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Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig. Henrici was born in Stolpen. He studied law at Wittenberg and Leipzig. He wrote to supplement his income from tutoring and continued even after obtaining regular employment as a civil servant. Librettist for Johann Sebastian Bach Bach moved to Leipzig in 1723. There is uncertainty as to who was writing the libretti he set during his first years in the city. The authors of the libretti for the Chorale cantata cycle of 1724/25 are anonymous. By 1725, Henrici and Bach were working together. Some of Bach's most important works used Henrici's libretti. Most notably their collaboration was on religious works in a Lutheran tradition such as the ''St Matthew Passion'' (BWV 244). However, they also produced secular works such as the '' Shepherds' Cantata'' of 1725 and the later ''Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gott, Wie Dein Name, So Ist Auch Dein Ruhm, BWV 171
(God, as Your name is, so is also Your praise), , is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for New Year's Day and probably first performed it on 1 January 1729. Bach composed the cantata years after the complete cantata cycles from the beginning of his tenure as ''Thomaskantor'' in Leipzig in 1723. The text by Picander appeared in a 1728 collection of texts for all occasions of the liturgical year. The feast day also celebrated the circumcision and naming of Jesus. Picander focused on the naming, beginning with a psalm verse mentioning God's name. He used for the conclusion the second stanza from Johannes Hermann's hymn "". Bach structured the cantata in six movements, an opening choral fugue, alternating arias and recitatives and closing chorale. He scored the work for four vocal soloists, a four-part choir and a festive Baroque instrumental ensemble of three trumpets and timpani, two oboes, strings and continuo. The oboes and strings play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Mark Passion, BWV 247
The ''St Mark Passion'' (german: Markus-Passion), BWV 247, is a lost Passion setting by Johann Sebastian Bach, first performed in Leipzig on Good Friday, 23 March 1731 and again, in a revised version, in 1744. Though Bach's music is lost, the libretto by Picander is still extant, and from this, the work can to some degree be reconstructed. History Unlike Bach's earlier existing passions (''St John Passion'' and ''St Matthew Passion''), the ''Markus-Passion'' is probably a parody—it recycles previous works. The ''St Mark Passion'' seems to reuse virtually the whole of the Trauer Ode ''Laß, Fürstin, laß noch einen Strahl'', BWV 198,Wilhelm Rust. "Vorwort" (Preface) of Bach-Gesellschaft Ausgabe, Vol. 20.2: ''Kammermusik für Gesang – Band 2''. Bärenreiter, 1873, pp. VIII–IX. along with the two arias from ''Widerstehe doch der Sünde'', BWV 54. In addition, two choruses from the ''St Mark Passion'' were reused in the Christmas Oratorio. This leaves only a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man Singet Mit Freuden Vom Sieg, BWV 149
(: One sings with joy about victory), 149, is a church cantata by Johann Sebastian Bach. He composed the work in Leipzig for Michaelmas and first performed it on 29 September 1729. It is the last of his three extant cantatas for the feast. Picander wrote the cantata's libretto, and published it in a 1728/29 cycle of cantata texts. The libretto opens with two verses from Psalm 118 and closes with the third stanza of Martin Schalling's "". The topic of the libretto aligns with the prescribed readings for the day from the Book of Revelation, Michael fighting the dragon. The closing Lutheran hymn stanza writes about a "sweet little angel", accompanying a soul in anticipation of the Last Judgment. The cantata has seven movements, and is scored festively with four vocal parts and a Baroque orchestra of three trumpets, timpani, three oboes, bassoon, strings and continuo. Bach derived the music of the opening chorus from his ''Hunting Cantata'', composed already in 1713. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klagt, Kinder, Klagt Es Aller Welt, BWV 244a
' (Cry, children, cry to all the world), also known as ' (Köthen funeral music), BWV 1143, BWV244a, is a cantata by Johann Sebastian Bach. He composed it in 1729 for the funeral of Leopold, Prince of Anhalt-Köthen. The music is lost, but the libretto survives. As Bach is known to have used musical material which also appeared in two surviving works, one being the '' St Matthew Passion'', it has been possible to make reconstructions. The cantata is in 24 movements ( choruses, arias and recitatives) divided into four parts. The first deals with the principality in mourning, the second the prince's departing and the salvation of his soul. The third part, followed by a homily, details Leopold's commemoration. The final section is about the farewell and about eternal rest. History and words The choice of Bach for the funeral music was not surprising. He had worked full-time at Leopold's court between 1717 and 1723. When he moved to Leipzig, he retained his role as Köthen cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ich Liebe Den Höchsten Von Ganzem Gemüte, BWV 174
(I love the Highest with my entire being), 174, is a church cantata by Johann Sebastian Bach. He composed the cantata in Leipzig for the second day of Pentecost and first performed it on 6 June 1729. History and words Bach wrote the cantata in Leipzig for Pentecost Monday. The prescribed readings for the feast day were from the Acts of the Apostles, the sermon of Peter for Cornelius (), and from the Gospel of John, "God loved the world so much ..." from the meeting of Jesus and Nicodemus (). The cantata text was written by Picander and published in his collection of cantata texts for a year in 1728. Picander had written in the preface that he hoped "the lack of poetic elegance would be compensated for by the sweetness of the incomparable Bach, and that these songs will be sung in the main churches of devout Leipzig." Nine of Bach's cantatas on his texts in that volume are extant. If Bach composed more, they are lost. In the first aria the poet considers the beginning of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Cantata Cycle
Johann Sebastian Bach's chorale cantata cycle is the year-cycle of church cantatas he started composing in Leipzig from the first Sunday after Trinity in 1724. It followed the cantata cycle he had composed from his appointment as Thomaskantor after Trinity in 1723. Bach's second cantata cycle is commonly used as a synonym for his chorale cantata cycle, but strictly speaking both cycles overlap only for 40 cantatas. Two further chorale cantatas may belong to both cycles: the final version of , and the earliest version of ; it is, however, uncertain whether these versions were first presented in Bach's second year in Leipzig. Bach composed a further 13 cantatas in his second year at Leipzig, none of them chorale cantatas, although two of them became associated with the chorale cantata cycle. After his second year in Leipzig, he composed at least eight further cantatas for inclusion in his chorale cantata cycle. Around the start of the Bach Revival in the 19th century, almost no manu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mer Hahn En Neue Oberkeet, BWV 212
''Mer hahn en neue Oberkeet'' (We have a new governor), 212, is a secular cantata by Johann Sebastian Bach. It was entitled the "Cantate burlesque" (burlesque cantata) by Bach himself, but is now popularly known as the ''Peasant Cantata''. It is the last definitely dated Bach cantata. History and text This cantata's libretto was written by Christian Friedrich Henrici, known as Picander, and was written for performance on 30 August 1742. On that day the Erbherr, Lehnherr and Gerichtsherr Carl Heinrich von Dieskau, Saxon-Crown-Princely Kammerherr to the Rittergut Kleinzschocher near Leipzig, celebrated his thirty-sixth birthday with a huge fireworks display and, as was customary, took homage from the peasants on the same occasion. It is thought that Picander asked Bach to set his poetry to music. The text describes how an unnamed farmer laughs with the farmer's wife Mieke about the tax collector's machinations while praising the economy of Dieskau's wife, ending by especially che ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schweigt Stille, Plaudert Nicht, BWV 211
' (Be still, stop chattering), BWV 211, also known as the ''Coffee Cantata'', is a secular cantata by Johann Sebastian Bach. He composed it probably between 1732 and 1735. Although classified as a cantata, it is essentially a miniature comic opera. In a satirical commentary, the cantata amusingly tells of an addiction to (or rather dependence on) coffee. History and text Bach regularly directed a musical ensemble based at Zimmermann's coffee house called a collegium musicum, founded by Georg Philipp Telemann in 1702. The libretto suggests that some people in eighteenth-century Germany viewed coffee drinking as a bad habit. However, the work is likely to have been first performed at the coffee house in Leipzig. The cantata's libretto (written by Christian Friedrich Henrici, known as Picander), features lines like "If I couldn't, three times a day, be allowed to drink my little cup of coffee, in my anguish I will turn into a shriveled-up roast goat". Bach wrote no operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stolpen
Stolpen ( hsb, Stołpin) is a town in the district of Sächsische Schweiz-Osterzgebirge, in Saxony, Germany. It is a historical town, that grew at the foot of the ''Schloßberg'' with the castle ''Burg Stolpen''. Burg Stolpen Burg Stolpen is a castle built on top of the Schloßberg. The first defensive works were built about 1100 and it was first documented in 1222. Owned by the Bishop of Meißen for nearly 350 years, it passed to the Electorate of Saxony and was expanded in Renaissance style. In 1675 it was further expanded as a fortress. Anna Constantia von Brockdorff, Countess of Cosel, was imprisoned in the castle from 1716 until her death in 1765. The castle fell into disrepair towards the end of the 18th century. It became a museum in 1875, and has been partly restored since then. Schloßberg Schloßberg is a hill just to the south of the town formed of prominent basalt columns. It is the formation referred to by Georgius Agricola when he coined the term ''basalt''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ehre Sei Gott In Der Höhe, BWV 197a
(Glory be to God in the Highest), 197a (197.1), is a Christmas cantata by Johann Sebastian Bach. He composed it in Leipzig for the First Day of Christmas in 1728 or 1729.Work at Bach Digital website. History and text Bach composed the work in Leipzig for Christmas Day in 1728 or 1729. The prescribed readings for the feast day were from the Epistle of Titus, "God's mercy appeared" () or from Isaiah, "Unto us a child is born" (), and from the Gospel of Luke, the Nativity, Annunciation to the shepherds and the angels' song (). The text of the cantata is by Picander. The chorale is from the 1697 hymn "Ich freue mich in dir" by Caspar Ziegler. Bach later revised the piece into ''Gott ist unsre Zuversicht'', BWV 197.2.Work at Bach Digital website. Scoring and structure The cantata is scored for solo alto and bass voices, a four-part choir, two flutes, oboe d'amore, two violins, viola, bassoon, cello, and continuo. The piece has seven movements (although there may also have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
