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Pierre Lepautre (1652–1716)
Pierre Lepautre or Le Pautre (1652 – 16 November 1716) was a French draughtsman, engraver and architect, especially known as an ''ornemaniste'', a prolific designer of ornament that presages the coming Rococo style.Kimball 1943, pp. 62–64, etc. He was the son of the designer and engraver Jean Lepautre and nephew of the architect Antoine Lepautre.Souchal 1981, pp. 437–441. His appointment in 1699 as ''Dessinateur'' in the Bâtiments du Roi, the official design department of the French monarchy, headed by Jules Hardouin-Mansart and later Robert de Cotte in the declining years of Louis XIV, was signalled by the historian of the Rococo, Fiske Kimball Sidney Fiske Kimball (1888 – 1955) was an American architect, architectural historian and museum director. A pioneer in the field of historic preservation, architectural preservation in the United States, he played a leading part in the re ..., as a starting point in the genesis of the new style. Notes Bibliography * D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drawing
Drawing is a form of visual art in which an artist uses instruments to mark paper or other two-dimensional surface. Drawing instruments include graphite pencils, pen and ink, various kinds of paints, inked brushes, colored pencils, crayons, charcoal, chalk, pastels, erasers, markers, styluses, and metals (such as silverpoint). Digital drawing is the act of drawing on graphics software in a computer. Common methods of digital drawing include a stylus or finger on a touchscreen device, stylus- or finger-to-touchpad, or in some cases, a mouse. There are many digital art programs and devices. A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, wood, plastic, leather, canvas, and board, have been used. Temporary drawings may be made on a blackboard or whiteboard. Drawing has been a popular and fundamental means of public expression throu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architect
An architect is a person who plans, designs and oversees the construction of buildings. To practice architecture means to provide services in connection with the design of buildings and the space within the site surrounding the buildings that have human occupancy or use as their principal purpose. Etymologically, the term architect derives from the Latin ''architectus'', which derives from the Greek (''arkhi-'', chief + ''tekton'', builder), i.e., chief builder. The professional requirements for architects vary from place to place. An architect's decisions affect public safety, and thus the architect must undergo specialized training consisting of advanced education and a ''practicum'' (or internship) for practical experience to earn a Occupational licensing, license to practice architecture. Practical, technical, and academic requirements for becoming an architect vary by jurisdiction, though the formal study of architecture in academic institutions has played a pivotal role in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Lepautre
Jean Le Pautre or Lepautre (baptised 28 June 1618; died 2 February 1682) was a French designer and engraver, the elder brother of the architect Antoine Le Pautre, the father of the engravers Pierre Lepautre (engraver), Pierre Le Pautre and Jacques Le Pautre, and the uncle of the sculptor Pierre Lepautre (sculptor), Pierre Lepautre. Jean Le Pautre was an apprentice to a carpenter and builder. In addition to learning mechanical and constructive work, he developed considerable skill with the pencil. His designs, innumerable in quantity and exuberant in content, consisted mainly of ceilings, friezes, chimney-pieces, doorways and mural decorations. He also devised fire-dogs, sideboards, cabinets, console tables, mirrors and other pieces of furniture. Le Pautre was long employed at the Gobelins manufactory. His work is often very flamboyant and elaborate. He frequently used Putto, amorini and swags, Arabesque (European art), arabesques and cartouches in his work. His chimney, chimney-pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Lepautre
Antoine Lepautre or Le Pautre (1621–1679) was a French architect and engraver. Born in Paris, he was the brother of the prolific and inventive designer-engraver Jean Lepautre. Antoine Lepautre has been called " "one of the most inventive architects of the early years of Louis XIV's reign". He was a protégé of Cardinal Mazarin, to whom he dedicated his ''Desseins de plusieurs palais'' (Paris, 1652/3), in which his imagination is given free rein. In 1646–1648, Lepautre built a chapel for the Jansenist Convent of Port-Royal at Paris. His Hôtel de Beauvais (1655–1660), rue François-Miron, built for Pierre de Beauvais and his wife Catherine Henriette Bellier, ''première dame de chambre'' to Anne of Austria, brought Lepautre celebrity for the ingenious way he made use of a highly irregular parcel of land, ranging his structure round an oval court. The Hôtel de Beauvais's architectural qualities were noted by Bernini during his Paris sojourn, and it remains Lepautre's o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bâtiments Du Roi
The Bâtiments du Roi (, "King's Buildings") was a division of the Maison du Roi ("King's Household") in France under the Ancien Régime. It was responsible for building works at the King's residences in and around Paris. History The Bâtiments du Roi was created by Henry IV of France to coordinate the building works at his royal palaces. Formerly, each palace had its own superintendent of works. Henry gave the task of supervising all works to Maximilien de Béthune, Duke of Sully. In the 17th century, the responsibilities of the Bâtiments du Roi extended beyond pure building works, to include the manufacture of tapestries and porcelain. In 1664, Jean-Baptiste Colbert was entitled ''surintendant et ordonnateur général des bâtiments, arts, tapisseries et manufactures de France'' ("superintendent and director-general of building, art, tapestries and factories of France"). This title was retained by several of his successors. Other areas that came within under the control o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Hardouin-Mansart
Jules Hardouin-Mansart (; 16 April 1646 – 11 May 1708) was a French Baroque architect and builder whose major work included the Place des Victoires (1684–1690); Place Vendôme (1690); the domed chapel of Les Invalides (1690), and the Grand Trianon of the Palace of Versailles. His monumental work was designed to glorify the reign of Louis XIV of France. Biography Born Jules Hardouin in Paris in 1646, he studied under his renowned great-uncle François Mansart, one of the originators of the classical tradition in French architecture; Hardouin inherited Mansart's collection of plans and drawings and added Mansart's name to his own in 1668. He began his career as an entrepreneur in building construction, in partnership with his brother Michel, but then decided in 1672 to devote himself entirely to architecture. In 1674 he became one of the group of royal architects working for Louis XIV. His first important project was the Château de Clagny, built for the King's consort, Madame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert De Cotte
Robert de Cotte (1656 – 15 July 1735) was a French architect-administrator, under whose design control of the royal buildings of France from 1699, the earliest notes presaging the Rococo style were introduced. First a pupil of Jules Hardouin-Mansart, he later became his brother-in-law and his collaborator. After Hardouin-Mansart's death, de Cotte completed his unfinished projects, notably the royal chapel at Versailles and the Grand Trianon. Biography Born in Paris, Robert de Cotte began his career as a contractor for masonry, working on important royal projects between 1682 and 1685, when he was made a member of the ''Académie royale d'architecture'' and architect of the Court, ranking third in importance after Mansart's seldom-credited assistant François Dorbay. On his return to France after a six-month sojourn in Italy (1689–1690), in the company of Jacques Gabriel, he became the director of the Manufacture des Gobelins, where not only the famous tapestries, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiske Kimball
Sidney Fiske Kimball (1888 – 1955) was an American architect, architectural historian and museum director. A pioneer in the field of historic preservation, architectural preservation in the United States, he played a leading part in the restoration of Monticello and Stratford Hall Plantation in Virginia. Over his nearly-30-year tenure as director of the Philadelphia Museum of Art, he moved the museum into its current building and greatly expanded its collections. Biography Kimball was born in Newton, Massachusetts on December 8, 1888. He was educated at Harvard University, where he took both his bachelor's and master's degrees in architecture. Kimball was awarded a Sheldon Fellowship for travel to Europe in 1911 and passed his assistantship in the library to his sister Theodora Kimball Hubbard during his absence. This opportunity propelled his sister's career as the first Landscape Architecture Librarian at Harvard University. He then taught at the University of Illinoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century French Engravers
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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