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Pietrasanta Cathedral
The Collegiate Church of San Martino ( it, Collegiata di San Martino; ''Duomo di Pietrasanta'') is a collegiate church in Pietrasanta, in the region of Tuscany, Italy. It is the main church or ''duomo'' of the town. It is first mentioned in 1223, and was subsequently enlarged in 1330 and in 1387 when Pope Urban VI had a baptismal font installed in the church. . Exterior The façade is covered with white marble. Over the three portals are lunettes with scenes of the Life of Christ. On the right transept is another portal with ''St. John the Baptist'', a 14th-century work by Bonuccio Pardini. The coat of arms on the main façade is a memory of the Republic of Genoa, Genoese and Republic of Florence, Florentine dominations, but there is also one of Pope Leo X. The marble rose window is attributed to Riccoman ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cathedral Church Of St Martin, Pietrasanta
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyacintha Mariscotti
Hyacintha Mariscotti, or Hyacintha of Mariscotti ( it, Giacinta Marescotti) was an Italian nun of the Third Order Regular of St. Francis. She was born in 1585 of a noble family at Vignanello, in the Province of Viterbo, and died 30 January 1640 in Viterbo, noted for the depth of her spiritual gifts. She is honored as a saint in the Catholic Church. Life At baptism she received the name Clarice. Her parents were the Count Marcantonio Marescotti, who claimed descent from one Marius Scotus, a military leader under the Emperor Charlemagne, and Countess Ottavia Orsini, whose father had built the noted Gardens of Bomarzo. At an early age she and her sisters, Ginevra and Ortensia, were sent to the Monastery of St. Bernardino to be educated by the community of nuns of the Franciscan Third Order Regular. When their studies were complete, her older sister, Ginevra, chose to enter the monastic community as a nun, becoming known as Sister Immacolata. In her early youth, Clarice had been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religious Buildings And Structures Completed In 1387
Religion is usually defined as a social system, social-cultural system of designated religious behaviour, behaviors and practices, morality, morals, beliefs, worldviews, religious text, texts, sacred site, sanctified places, prophecy, prophecies, ethics in religion, ethics, or religious organization, organizations, that generally relates humanity to supernatural, transcendence (religion), transcendental, and spirituality, spiritual elements; however, there is no scholarly consensus over what precisely constitutes a religion. Different religions may or may not contain various elements ranging from the Divinity, divine, Sacred, sacred things, faith,Tillich, P. (1957) ''Dynamics of faith''. Harper Perennial; (p. 1). a supernatural being or supernatural beings or "some sort of ultimacy and transcendence that will provide norms and power for the rest of life". Religious practices may include rituals, sermons, commemoration or veneration (of deities or saints), sacrifices, festivals, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Ademollo
Luigi Ademollo (April 30, 1764 – February 11, 1849) was an Italian painter. Biography He was born in Milan. He studied at the Brera Academy, where he was taught by Giulio Traballesi, Giocondo Albertolli, and Giuseppe Piermarini. He left Milan in 1783 and traveled and worked in Rome and Florence. He married Margaret Cimballi Ferrara in Rome in 1792 and had several children. Ademollo primarily painted frescoes with biblical scenes from the Old and New Testaments. In 1789 he was appointed professor at the Academy of Fine Arts in Florence. He painted in theaters, including the decoration of sipari (theater curtains). He helped fresco the Royal Chapel in the Pitti Palace and also the churches of Santissima Annunziata and Sant'Ambrogio. In Siena, he painted frescoes for the Palazzo Venturi Gallerani and Palazzo Segardi. He died in Florence in 1849. His son Agostino Ademollo (1799–1841) was a writer of romances, including ''Marietta di' Ricci''. His grandson Carlo Ademollo Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando Tacca
Ferdinando Tacca (1619–1686) was an Italian sculptor and architect, active during the Baroque period in Florence. Biography He was the son of Pietro Tacca, a sculptor active for the Medici in Florence. After Pietro's death in 1640, Ferdinado inherited his studio and bronze foundry in Borgo Pinti, where he produced both large equestrian monuments, statuary, and smaller-scale works for both local and foreign patrons. He helped complete in 1640 the bronze ''Equestrian Statue of King Philip IV of Spain'' in Madrid. He created the Crucifix for the Cathedral of Prato and the ''Fontana di Bacchino'', located in the city's main piazza. The fountain (1659-1665) depicts young Bacchus in bronze sitting around bunches of grapes. After 1650, Tacca also became a prominent stage designer and engineer. After 1656, Ferdinando was appointed engineer of the Medici buildings and fortifications. He designed the ''Teatro Della Pergola The Teatro della Pergola is an historic opera house in F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Cominotti
Alessandro is both a given name and a surname, the Italian form of the name Alexander. Notable people with the name include: People with the given name Alessandro * Alessandro Allori (1535–1607), Italian portrait painter * Alessandro Baricco (born 1958), Italian novelist * Alessandro Bega (born 1991), Italian tennis player * Alessandro Bordin (born 1998), Italian footballer * Alessandro Botticelli (1445–1510), Italian painter * Alessandro Bovo (born 1969), Italian water polo player * Alessandro Cagliostro (1743–1795), alias of occultist and adventurer Giuseppe Balsamo * Alessandro Calcaterra (born 1975), Italian water polo player * Alessandro Calvi (born 1983), Italian swimmer * Alessandro Cattelan (born 1980), Italian television preesenter * Alessandro Cortini (born 1976), Italian musician * Alessandro Criscuolo (1937–2020), Italian judge * Alessandro Del Piero (born 1974), Italian footballer * Alessandro Di Munno (born 2000), Italian footballer * Alessandro Evange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Chiavistelli
Jacopo Chiavistelli (1618 or 1621 – 27 April 1698) was an Italian painter of the Baroque period, active mainly in his native city of Florence. He trained with Fabrizio Boschi and Michelangelo Colonna. He painted quadratura or painted architecture for the Palazzo Cerretani in Florence. References *''Alessandro Gherardini Alessandro Gherardini (16 November 1655 – 1726) was an Italian painter of the Baroque period, active mainly in Florence. He was the pupil of the painter Alessandro Rosi. In Florence, he painted a ''Crucifixion'' for the Monastery of the A ..., Prince Ferdinando de' Medici and the Pitti Palace'', by Marco Chiarini The Burlington Magazine, 1985, page 762. * 1618 births 1698 deaths 17th-century Italian painters Italian male painters Painters from Florence Italian Baroque painters Quadratura painters {{Italy-painter-17thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Dandini
Pietro Dandini (12 April 1646 – 26 November 1712) was an Italian painter of the Baroque period, active mainly in Florence. Biography He is also called ''Pier Dandini''. He was the son (or nephew) and pupil of the painter Vincenzo Dandini. Pietro's uncle, Cesare Dandini, was a prominent painter in Florence. Vincenzo's sons, Ottaviano and Vincenzo Dandini the younger also became painters. Among his pupils as Valerio Baldassarri of Pescia, Father Alberico Carlini of Vellano, Gaetano Santarelli Giovanna Fratellini, and Giovanni Cinqui. In addition to having training within the family, he traveled to Bologna, Modena, Venice, and Rome to learn about art. Pellegrino Antonio Orlandi, Bolognese, 1723, page 365. As a painter, Dandini's styles are eclectic, as reflected in his travels, though he has the high-minded graciousness ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Vignali
Jacopo Vignali (September 5, 1592 – August 3, 1664) was an Italian painter of the early Baroque period. Biography Vignali was born in Pratovecchio, near Arezzo, and initially trained under Matteo Rosselli. He painted the ceiling fresco of the ''Love of the Fatherland'' and ''Jacob's dream'' for the Casa Buonarroti in Florence. In 1616 he entered the Accademia del Disegno in Florence. In the 1620s, he painted the ''Investiture of St Benedict'' for the ''Confraternità di San Benedetto Bianco''. In 1622–23 he also contributed to fresco cycles for the Medici at the ''Casino Mediceo di San Marco'' in Florence, and at the Villa di Poggio Imperiale. Among his pupils were Domenico Bettini, Romolo Panfi, Alessandro Rosi, and Carlo Dolci. File:Cyparissus mg 0159.jpg, ''Cyparissus In Greek mythology, Cyparissus or Kyparissos (Ancient Greek: Κυπάρισσος, "cypress") was a boy beloved by Apollo or in some versions by other deities. In the best-known version of the story, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Curradi
Francesco Curradi or Currado (15 November 1570 – 1661) was an Italian painter of the style described as Counter-''Maniera'' or Counter-Mannerism, born and active in Florence. Biography Curradi was the son of a jeweller, Taddeo. He trained under Giovanni Battista Naldini and in 1590 matriculated in the Accademia del Disegno, Florence. His first independent works from 1597 to 1598 were for churches in Volterra, including that in the Colleoni chapel of the local Duomo. He helped paint the frescoes of the ''Fame Exalting Michelangelo'' (c. 1616–1617) for the Casa Buonarroti. In 1622 he painted the ''St Francis Xavier preaching in India'' for the church of San Giovannino degli Scolopi in Florence, and a canvas of ''Narcissus'' and ''Herminia among shepherds'' commissioned by the cardinal Carlo de' Medici for his Casino di San Marco. He also executed seven lunettes in the chapel of Villa del Poggio Imperiale with the ''Story of Mary Magdalen''. Curradi painted the ''Crowning of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Rosselli
Matteo Rosselli (10 August 1578 – 18 January 1650) was an Italian painter of the late Florentine Counter- Mannerism and early Baroque. He is best known however for his highly populated grand-manner historical paintings. Biography He first apprenticed with Gregorio Pagani. On 26 February 1599, he was inducted to the Accademia del Disegno, and in 1605 traveled to Rome to work with Domenico Passignano for six months. He completed some frescoes on ''The Legend of the Origin of the Servite Order'' (1614–1618) in the Palazzo Pitti and in the Cloister of the Basilica della Santissima Annunziata; a ''Madonna and child with St Francis'' altarpiece for the Church of Santa Maria Maggiore in Florence; and an ''Adoration of the Magi'' (1607) for the Church of Sant'Andrea in Montevarchi. He painted a ''Crucifixion'' (1613) now in the parish church at Scarperia. He painted a ''Last Supper'' (1614) now in Conservatorio di San Pier Martire. Upon the French monarch's death, he was commiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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