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Piano Quintet No. 2 (Dvořák)
Antonín Dvořák's Piano Quintet No. 2 in A major, Op. 81, B. 155, is a quintet for piano, 2 violins, viola, and cello. It was composed between August 18 and October 8, 1887, and was premiered in Prague on January 6, 1888. The quintet is acknowledged as one of the masterpieces in the form, along with those of Schumann, Brahms and Shostakovich.Berger, . Background The work was composed as the result of the composer's attempt to revise an earlier work, the first Piano Quintet in A major, Op. 5. The new quintet is a mixture of Dvořák's personal form of expressive lyricism with elements from Czech folk music. Characteristically, those elements include styles and forms of song and dance, but not actual folk tunes; Dvořák created original melodies in the authentic folk style. Structure The music has four movements: It has a duration of approximately 40 minutes. The first movement opens quietly with lyrical cello theme over piano accompaniment which is followed by a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Furiant
A furiant is a rapid and fiery Bohemian dance in alternating 2/4 and 3/4 time, with frequently shifting accents; or, in "art music", in 3/4 time "with strong accents forming pairs of beats". The stylised form of the dance was often used by Czech composers such as Antonín Dvořák in the eighth dance from his ''Slavonic Dances''; in his 6th Symphony; in his Terzetto for Two Violins and Viola, third movement; and by Bedřich Smetana in ''The Bartered Bride'' and in his second volume for piano of Czech Dances (''České tance 2''), published in 1879 (Op. 21). It was also used by Brahms in the middle section of the second movement of his Sextet No. 2 in G Major. The use of the furiant by central European composers closely parallels their use of the dumka Dumka ( Santali: ᱫᱩᱢᱠᱟᱹ), the headquarters of the Dumka district and Santhal Pargana region, is a city in the state of Jharkhand, India. It was made the headquarters of the Santhal Pargana region, which was car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Chamber Music Society Of Lincoln Center
The Chamber Music Society of Lincoln Center (CMS) is an American organization dedicated to the performance and promotion of chamber music in New York City. It is the largest organization of its kind in the country for chamber music. CMS's home is Alice Tully Hall, located in New York's Lincoln Center for the Performing Arts. Founded in 1969 by pianist Charles Wadsworth with the patronage of Alice Tully, the first performance at Alice Tully Hall was September 11, 1969. The current artistic directors are cellist David Finckel and pianist Wu Han. Overview CMS' Alice Tully Hall hosts mainstage performances. The complete Brandenburg Concertos are performed each December, and have been called a "New York holiday staple" by ''The New York Times''. The Daniel and Joanna S. Rose Studio hosts other events, including contemporary compositions, lectures, and classes. CMS also hosts many education programs for both listeners and musicians, including its Meet the Music! and Inside Chambe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kennedy Center
The John F. Kennedy Center for the Performing Arts (formally known as the John F. Kennedy Memorial Center for the Performing Arts, and commonly referred to as the Kennedy Center) is the United States National Cultural Center, located on the Potomac River in Washington, D.C. It was named in 1964 as a memorial to assassinated President John F. Kennedy. Opened on September 8, 1971, the center hosts many different genres of performance art, such as theater, dance, orchestras, jazz, pop, psychedelic, and folk music. Authorized by the 1958 National Cultural Center Act of Congress, which requires that its programming be sustained through private funds, the center represents a public–private partnership. Its activities include educational and outreach initiatives, almost entirely funded through ticket sales and gifts from individuals, corporations, and private foundations. The original building, designed by architect was constructed by Philadelphia contractor John McShain, and is adm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emerson String Quartet
The Emerson String Quartet, also known as the Emerson Quartet, is an American string quartet that was initially formed as a student group at the Juilliard School in 1976. It was named for American poet and philosopher Ralph Waldo Emerson and began touring professionally in 1976. The ensemble taught in residence at The Hartt School in the 1980s and is currently (2022) the quartet in residence at Stony Brook University. Both of the founding violinists studied with Oscar Shumsky at Juilliard, and the two alternated as first and second violinists for the group. The Emerson Quartet was one of the first such ensembles with the two violinists alternating chairs. The Emerson Quartet was inducted into the Classical Music Hall of Fame in 2010. , they have released more than thirty albums and won nine Grammy Awards, as well as the prestigious Avery Fisher Prize. In August 2021 the quartet announced its plan to disband at the end of the 2022–2023 season in order to focus on teaching an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augmentation (music)
In Western music and music theory, augmentation (from Late Latin ''augmentare'', to increase) is the lengthening of a note or the widening of an interval. Augmentation is a compositional device where a melody, theme or motif is presented in longer note-values than were previously used. Augmentation is also the term for the proportional lengthening of the value of individual note-shapes in older notation by coloration, by use of a sign of proportion, or by a notational symbol such as the modern dot. A major or perfect interval that is widened by a chromatic semitone is an augmented interval, and the process may be called augmentation. Augmentation in composition A melody or series of notes is ''augmented'' if the lengths of the notes are prolonged; augmentation is thus the opposite of diminution, where note values are shortened. A melody originally consisting of four quavers (eighth notes) for example, is augmented if it later appears with four crotchets (quarter notes) instead. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Development
In music, development is a process by which a musical idea is communicated in the course of a composition. It refers to the transformation and restatement of initial material. Development is often contrasted with musical variation, which is a slightly different means to the same end. ''Development'' is carried out upon portions of material treated in many ''different'' presentations and combinations at a time, while ''variation'' depends upon ''one'' type of presentation at a time. In this process, certain central ideas are repeated in different contexts or in altered form so that the mind of the listener consciously or unconsciously compares the various incarnations of these ideas. Listeners may apprehend a "tension between expected and real results" (see irony), which is one "element of surprise" in music. This practice has its roots in counterpoint, where a theme or subject might create an impression of a pleasing or affective sort, but delight the mind further as its contrap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriela Beňačková
Gabriela Beňačková also Gabriela Beňačková-Čápová (born 25 March 1947) is a Slovak lyric soprano. Life and career Beňačková was born in Bratislava. Her father Antonín was a lawyer, and her mother Elena was a housewife. She is the younger sister of television presenter Nora Beňačková. In her young age she had been involved in ballet lessons, children's choir of Czechoslovakian Radio, and learned singing and piano at school. Beňačková specializes in the music of her Slovak compatriots, particularly Eugen Suchoň, as well as Czech composers, notably Bedřich Smetana, Antonín Dvořák and Leoš Janáček. She is considered to be one of the greatest 'Jenůfa's' in Janáček's opera of the same name. Her Carnegie Hall performance, and subsequent Metropolitan Opera run with Leonie Rysanek, are considered to be legendary. In 1981, Czechoslovakian television starred Ms Beňačková in a definitive version of ''Prodaná nevěsta'' (The Bartered Bride) by Bedřich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Major
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Characteristics According to Paolo Pietropaolo, D major is Miss Congeniality: it is persistent, sunny, and energetic. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings. Thus, it is no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart ( No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini ( No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev ( No. 1, 1917); Stravinsky (1931); and Korngold ( 1945). The k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-sharp Minor
F-sharp minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has three sharps. Its relative major is A major and its parallel major is F-sharp major (or enharmonically G-flat major). The F-sharp natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F-sharp harmonic minor and melodic minor scales are: : : Music in F-sharp minor Very few symphonies are written in this key, Haydn's ''Farewell Symphony'' being one famous example. George Frederick Bristow and Dora Pejačević also wrote symphonies in this key. The few concerti written in this key are usually written for the composer himself to play, including Rachmaninoff's Piano Concerto No. 1, Scriabin's Piano Concerto, Wieniawski's Violin Concerto No. 1, Vieuxtemps's Violin Concerto No. 2, and Koussevitzky's Double Bass Concerto. In addition to the ''Farewell Symp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
