characteristic town of few inhabitants, located on a rock, called “Campiglia d’Orcia”. History The settlement is mentioned for the first time in 714, when it was a possession of the Aldobrandeschi family. In 1252 it became a free commune, but lost its independence in the following century to the Republic of Siena, which entrusted it to powerful families like the Piccolomini and Salimbeni. Later, Castiglione was part of the Grand Duchy of Tuscany and, from 1861, of unified Italy. Main sights Both these locations are a museum and can be visited during appropriate hours. *'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Lorenzetti, Madonna Col Bambino, 1310-15 Ca
Pietro is an Italian masculine given name. Notable people with the name include: People * Pietro I Candiano (c. 842–887), briefly the 16th Doge of Venice * Pietro Tribuno (died 912), 17th Doge of Venice, from 887 to his death * Pietro II Candiano (c. 872–939), 19th Doge of Venice, son of Pietro I A–E * Pietro Accolti (1455–1532), Italian Roman Catholic cardinal * Pietro Aldobrandini (1571–1621), Italian cardinal and patron of the arts * Pietro Anastasi (1948–2020), Italian former footballer * Pietro di Antonio Dei, birth name of Bartolomeo della Gatta (1448–1502), Florentine painter, illuminator and architect * Pietro Aretino (1492–1556), Italian author, playwright, poet, satirist and blackmailer * Pietro Auletta (1698–1771), Italian composer known mainly for his operas * Pietro Baracchi (1851–1926), Italian-born astronomer * Pietro Bellotti (1625–1700), Italian Baroque painter * Pietro Belluschi (1899–1994), Italian architect * Pietro Bembo (1470–1547 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maso Di Banco
Maso di Banco (working ''c'' 1335–1350) was an Italian painter of the 14th century, who worked in Florence, Italy. He and Taddeo Gaddi were the most prominent Florentine pupils of Giotto di Bondone, exploring the three-dimensional dramatic realism inaugurated by Giotto. Maso's name and work are known to us from Lorenzo Ghiberti's autobiographical ''I Commentari,'' which identifies frescoes in the chapel of the Holy Confessors at Santa Croce, Florence as his chief work.Giorgio Vasari confused Maso with Maso di Stephano, called "Giottino". The frescoes, not signed or dated but probably ''c'' 1340, represent scenes from the ''Life of St. Sylvester'' (Pope Sylvester I), the ''Last Judgment,'' and ''The Entombment''. His fresco of a particular judgment is in the Bardi banking family chapel of Santa Croce. It features Gualtiero de' Bardi pleading on behalf of his soul before Jesus Christ. Nanni di Banco, a sculptor of the early 15th century, is not related to Maso. Selected w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Daddi
Bernardo Daddi ( 1280 – 1348) was an early Italian Renaissance painter and the leading painter of Florence of his generation. He was one of the artists who contributed to the revolutionary art of the Renaissance, which broke away from the conventions of the preceding generation of Gothic artists, by creating compositions which aimed to achieve a more realistic representation of reality.Biography and analysis of artist's style at the J. Paul Getty Museum He was particularly successful with his small-scale works and contributed to the development of the portable altarpiece, a format that subsequently gained great popularity. Life and work Daddi's birth date remains unknown. He is first mentioned in 1312. He may have been a pupil of |
Padua
Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000 (). The city is sometimes included, with Venice (Italian ''Venezia'') and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Padua stands on the Bacchiglione, Bacchiglione River, west of Venice and southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (''Pianura Veneta''). To the city's south west lies the Colli Euganei, Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Percy Bysshe Shelley, Shelley. Padua appears twice in the UNESCO World Heritage List: for its Botanical Garden of Padua, Botanical Garden, the most anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scrovegni Chapel
The Scrovegni Chapel ( it, Cappella degli Scrovegni ), also known as the Arena Chapel, is a small church, adjacent to the Augustinian order, Augustinian monastery, the ''Monastero degli Eremitani'' in Padua, Italy, Padua, region of Veneto, Italy. The chapel and monastery are now part of the complex of the Museo Civico of Padua. The chapel contains a fresco cycle by Giotto, completed about 1305 and considered to be an important masterpiece of Western art. In 2021, the chapel was declared part of the UNESCO World Heritage Site of the 14th-century fresco cycles comprehending 8 historical buildings in Padua city centre. Specifically the Scrovegni Chapel contains the most important frescoes that marked the beginning of a revolution in mural painting and influenced fresco technique, style, and content for a whole century. Description Giotto and his team covered all the internal surfaces of the chapel with frescoes, including the walls and the ceiling. The nave is 20.88 metres lon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of Santa Croce, Florence
The (Italian for 'Basilica of the Holy Cross') is the principal Franciscan church in Florence, Italy, and a minor basilica of the Roman Catholic Church. It is situated on the Piazza di Santa Croce, about 800 meters south-east of the Duomo. The site, when first chosen, was in marshland outside the city walls. It is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, the poet Foscolo, the philosopher Gentile and the composer Rossini, thus it is known also as the Temple of the Italian Glories (). Building The basilica is the largest Franciscan church in the world. Its most notable features are its sixteen chapels, many of them decorated with frescoes by Giotto and his pupils, and its tombs and cenotaphs. Legend says that Santa Croce was founded by St Francis himself. The construction of the current church, to replace an older building, was begun on 12 May 1294, possibly by Arnolfo di Cambio, and paid for by some of the city's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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