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Piano Trio No. 1 (Arensky)
Piano Trio No. 1 in D minor, Op. 32, for violin, cello and piano is a Romantic chamber composition by the Russian composer Anton Arensky. It was written in 1894 and is in four movements: # Allegro moderato (in D minor and in sonata form) – Unlike the agitated opening melody of the first movement from Mendelssohn's Piano Trio No. 1, this piece opens gently, lyrically and elegiacally, setting an autumnal mood of the whole work. This movement ends with a coda marked "Adagio". # Scherzo (Allegro molto) (in D major and in ternary form) – The movement in the parallel key (tonic major) features flying notes, and a waltz-like middle section mainly in B-flat major. The movement is cheerful throughout. # Elegia (Adagio) (in G minor and in ternary form) – Following the cheerful scherzo comes the contrasting and sad slow movement in the subdominant minor. Presenting no formal grief but memorial thoughts, this movement is deeply elegiac but not funereal. The middle section begins in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Arensky
Anton Stepanovich Arensky (russian: Анто́н Степа́нович Аре́нский; – ) was a Russian composer of Romantic classical music, a pianist and a professor of music. Biography Arensky was born into an affluent, music-loving family in Novgorod, Russia. He was musically precocious and had composed a number of songs and piano pieces by the age of nine. With his mother and father, he moved to Saint Petersburg in 1879, after which he studied composition at the Saint Petersburg Conservatory with Nikolai Rimsky-Korsakov. After graduating from the Saint Petersburg Conservatory in 1882, Arensky became a professor at the Moscow Conservatory. Among his students there were Alexander Scriabin, Sergei Rachmaninoff, and Alexander Gretchaninov. In 1895, Arensky returned to Saint Petersburg as the director of the Imperial Choir, a post for which he had been recommended by Mily Balakirev. He retired from this position in 1901, living off a comfortable pension and spending hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's ''Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's ''St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might be stif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1894 Compositions
Events January–March * January 4 – A military alliance is established between the French Third Republic and the Russian Empire. * January 7 – William Kennedy Dickson receives a patent for motion picture film in the United States. * January 9 – New England Telephone and Telegraph installs the first battery-operated telephone switchboard, in Lexington, Massachusetts. * February 12 ** French anarchist Émile Henry sets off a bomb in a Paris café, killing one person and wounding twenty. ** The barque ''Elisabeth Rickmers'' of Bremerhaven is wrecked at Haurvig, Denmark, but all crew and passengers are saved. * February 15 ** In Korea, peasant unrest erupts in the Donghak Peasant Revolution, a massive revolt of followers of the Donghak movement. Both China and Japan send military forces, claiming to come to the ruling Joseon dynasty government's aid. ** At 04:51 GMT, French anarchist Martial Bourdin dies of an accidental detonation of his own bom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions For Piano Trio
Among the fairly large repertoire for the standard piano trio (violin, cello, and piano) are the following works: Ordering is by surname of composer. A *Els Aarne **Piano Trio (1946) * **Trio per pianoforte, violino e violoncello (1842) *Kati Agócs **Piano Trio No. 1, Queen of Hearts (2017) *Miguel del Águila ** Tango Trio (2002) ** Disagree! (2017) **Japanese Gardens (1996) **Boundaries 2 (2002) **Doppler Effect, version for violin, cello, piano (2005) **Images (rev. 2008) **Lullaby for Piano Trio (v. 2008) **Musescapes (2009) **A Golden Celebration (2014) *Franghiz Ali-Zadeh **Impromptus (2004) *Charles-Valentin Alkan **Piano Trio in G minor, Op. 30 (1841) * Berta Alves de Sousa **Piano Trio (1974) *Alexander Alyabyev **Piano Trio in E-flat major in one movement (1812) **Piano Trio in A minor (1820) * Fikret Amirov ** To the Memory of Ghadsibekov, second version, poem for violin, cello and piano (1953) * Andrew Anderson **Piano Trio in E minor: "The Heart" (2013) *Volkma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabella Stewart Gardner Museum
The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was founded by Isabella Stewart Gardner, whose will called for her art collection to be permanently exhibited "for the education and enjoyment of the public forever." An auxiliary wing designed by Italian architect Renzo Piano, adjacent to the original structure near the Back Bay Fens, was completed in 2012. In 1990, thirteen of the museum's works were stolen; the crime remains unsolved, and the works, valued at an estimated $500 million, have not been recovered. A $10 million reward for information leading to the art's recovery remains in place. History The museum was built in 1898–1901 by Isabella Stewart Gardner (1840–1924), an American art collector, philanthropist, and patron of the arts in the style of a 15th-century Venetian palace. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Chamber Music Society Of Lincoln Center
The Chamber Music Society of Lincoln Center (CMS) is an American organization dedicated to the performance and promotion of chamber music in New York City. It is the largest organization of its kind in the country for chamber music. CMS's home is Alice Tully Hall, located in New York's Lincoln Center for the Performing Arts. Founded in 1969 by pianist Charles Wadsworth with the patronage of Alice Tully, the first performance at Alice Tully Hall was September 11, 1969. The current artistic directors are cellist David Finckel and pianist Wu Han. Overview CMS' Alice Tully Hall hosts mainstage performances. The complete Brandenburg Concertos are performed each December, and have been called a "New York holiday staple" by ''The New York Times''. The Daniel and Joanna S. Rose Studio hosts other events, including contemporary compositions, lectures, and classes. CMS also hosts many education programs for both listeners and musicians, including its Meet the Music! and Inside Chambe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anatoliy Brandukov
Anatoly Andreyevich Brandukov (russian: Анато́лий Андре́евич Брандуко́в) ( – February 16, 1930) was a Russian cellist who premiered many cello pieces of prominent composers including Pyotr Tchaikovsky and Sergei Rachmaninoff. Born as Russian classical music was flourishing in the middle of the 19th century, he worked with many of the important composers and musicians of the day, including performances with Anton Rubinstein and Alexander Siloti. As a soloist, he excelled in performance and was especially noted for stylish interpretations, his refined temperament, and beautiful, expressive tone. In his later years, he became a professor at Moscow Conservatory, and continued to perform well into his later life. Although his popularity is obscured by the more famous composers and virtuosos, his influence on those composers' most prominent compositions is evident. Life and work Anatoliy Andreyevich Brandukov was born in Moscow on January 6, 1859. His fat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Hřímalý
Jan Hřímalý (russian: Иван Войцехович Гржимали, also ''Ivan Voitsekhovich Grzhimali''; 13 April 1844 – ) was an influential Czech violinist and teacher, who was associated with the Moscow Conservatory for 46 years in 1869–1915. He was born in Pilsen, Bohemia (then part of the Austrian Empire), the second son of the organist and composer Vojtěch Hřímalý (1809–1880), and a member of a notable Czech musical family. He was taught by his older brother Vojtěch Hřímalý jr., and by Moritz Mildner. Hřímalý studied violin at the Prague Conservatory (1855–1861), and went on to become leader of the Amsterdam Orchestra (1862–1868). In 1869 he was appointed violin teacher at the Moscow Conservatory. He succeeded Ferdinand Laub as professor of violin studies 1874–1915. He was leader of the Russian Musical Society Orchestra in Moscow from 1874 until 1906. He was acquainted with Pyotr Ilyich Tchaikovsky, who held him in high regard. He co-premiere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondo Form
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie (London: Macmillan, 1992). Form In rondo form, a principal theme (sometimes called the "refrain") alternates with one or more contras ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subdominant
In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdominant. It also happens to be the note one step below the dominant. In the movable do solfège system, the subdominant note is sung as ''fa''. The triad built on the subdominant note is called the subdominant chord. In Roman numeral analysis, the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad. These chords may also appear as seventh chords: in major, as IVM7, or in minor as iv7 or sometimes IV7: A cadential subdominant chord followed by a tonic chord produces the so-called plagal cadence. As with other chords which often precede the dominant, subdominant chords typically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Minor
G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major. According to Paolo Pietropaolo, it is the contrarian of musical keys. It is smart, argumentative, and stubborn. The G natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G harmonic minor and melodic minor scales are: : : Mozart's use of G minor G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No. 4. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies ( No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parallel Key
In music theory, a major scale and a minor scale that have the same tonic note are called parallel keys and are said to be in a parallel relationship. Forte, Allen (1979). ''Tonal Harmony'', p.9. 3rd edition. Holt, Rinehart, and Wilson. . "When a major and minor scale both begin with the same note ... they are called ''parallel''. Thus we say that the parallel major key of C minor is C major, the parallel minor of C major is C minor." The parallel minor or tonic minor of a particular major key is the minor key based on the same tonic; similarly the parallel major has the same tonic as the minor key. For example, G major and G minor have different modes but both have the same tonic, G; so G minor is said to be the parallel minor of G major. In contrast, a major scale and a minor scale that have the same key signature (and therefore different tonics) are called relative keys. A major scale can be transformed to its parallel minor by lowering the third, sixth, and seventh scale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
