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Pierre Le Gros The Elder
Pierre Le Gros the Elder (baptised 27 May 1629 Chartres – died 11 May 1714 Paris)Gerhard Bissell, ''Le Gros, Pierre (1629)'', in: Allgemeines Künstlerlexikon, vol. 83, de Gruyter, Berlin 2014, . was a French sculptor in the service of King Louis XIV. Family His first wife, Jeanne (married 1663), was the sister of the sculptors Gaspard and Balthazard Marsy, and gave him a son, the better known Pierre Le Gros the Younger who worked almost entirely in Rome. Shortly after Jeanne's early death in 1668, he married in 1669 his second wife Marie, the daughter of the builder and architect Jean le Pautre and niece of the engraver Jean le Pautre. With her, he had another son, Jean (1671-1745), who was to become a portrait painter. Life In Paris, Le Gros entered the workshop of Jacques Sarazin as a pupil and later close assistant. He was working on the large funeral monument for the heart of the prince de Condé in the 1650s and, after Sarazin's death in 1660, took on the respons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gardens Of Versailles
The Gardens of Versailles (french: Jardins du château de Versailles ) occupy part of what was once the ''Domaine royal de Versailles'', the royal demesne of the château of Versailles. Situated to the west of the palace, the gardens cover some 800 hectares of land, much of which is landscaped in the classic French formal garden style perfected here by André Le Nôtre. Beyond the surrounding belt of woodland, the gardens are bordered by the urban areas of Versailles to the east and Le Chesnay to the north-east, by the National Arboretum de Chèvreloup to the north, the Versailles plain (a protected wildlife preserve) to the west, and by the Satory Forest to the south. Administered by the Public Establishment of the Palace, Museum and National Estate of Versailles, an autonomous public entity operating under the aegis of the French Ministry of Culture, the gardens are now one of the most visited public sites in France, receiving more than six million visitors a year. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée Condé
The Musée Condé – in English, the Condé Museum – is a French museum located inside the Château de Chantilly in Chantilly, Oise, 40 km north of Paris. In 1897, Henri d'Orléans, Duke of Aumale, son of Louis Philippe I, bequeathed the château and its collections to the Institut de France. It included rooms remodeled as museum spaces and those left as residential quarters in the styles of the 18th and 19th centuries. Collections The collection of old master paintings is among the most important in France. It consists predominantly of Italian and French works and includes three paintings by Fra Angelico, three by Raphael, five by Nicolas Poussin, four by Antoine Watteau and five signed by Jean-Auguste-Dominique Ingres. The museum harbors a collection of 2,500 drawings and a library including 1,500 manuscripts, of which 200 are illuminated. The most renowned of the latter are the '' Très Riches Heures du Duc de Berry''. In addition to these, there are collections of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery Of Art
The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western Art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder. The Galler ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Putti
A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of North Carolina Press, Chapel Hill and London, 2001. the putto came to represent the sacred cherub (plural cherubim), and in Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti). Etymology The more commonly found form ''putti'' is the plural of the Italian word ''putto''. The Italian word comes from the Latin word ''putus'', meaning "boy" or "child". Today, in Italian, ''putto'' means either toddler winged angel or, rarely, toddler boy. It may have been derived from the same Indo-European root as the Sanskrit word "putra" (meaning "boy child", as opposed to "son"), Avestan ''puθra''-, Old Persian ''puça''-, Pahlavi (Middle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Château De Marly
The Château de Marly was a French royal residence located in what is now Marly-le-Roi, the commune on the northern edge of the royal park. This was situated west of the palace and garden complex at Versailles. Marly-le-Roi is the town that developed to serve the château, which was demolished in 1806 after passing into private ownership and being used as a factory. The town is now a bedroom community for Paris. At the Château of Marly, Louis XIV of France escaped from the formal rigors he was constructing at Versailles. Small rooms meant less company, and simplified protocol; courtiers, who fought among themselves for invitations to Marly, were housed in a revolutionary design of twelve pavilions built in matching pairs flanking the central sheets of water, which were fed one from the other by formalized cascades (''illustration, right''). After the French Revolution, about 1800, the chateau was sold to a private owner. He demolished it in 1806 after his factory there failed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Replica
A 1:1 replica is an exact copy of an object, made out of the same raw materials, whether a molecule, a work of art, or a commercial product. The term is also used for copies that closely resemble the original, without claiming to be identical. Also has the same weight and size as original. Replicas have been sometimes sold as originals, a type of fraud. Most replicas have more innocent purposes. Fragile originals need protection, while the public can examine a replica in a museum. Replicas are often manufactured and sold as souvenirs. An inverted replica complements the original by filling its gaps. Sometimes the original never existed. It is logically impossible for there to be a replica of something that never existed. Replicas and reproductions can be related to any form of licensing an image for others to use, whether it is through photos, postcards, prints, miniature or full size copies they represent a resemblance of the original object. Not all incorrectly attributed it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as strength, ductility, or machinability. The archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in modern times. Because historical artworks w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead
Lead is a chemical element with the symbol Pb (from the Latin ) and atomic number 82. It is a heavy metal that is denser than most common materials. Lead is soft and malleable, and also has a relatively low melting point. When freshly cut, lead is a shiny gray with a hint of blue. It tarnishes to a dull gray color when exposed to air. Lead has the highest atomic number of any stable element and three of its isotopes are endpoints of major nuclear decay chains of heavier elements. Lead is toxic, even in small amounts, especially to children. Lead is a relatively unreactive post-transition metal. Its weak metallic character is illustrated by its amphoteric nature; lead and lead oxides react with acids and bases, and it tends to form covalent bonds. Compounds of lead are usually found in the +2 oxidation state rather than the +4 state common with lighter members of the carbon group. Exceptions are mostly limited to organolead compounds. Like the lighter members of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilded
Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. A gilded object is also described as "gilt". Where metal is gilded, the metal below was traditionally silver in the West, to make silver-gilt (or ''vermeil'') objects, but gilt-bronze is commonly used in China, and also called ormolu if it is Western. Methods of gilding include hand application and gluing, typically of gold leaf, chemical gilding, and electroplating, the last also called gold plating. Parcel-gilt (partial gilt) objects are only gilded over part of their surfaces. This may mean that all of the inside, and none of the outside, of a chalice or similar vessel is gilded, or that patterns or images are made up by using a combination of gilt and ungilted areas. Gilding gives an object a gold appearance at a fraction of the cost of creating a solid gold object. In addition, a solid gold piece would often be too sof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louvre Palace
The Louvre Palace (french: link=no, Palais du Louvre, ), often referred to simply as the Louvre, is an iconic French palace located on the Right Bank of the Seine in Paris, occupying a vast expanse of land between the Tuileries Gardens and the church of Saint-Germain l'Auxerrois. Originally a military facility, it has served numerous government-related functions in the past, including intermittently as a royal residence between the 14th and 18th centuries. It is now mostly used by the Louvre Museum, which first opened there in 1793. Whereas the area had been inhabited for thousands of years, the Louvre's history starts around 1190 with its first construction as a castle defending the western front of the Wall of Philip II Augustus. The Louvre's oldest section still standing above ground, its Lescot Wing, dates from the late 1540s, when Francis I started the replacement of the medieval castle with a new design inspired by classical antiquity and Italian Renaissance architec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bâtiments Du Roi
The Bâtiments du Roi (, "King's Buildings") was a division of the Maison du Roi ("King's Household") in France under the Ancien Régime. It was responsible for building works at the King's residences in and around Paris. History The Bâtiments du Roi was created by Henry IV of France to coordinate the building works at his royal palaces. Formerly, each palace had its own superintendent of works. Henry gave the task of supervising all works to Maximilien de Béthune, Duke of Sully. In the 17th century, the responsibilities of the Bâtiments du Roi extended beyond pure building works, to include the manufacture of tapestries and porcelain. In 1664, Jean-Baptiste Colbert was entitled ''surintendant et ordonnateur général des bâtiments, arts, tapisseries et manufactures de France'' ("superintendent and director-general of building, art, tapestries and factories of France"). This title was retained by several of his successors. Other areas that came within under the control ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of Notre-Dame, Versailles
The Church of Notre-Dame, Versailles (french: Église Notre-Dame de Versailles), is a Roman Catholic parish church in Versailles, Yvelines, France, in the Rue de la Paroisse. History The church was built at the command of Louis XIV by Jules Hardouin-Mansart in the Baroque (French Classicism) (see: 17th-century French art ) architectural style and was consecrated on 30 October 1686. The parish of Notre-Dame included the Palace of Versailles and thus registered the baptisms, marriages and burials of the French royal family. In 1791 it was declared a cathedral but converted to a Temple of Reason in 1793. After the Revolution the bishop of Versailles chose the Church of Saint-Louis as his seat instead (the present Versailles Cathedral). Between 1858 and 1873, a new chapel was added by the architect Le Poittevin, who also built the market-halls of the ''Marché Notre-Dame''. The church contains sculptures by Pierre Mazzeline and Noël Jouvenet. The church has been classed as a ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
