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Piano Accordion
A piano accordion is an accordion equipped with a right-hand keyboard similar to a piano or organ. Its acoustic mechanism is more that of an organ than a piano, as they are both aerophones, but the term "piano accordion"—coined by Guido Deiro in 1910—has remained the popular name. It may be equipped with any of the available systems for the left-hand manual. In comparison with a piano keyboard, the keys are more rounded, smaller, and lighter to the touch. These go vertically down the side, pointing inward, toward the bellows, making them accessible to only one hand while handling the accordion.Felt or rubber is placed under the piano keys to control touch and key noise: it is also used on the ''pallets'' to silence notes not sounded by preventing air flow. This material eventually wears with use, resulting in a clacking noise, so has to be replaced to quieten the mechanism. The bass piano accordion is a variation of a piano accordion without bass buttons, with the piano key ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Reed Aerophone
A free reed aerophone is a musical instrument that produces sound as air flows past a vibrating reed in a frame. Air pressure is typically generated by breath or with a bellows. In the Hornbostel–Sachs system, it is number: 412.13 (a member of interruptive free aerophones). Free reed instruments are contrasted with non-free or enclosed reed instruments, where the timbre is fully or partially dependent on the shape of the instrument body, Hornbostel–Sachs number: 42 (flute, reed, and brass). Operation The following illustrations depict the type of reed typical of harmonicas, pitch pipes, accordions, and reed organs as it goes through a cycle of vibration. One side of the reed frame is omitted from the images for clarity; in reality, the frame completely encloses the reed. Airflow over one side of the reed (labeled “AR”) creates a region of low pressure on that side (see the Bernoulli's principle article for details), causing the reed to flex towards the low-pressure si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubber
Rubber, also called India rubber, latex, Amazonian rubber, ''caucho'', or ''caoutchouc'', as initially produced, consists of polymers of the organic compound isoprene, with minor impurities of other organic compounds. Thailand, Malaysia, and Indonesia are three of the leading rubber producers. Types of polyisoprene that are used as natural rubbers are classified as elastomers. Currently, rubber is harvested mainly in the form of the latex from the rubber tree (''Hevea brasiliensis'') or others. The latex is a sticky, milky and white colloid drawn off by making incisions in the bark and collecting the fluid in vessels in a process called "tapping". The latex then is refined into the rubber that is ready for commercial processing. In major areas, latex is allowed to coagulate in the collection cup. The coagulated lumps are collected and processed into dry forms for sale. Natural rubber is used extensively in many applications and products, either alone or in combination wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of All-Ireland Champions
This page lists those who have won the senior title at Fleadh Cheoil na hÉireann title since its foundation in 1951 by Comhaltas Ceoltóirí Éireann. There were no competitions in 2020 and 2021 due to the Covid-19 pandemic. Once you win a senior title, you are automatically placed into the All Ireland competition the following year giving you a chance to defend the title. Whilst the majority do not return, some have defended their title on multiple occasions. There are competitions for soloists, duos, trios, and various types of ensembles, many of which are divided into separate competitions by age group. A list of the categories is found here. Fiddle (Fidil) *1951, Pat Kelly, County Tyrone *1952, Bobby Casey, County Clare *1953, Paddy Canny, County Clare *1954, Aggie Whyte, County Galway *1955, Seán Ryan, County Tipperary *1956, Seán Ryan, County Tipperary *1957, Jimmy McHugh, Glasgow, Scotland *1958, Seán McLoughlan, County Antrim *1959, John Gallagher, County Donegal *19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Squeezebox
The term squeezebox (also squeeze box, squeeze-box) is a colloquial expression referring to any musical instrument of the general class of hand-held bellows-driven free reed aerophones such as the accordion and the concertina. The term is so applied because such instruments are generally in the shape of a rectangular prism or box, and the bellows is operated by squeezing in and drawing out. Accordions (including piano accordions and button accordions) typically have right-hand buttons or keys that play single notes (melody) and left hand buttons that play chords and bass notes. The bandoneon is a type of concertina particularly popular in South America and Lithuania, frequently featuring in tango ensembles. Concertinas (including the English concertina, Anglo concertina and bandoneon) play single notes (melody) on both left and right hands. The Indian harmonium remains an important instrument in many genres of Indian music, stemming from French-made hand-pumped harmoniums bei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandoneon
The bandoneon (or bandonion, es, bandoneón) is a type of concertina particularly popular in Argentina and Uruguay. It is a typical instrument in most tango ensembles. As with other members of the concertina family, the bandoneon is held between the hands, and by pulling and pushing actions force air through bellows and then routing air through particular reeds as by pressing the instrument's buttons. Bandoneons have a different sound from accordions, because bandoneons do not usually have the register switches that are common on accordions. Nevertheless, the tone of the bandoneon can be changed a great deal using varied bellows pressure and overblowing, thus creating potential for expressive playing and diverse timbres. History The Bandonion, so named by the German instrument dealer Heinrich Band (1821–1860), was originally intended as an instrument for religious and popular music of the day, in contrast to its predecessor, German concertina (), which had predominantly b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Button Accordion
A button accordion is a type of accordion on which the melody-side keyboard consists of a series of buttons. This differs from the piano accordion, which has piano-style keys. Erich von Hornbostel and Curt Sachs categorize it as a free reed aerophone in their classification of instruments, published in 1914. The sound from the instrument is produced by the vibration of air in reeds. Button accordions of various types are particularly common in European countries and countries where European people settled. The button accordion is often confused with the concertina; the button accordion's buttons are on the front of the instrument, where as the concertina's are on the sides and pushed in parallel with the bellows. Main components All accordions and concertinas have three main components: the reeds, bellows, and buttons or keys. Pushing or pulling the bellows slower or faster makes the sound softer or louder, respectively. The accordion has free reeds on both the treble and bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion Reed Ranks And Switches
A reed rank inside an accordion is a single full set of the reeds that are the means to achieve the instrument's sound range. These reed ranks are located in the reed chamber. Most accordions to this date typically have between two and four reed ranks on the treble side and between three and five reed ranks on the bass side. These can usually be selected individually or combined in various ways to provide a range of different timbres, by use of register switches arranged by register from high to low. More of the top-line expensive accordions may contain five or six reed blocks on the treble side for different tunings, typically found in accordions that stress musette sounds. How many reeds an accordion has is specified by the number of treble ranks and bass ranks. For example, a 4/5 accordion has four reeds on the treble side and five on the bass side. A 3/4 accordion has three reeds on the treble sides and four on the bass side. Reed ranks are classified by either organ 'foo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Former Soviet Countries
The post-Soviet states, also known as the former Soviet Union (FSU), the former Soviet Republics and in Russia as the near abroad (russian: links=no, ближнее зарубежье, blizhneye zarubezhye), are the 15 sovereign states that were union republics of the Soviet Union, which emerged and re-emerged from the Soviet Union following its dissolution in 1991. Russia is the primary ''de facto'' internationally recognized successor state to the Soviet Union after the Cold War; while Ukraine has, by law, proclaimed that it is a state-successor of both the Ukrainian SSR and the Soviet Union which remained under dispute over formerly Soviet-owned properties. The three Baltic states – Estonia, Latvia, and Lithuania – were the first to declare their independence from the USSR, between March and May 1990, claiming continuity from the original states that existed prior to their annexation by the Soviet Union in 1940. The remaining 12 republics all subsequently seceded, all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco
San Francisco (; Spanish language, Spanish for "Francis of Assisi, Saint Francis"), officially the City and County of San Francisco, is the commercial, financial, and cultural center of Northern California. The city proper is the List of California cities by population, fourth most populous in California and List of United States cities by population, 17th most populous in the United States, with 815,201 residents as of 2021. It covers a land area of , at the end of the San Francisco Peninsula, making it the second most densely populated large U.S. city after New York City, and the County statistics of the United States, fifth most densely populated U.S. county, behind only four of the five New York City boroughs. Among the 91 U.S. cities proper with over 250,000 residents, San Francisco was ranked first by per capita income (at $160,749) and sixth by aggregate income as of 2021. Colloquial nicknames for San Francisco include ''SF'', ''San Fran'', ''The '', ''Frisco'', and '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion Music Genres
The accordion is in a wide variety of musical genres, mainly in traditional and popular music. In some regions, such as Europe and North America, it has become mainly restricted to traditional, folk and ethnic music. In other regions such as Mexico, the instrument is very popular in genres like Norteño, and in Brazil, it is a fixture in popular music styles as Sertanejo and Forró. In art music it is used in jazz music, an important exponent having been the North American accordionist Frank Marocco and in transcriptions from the operatic and light-classical music repertoire. Use in traditional music After the invention of the accordion in 1829, its popularity spread throughout the world, in no small measure due to the polka craze. "Once the polka became a craze in Paris and London during the spring of 1844, it diffused rapidly to the rest of the world. . . . In March 1844, polka-mania took Paris: common people, servants, workers and, one assumes, anyone else who wasn't to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Frosini
Pietro Frosini (9 August 1885 – 2 September 1951) was one of the first famous "stars of the accordion." He was born in Catania, Sicily, in 1885 and began to play the chromatic button accordion at the age of six. In 1905 he emigrated to San Francisco and was discovered by a talent scout for the Orpheum Vaudeville Circuit. Frosini made one of the first accordion recordings on a cylinder record for Edison in 1907 and made his first Victor recording in 1908. He traveled extensively on the vaudeville circuit in America and abroad and even performed for the King of England. On the vaudeville circuit, Frosini met and became friends with another great accordionist, Guido Deiro. After seeing the great success Deiro had with his audiences, Frosini adopted some of Deiro's methods: (1) he began playing popular music along with classical and operatic selections, and (2) he pasted a dummy piano accordion keyboard over his buttons, as audiences wanted to hear the more novel and unfamiliar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Deiro
Pietro Deiro (1888 – 1954) was one of the most influential accordionists of the first half of the 20th century. Born on August 28, 1888 in Salto Canavese, Italy, the younger brother of Guido Deiro, Pietro Deiro emigrated to the United States as a steerage passenger on the S/S ''La Savoie'' in 1907 and went to live with his Uncle Frederico and work in the coal mines of Cle Elum, Washington. Pietro Deiro began playing Diatonic button accordion professionally in a tavern in Seattle in 1908. Within a few months, his brother Guido Deiro (already an accomplished piano-accordionist in Europe) arrived in Seattle, and taught his brother how to play the piano accordion. Both brothers became minor celebrities on the vaudeville circuit; Guido in 1910 and Pietro at least by 1912. Pietro Deiro recorded dozens of records for the Victor Talking Machine Company. After the demise of vaudeville during the Great Depression, he opened a successful accordion studio in Greenwich Village, New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
