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Piano Sonata No. 3 (Prokofiev)
Sergei Prokofiev's Piano Sonata No. 3 in A minor, Op. 28 (1917) is a sonata composed for solo piano, using sketches dating from 1907. Prokofiev gave the première of this in St. Petersburg on 15 April 1918, during a week-long festival of his music sponsored by the Conservatory. Historical background Early in his creative life, Prokofiev developed a highly individual way of writing for the piano. Though the differences between the piano textures of his early and late works are palpable, the main qualities of his piano writing are recognizable throughout. Prokofiev composed this piece in 1917, the same year as his fourth sonata. Both of these sonatas bear the subtitle ''"From the Old Notebooks"''. This sonata derives from works that he composed as a teenager. In a letter to Miaskovsky on 26 June 1907, Prokofiev wrote about Piano Sonata no. 3: "It will remain...in one movement: pretty, interesting, and practical". This sonata reveals most of the traditional sections in a sonata-form, ...
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Sergei Prokofiev
Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''., group=n (27 April .S. 15 April1891 – 5 March 1953) was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from '' The Love for Three Oranges,'' the suite ''Lieutenant Kijé'', the ballet ''Romeo and Juliet''—from which "Dance of the Knights" is taken—and '' Peter and the Wolf.'' Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas. A graduate of t ...
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Sonata
Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is of ...
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Piano Solo
The piano is often used to provide harmonic accompaniment to a voice or other instrument. However, solo Solo or SOLO may refer to: Arts and entertainment Comics * ''Solo'' (DC Comics), a DC comics series * Solo, a 1996 mini-series from Dark Horse Comics Characters * Han Solo, a ''Star Wars'' character * Jacen Solo, a Jedi in the non-canonical ''S ... parts for the piano are common in many musical styles. These can take the form of a section in which the piano is heard more prominently than other instruments, or in which the piano may be played entirely unaccompanied. The term ''piano solo'' is also often used to mean a musical composition written solely for piano. Compositions for solo piano Piano Music performance Solo music {{Music-theory-stub ...
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Piano Sonata No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Sonata Form
Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period). While it is typically used in the first movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The standard definition focuses on the thematic and harm ...
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Sonata Cycle
In western classical music, the sonata cycle is a multi-movement structure used in a concerto, symphony or sonata. In Music Theory In the field of music theory, the term Sonata Cycle refers to the layout of a multi- movement work where the movements are recognizably in the forms of the tradition of classical music. It differs from the term cyclic form in that there is no unifying motive or theme used in all the movements. The standard sonata cycle has four movements, broken down as follows: First Movement The first movement is, by definition, written in sonata form, in a fast tempo (allegro), and in the home key of the overall piece. This movement can also be called the sonata-allegro. Second Movement The second movement is usually written in a slow tempo, in another key, and in one of a variety of forms such as theme and variations, compound ternary form, rondo, or sonata. Third Movement The third movement usually follows a dance-like form, such as Minuet r Scherzoand Trio f ...
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Fortissimo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ma ...
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Pedal Tone
Pedal tones (or pedals) are special low notes in the harmonic series of brass instruments. A pedal tone has the pitch of its harmonic series' fundamental tone. Its name comes from the foot pedal keyboard pedals of a pipe organ, which are used to play 16' and 32' sub-bass notes by pressing the pedals with the player's feet. Brasses with a bell do not naturally vibrate at this frequency. A closed cylinder vibrates at only the odd members of its harmonic series. This set of pitches is too sparse to be musically useful for brass instruments; therefore, the bells and mouthpieces of brasses are crafted to adjust these pitches. The bell significantly raises all pitches in the series, particularly on the low end, while the mouthpiece lowers the higher harmonics, limiting the amount to which higher harmonics are raised by the bell. The resulting compressed set of pitches resembles a new harmonic series that includes the even members. This new series is similar to that of a stopped co ...
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Dynamics (music)
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There ar ...
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Compositions By Sergei Prokofiev
This is a list of musical compositions by the 20th-century Russian composer Sergei Prokofiev. By genre Operas *'' The Giant'' (1900) *'' On Desert Islands'' (1900; unfinished) *''A Feast in Time of Plague'' (1903, rev. 1908–09; unfinished) *'' Undina'' (1904–07) *'' Maddalena'', Op. 13 (1911–13; unfinished) *'' Igrok'' ''(The Gambler)'', Op. 24 (1915–16, rev. 1927); after Fyodor Dostoevsky *''The Love for Three Oranges'', Op. 33 (1919) *'' The Fiery Angel'', Op. 37 (1919–27) *'' Semyon Kotko'', Op. 81 (1939) *''Betrothal in a Monastery'', Op. 86 (1940–41) *''War and Peace'', Op. 91 (1941–52); after Leo Tolstoy *'' Khan Buzay'' (1942; unfinished) *'' The Story of a Real Man'', Op. 117 (1947–48) *'' Distant Seas'' (1948; unfinished) Ballets * '' Ala i Lolli'', Op. 20 (1914–15), mostly incorporated into ''Scythian Suite'' (see below) * ''Chout / The Tale of the Buffoon'', Op. 21 (1915, rev. 1920) * ''Trapeze'', Op. 39 (1924), mostly incorporated into Quintet, Op. ...
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Piano Sonatas By Sergei Prokofiev
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gre ...
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20th-century Classical Music
20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. So this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started much later in the century and can be seen as a change from the modern to post-modern era, although some date post-modernism from as early as about 1930. Aleatory, atonality, serialism, ''musique concrète'', electronic music, and concept music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was ...
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