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Piano Concerto No. 4 (Rachmaninoff)
Piano Concerto No. 4 in G minor, Op. 40, is a major work by Russian composer Sergei Rachmaninoff, completed in 1926. The work exists in three versions. Following its unsuccessful premiere (1st version), the composer made cuts and other amendments before publishing it in 1928 (2nd version). With continued lack of success, he withdrew the work, eventually revising and republishing it in 1941 (3rd version, most generally performed today). The original manuscript version was released in 2000 by the Rachmaninoff Estate to be published and recorded. The work is dedicated to Nikolai Medtner, who in turn dedicated his Second Piano Concerto to Rachmaninoff the following year. Form Compared with its predecessors, the Fourth Concerto contains sharper thematic profiles along with a refinement of textures in keyboard and orchestra. These qualities do not lead to greater simplicity but to a different sort of complexity. It was also a continuation of Rachmaninoff's long-range creative growth: th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Rachmaninoff Cph
Sergius is a male given name of Ancient Roman origin after the name of the Latin ''gens'' Sergia or Sergii of regal and republican ages. It is a common Christian name, in honor of Saint Sergius, or in Russia, of Saint Sergius of Radonezh, and has been the name of four popes. It has given rise to numerous variants, present today mainly in the Romance (Serge, Sergio, Sergi) and Slavic languages (Serhii, Sergey, Serguei). It is not common in English, although the Anglo-French name Sergeant is possibly related to it. Etymology The name originates from the Roman ''nomen'' (patrician family name) ''Sergius'', after the name of the Roman ''gens'' of Latin origins Sergia or Sergii from Alba Longa, Old Latium, counted by Theodor Mommsen as one of the oldest Roman families, one of the original 100 ''gentes originarie''. It has been speculated to derive from a more ancient Etruscan name but the etymology of the nomen Sergius is problematic. Chase hesitantly suggests a connection with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonid Sabaneyev
Leonid Leonidovich Sabaneyev or Sabaneyeff or Sabaneev (russian: Леони́д Леони́дович Сабане́ев) (3 May 1968) was a Russian musicologist, music critic, composer and scientist. He was the son of Leonid Pavlovich Sabaneyev, a famous hunting expert, and his brother Boris was also a musician. Biography Leonid Sabaneyev was born in Moscow in 1881 and his musical studies were under Nikolai Rimsky-Korsakov, Sergei Taneyev, Nikolai Zverev and Paul de Schlözer at the Moscow Conservatory. He graduated in mathematics and physics from Moscow University in 1908. He wrote some early works, such as incidental music to ''King Oedipus'' (1889), a ''Funeral March in Memory of Beethoven'', two trios (including a Trio-Impromptu for violin, cello and piano, Op. 4), piano pieces (including a Piano Sonata, Op. 15) and songs. He then made a special study of Alexander Scriabin, and became an authority on that composer (see synthetic chord). His first book on Scriabin was pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadenza
In music, a cadenza (from it, cadenza, link=no , meaning cadence; plural, ''cadenze'' ) is, generically, an improvisation, improvised or written-out ornament (music), ornamental passage (music), passage played or sung by a solo (music), soloist or soloists, usually in a "free" rhythmic style, and often allowing virtuoso, virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over the final or penultimate note in a piece, the lead-in (german: Eingang, link=no) or over the final or penultimate note in an important subsection of a piece. It can also be found before a final coda (music), coda or ritornello. In concerti The term ''cadenza'' often refers to a portion of a concerto in which the orchestra stops playing, leaving the soloist to play alone in free time (music), free time (without a strict, regular pulse) and can be wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John McCormack (tenor)
Papal Count John Francis McCormack, KSG, KSS, KHS (14 June 1884 – 16 September 1945), was an Irish tenor celebrated for his performances of the operatic and popular song repertoires, and renowned for his diction and breath control. He was also a Papal Count. He became a naturalised American citizen before returning to live in Ireland. Personal life John Francis McCormack was born on 14 June 1884 in Athlone, County Westmeath, Ireland, the second son and fifth of the 11 children (five of whom died in infancy or childhood) of Andrew McCormack and his wife Hannah Watson. His parents were both from Galashiels, Scotland and worked at the Athlone Woollen Mills, where his father was a foreman. He was baptised in St Mary's Church, Athlone, on 23 June 1884. McCormack received his early education from the Marist Brothers in Athlone and later attended Summerhill College, Sligo. He sang in the choir of the old St Peters church in Athlone under his choirmaster Michael Kilkelly. Whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Tatum
Arthur Tatum Jr. (, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest in his field. From early in his career, Tatum's technical ability was regarded by fellow musicians as extraordinary. Many pianists attempted to copy him; others questioned their own skills after encountering him, and some even switched instruments in response. In addition to being acclaimed for his virtuoso technique, Tatum extended the vocabulary and boundaries of jazz piano far beyond his initial stride influences, and established new ground in jazz through innovative use of reharmonization, voicing, and bitonality. Tatum grew up in Toledo, Ohio, where he began playing piano professionally and had his own radio program, rebroadcast nationwide, while still in his teens. He left Toledo in 1932 and had residencies as a solo pianist at clubs in major urban centers including New York, Chicago, and Los Angeles. In that decade, he settled into a patt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fletcher Henderson
James Fletcher Hamilton Henderson (December 18, 1897 – December 29, 1952) was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Henderson's influence was vast. He helped bridge the gap between the Dixieland and the swing eras. He was often known as "Smack" Henderson (because of smacking sounds he made with his lips). Biography James Fletcher Hamilton Henderson was born in Cuthbert, Georgia. He grew up in a middle-class African American family. His father, Fletcher Hamilton Henderson (1857–1943), was the principal of the nearby Howard Normal Randolph School from 1880 until 1942. His home, now known as the Fletcher Henderson House, is a historic site. His mother, a teacher, taught him and his brother Horace to play the piano. He be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestral Jazz
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musicians empl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Whiteman
Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American bandleader, composer, orchestral director, and violinist. As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz". His most popular recordings include "Whispering", "Valencia", "Three O'Clock in the Morning", " In a Little Spanish Town", and "Parade of the Wooden Soldiers". Whiteman led a usually large ensemble and explored many styles of music, such as blending symphonic music and jazz, as in his debut of ''Rhapsody in Blue'' by George Gershwin. Whiteman recorded many jazz and pop standards during his career, including " Wang Wang Blues", "Mississippi Mud", "Rhapsody in Blue", "Wonderful One", " Hot Lips (He's Got Hot Lips When He Plays Jazz)", " Mississippi Suite", " Grand Canyon Suite", and " Trav'lin' Light". He co-wrote the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhapsody In Blue
''Rhapsody in Blue'' is a 1924 musical composition written by George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. Commissioned by bandleader Paul Whiteman, the work premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City. Whiteman's band performed the rhapsody with Gershwin playing the piano. Whiteman's arranger Ferde Grofé orchestrated the rhapsody several times including the 1924 original scoring, the 1926 pit orchestra scoring, and the 1942 symphonic scoring. The rhapsody is one of Gershwin's most recognizable creations and a key composition that defined the Jazz Age. Gershwin's piece inaugurated a new era in America's musical history, established Gershwin's reputation as an eminent composer, and eventually became one of the most popular of all concert works. The ''American Heritage'' magazine posits that the famous opening clarinet glissando has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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