Piano Phase
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Piano Phase
''Piano Phase'' is a minimalist composition by American composer Steve Reich, written in 1967 for two pianos (or piano and tape). It is one of his first attempts at applying his "phasing" technique, which he had previously used in the tape pieces '' It's Gonna Rain'' (1965) and '' Come Out'' (1966), to live performance. Reich further developed this technique in pieces like ''Violin Phase'' (also 1967), '' Phase Patterns'' (1970), and ''Drumming'' (1971). History ''Piano Phase'' represents Steve Reich's first attempt to apply his "phasing" technique. Reich had earlier used tape loops in '' It's Gonna Rain'' (1965) and '' Come Out'' (1966), but wanted to apply the technique to live performance. Reich carried out a hybrid test with ''Reed Phase'' (1966), combining an instrument (a soprano saxophone) and a magnetic tape. Not having two pianos at his disposal, Reich experimented by first recording a piano part on tape, and then trying to play mostly in sync with the recording, albeit ...
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Minimalism (music)
Minimal music (also called minimalism)"Minimalism in music has been defined as an aesthetic, a style, and a technique, each of which has been a suitable description of the term at certain points in the development of minimal music. However, two of these definitions of minimalism—aesthetic and style—no longer accurately represent the music that is often given that label." Johnson 1994, 742. is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetition (music), repetitive patterns or pulse (music), pulses, steady drone (music), drones, consonance and dissonance, consonant harmony, and reiteration of musical phrase (music), phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non-teleology, tele ...
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Art Murphy
Arthur "Art" Bixler Murphy (January 25, 1942 – November 19, 2006) was a classical and jazz musician, pianist and composer. He was born in Princeton, New Jersey. He grew up in Oberlin, OH, where his father was a member of the Oberlin College faculty. Murphy was a founding member of the Philip Glass and Steve Reich Ensembles, and played a key role in the development of minimalist music. Training He received a master's degree in Composition in 1966 from the Juilliard School of Music in New York City, NY, where he studied with composer Luciano Berio and received several BMI Foundation composition prizes. Murphy’s classmates at Juilliard included composers Steve Reich and Philip Glass. Musical career Steve Reich Ensemble Reich's ensemble was formed in 1966. The original three members were Reich, Art Murphy and Jon Gibson. Reich sought out Murphy’s knowledge of serial composition and changing time signatures to help give life to the new musical concepts they develop ...
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Music For 18 Musicians
''Music for 18 Musicians'' is a work of minimalist music composed by Steve Reich during 1974–1976. Its world premiere was on April 24, 1976, at The Town Hall in New York City. Following this, a recording of the piece was released by ECM New Series in 1978. Composition In his introduction to the score, Reich mentions that although the piece is named ''Music for 18 Musicians'', it is not necessarily advisable to perform the piece with that few players due to the extensive need for musicians to perform on multiple instruments. The piece is based on a cycle of eleven chords. A small piece of music is based on each chord, and the piece returns to the original cycle at the end. The sections are named "Pulses", and Section I-XI. This was Reich's first attempt at writing for larger ensembles, and the extension of performers resulted in a growth of psychoacoustic effects, which fascinated Reich, and he noted that he would like to "explore this idea further". A prominent factor i ...
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Clapping Music
''Clapping Music'' is a minimalist piece written by Steve Reich in 1972. It is written for two performers and is performed entirely by clapping. Reich and his ensemble were on tour in Europe in 1972. After a concert in Brussels, the promoter asked him if they would like to go see some flamenco music. They ended in a club and watched a pair of musicians who by Reich's account were terrible guitarists and singers. However, when they started clapping very loudly, Reich and his group, who were mainly percussionists, joined in. After the concert Reich realised that he could use this as the basis for work, not least as it could be performed with only a few people rather than taking two trucks of equipment. A development of the phasing technique from Reich's earlier works such as '' Piano Phase'', it was written when Reich wanted to (in his own words) "create a piece of music that needed no instruments beyond the human body". However, he quickly found that the mechanism of phasing s ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ...
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Process Music
Process music is music that arises from a process. It may make that process audible to the listener, or the process may be concealed. Primarily begun in the 1960s, diverse composers have employed divergent methods and styles of process. "A 'musical process' as Christensen defines it is a highly complex dynamic phenomenon involving audible structures that evolve in the course of the musical performance ... 2nd order audible developments, i.e., audible developments within audible developments". These processes may involve specific systems of choosing and arranging notes through pitch and time, often involving a long term change with a limited amount of musical material, or transformations of musical events that are already relatively complex in themselves. Steve Reich defines process music not as, "the process of composition but rather pieces of music that are, literally, processes. The distinctive thing about musical processes is that they determine all the note-to-note (sound-to ...
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Piano Phase Pattern3
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ...
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Piano Phase Pattern2
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Pitch Class
In music, a pitch class (p.c. or pc) is a set of all pitches that are a whole number of octaves apart; for example, the pitch class C consists of the Cs in all octaves. "The pitch class C stands for all possible Cs, in whatever octave position." Important to musical set theory, a pitch class is "all pitches related to each other by octave, enharmonic equivalence, or both." Thus, using scientific pitch notation, the pitch class "C" is the set : = . Although there is no formal upper or lower limit to this sequence, only a few of these pitches are audible to humans. Pitch class is important because human pitch-perception is periodic: pitches belonging to the same pitch class are perceived as having a similar quality or color, a property called "octave equivalence". Psychologists refer to the quality of a pitch as its "chroma". A ''chroma'' is an attribute of pitches (as opposed to ''tone height''), just like hue is an attribute of color. A ''pitch class'' is a set of all pit ...
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Melody
A melody (from Greek language, Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a Linearity#Music, linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coheren ...
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Piano Phase Pattern1
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Process Music
Process music is music that arises from a process. It may make that process audible to the listener, or the process may be concealed. Primarily begun in the 1960s, diverse composers have employed divergent methods and styles of process. "A 'musical process' as Christensen defines it is a highly complex dynamic phenomenon involving audible structures that evolve in the course of the musical performance ... 2nd order audible developments, i.e., audible developments within audible developments". These processes may involve specific systems of choosing and arranging notes through pitch and time, often involving a long term change with a limited amount of musical material, or transformations of musical events that are already relatively complex in themselves. Steve Reich defines process music not as, "the process of composition but rather pieces of music that are, literally, processes. The distinctive thing about musical processes is that they determine all the note-to-note (sound-to ...
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