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Piens
''Piens'' () is the debut album by Latvian band The Satellites, released in 1998. The debut single "Nekad, nekad" received Power Play rotation on Latvia's most popular radio stations in the spring of 1997. Their videos "Nekad, nekad", "Disko", "Happy to Follow" and "I Wish I Was a Beach Boy" were shown frequently on TV as well. Track listing #"Nekad, nekad" – 4:12 #"Lai paliek ta ka ir" – 3:41 #"Publiska vieta" – 6:10 #"Es domaju, ka mirstu" – 3:23 #"Happy to Follow" – 5:31 #"Piens" – 3:23 #"Baseins" – 3:55 #"Disko" – 4:28 #"Intro 2:L.Kresls" – 2:57 #"Viss mainisies" – 6:04 Band members *Janis Zilde (guitar, vocals) *Edgars Zilde (guitar, vocals, piano) *Toms Ostrovskis (bass) *Uldis Zarins (drums) External linksSatellties LV Official webpageSatellites LV MySpace page
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Satellites LV
Satellites LV, formerly known as The Satellites in their early rock period (1996–1999), is a Latvian musical group formed in 1996 in Riga, Latvia. The core members of The Satellites are brothers Janis and Edgars Zilde. Other projects and groups related to Satellites LV include Kuba, Mofo, Raadio, Autobuss Debesis, ''Stāvi'', the experimental solo album of Janis Zilde and Augusts IV, the solo EP by Edgars Zilde. History The Satellites ; (1996–1999) The Satellites' debut single "Nekad, nekad" received heavy rotation on Latvian radio stations in the spring of 1997. The song reached 4th position in the Radio SWH top 40. Also on popular radio station 106.2, "Nekad, nekad" held the top position for several weeks. Their self-produced videos ''Nekad, nekad'', plus ''Disko'' and ''Happy to Follow'' were shown frequently on TV as well. The video ''I Wish I Was a Beach Boy'', directed by Martins Grauds, was also released. In the summer of 1997, The Satellites won the Grand Prix ...
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Kind Of Glue
''Kind of Glue'' is the second album by Satellites LV, released in 2001. "Kind of Glue" features many guest musicians including legendary Latvian trumpeter Gunārs Rozenbergs and drummer Haralds Bondaris. The album received critical acclaim in Latvia and was also played in several radio stations in Europe (VPRO – "Night Train" (Holland), Studio Brussels. Recording is considered to be the first ever published post-rock Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with ... album in Latvia. The album cover features a drawing "Blue Screens" by Edgars Žilde. Track listing #"I Hope It's Gonna Snow on Christmas Eve" – 0:42 #"Surfing'" – 4:25 #"Kansas" – 2:37 #"Japanese Golfers" – 2:30 #"I'm Afraid of the Food They're Selling" – 2:47 #"Hospital People" – 1:35 #"Kind of Glue" ...
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Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisation (music), improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as Popular music, pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, ...
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Britpop
Britpop was a mid-1990s British-based music culture movement that emphasised Britishness. It produced brighter, catchier alternative rock, partly in reaction to the popularity of the darker lyrical themes of the US-led grunge music and to the UK's own shoegaze music scene. The movement brought British alternative rock into the mainstream and formed the backbone of a larger British popular cultural movement, Cool Britannia, which evoked the Swinging Sixties and the British guitar pop of that decade. Britpop was a media-driven focus on bands which emerged from the independent music scene of the early 1990s. Although the term was viewed as a marketing tool, and more of a cultural moment than a musical style or genre, its associated bands typically drew from the British pop music of the 1960s, glam rock and punk rock of the 1970s and indie pop of the 1980s. The most successful bands linked with Britpop were Oasis, Blur, Suede and Pulp, known as the movement's "big four", al ...
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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ...
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Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ...
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