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Piano Concerto No. 3 (Tchaikovsky)
Pyotr Ilyich Tchaikovsky's Piano Concerto No. 3 in E-flat major was at first conceived by him as a symphony in the same key. But he abandoned that idea, jetisoned all but the planned first movement, and reworked this in 1893 as a one-movement ''Allegro brillante'' for piano and orchestra. His last completed work, it was duly published as Opus 75 the next year, after he died, but given by publisher Jurgenson the title ''"Concerto No. 3 pour Piano avec accompagnement d'Orchestre"''. Academic dispute Despite the composer's stated intentions, there remains argument as to what form this composition might have taken had he continued work on it. Dispute revolves around two remaining movements from the planned symphony. Left in sketch form when Tchaikovsky died in 1893, these were made by his student and fellow composer Sergei Taneyev into a work for piano and orchestra titled ''Andante and Finale'' and published in 1897 as ''Tchaikovsky's'' "Opus 79". Whether it was worth Taneyev's effort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Fantasia (Tchaikovsky)
The Concert Fantasia in G, Op. 56, for piano and orchestra, was written by Pyotr Ilyich Tchaikovsky between June and October 1884. It was premiered in Moscow on , with Sergei Taneyev as soloist and Max Erdmannsdörfer conducting. The Concert Fantasia received many performances in the first 20 years of its existence. It then disappeared from the repertoire and lay virtually unperformed for many years, but underwent a revival in the latter part of the 20th century. Structure This work is written in two movements and lasts approximately 30 minutes. # ''Quasi rondo: Andante mosso'' #: The ''quasi'' part of the title for this movement describes a formal layout in which musical material for a ''rondo'' appears only once then returns at the end, after a single episode. The playful character of the two themes presented may have justified in the composer's mind an affinity with the sparkling character classical rondo finales. Other than this, there is nothing connecting them with usual rond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Diémer
Louis Joseph Diémer (14 February 1843 – 21 December 1919) was a French pianist and composer. He was the founder of the Société des Instruments Anciens in the 1890s, and also gave recitals on the harpsichord. His output as a composer was extensive, including a piano concerto and a quantity of salon music, salon pieces. Life Diémer was born and died in Paris. He studied at the Conservatoire de Paris, Paris Conservatoire, where his teachers included Ambroise Thomas for composition, Antoine François Marmontel, Antoine Marmontel for piano, and François Benoist for organ. From the age of twelve, he won several first prizes (''Premiers Prix'') at the Conservatoire, in piano, harmony and accompaniment, counterpoint and fugue, and solfège, and a ''second prix'' in organ. He quickly built a reputation as a virtuoso and toured with, among others, the violinists Delphin Alard and Pablo de Sarasate. In 1888, Diémer succeeded Marmontel as professor of piano at the Paris Conservatory. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony In E Flat (Tchaikovsky)
Pyotr Ilyich Tchaikovsky's Symphony in E-flat was commenced after Symphony No. 5, and was intended initially to be the composer's next (i.e. sixth) symphony. Tchaikovsky abandoned this work in 1892, only to reuse the first movement in the single-movement Third Piano Concerto, Op. 75, first performed and published after his death in 1895. Two other movements were reworked for piano and orchestra by Sergei Taneyev as the ''Andante and Finale'', which was published as Tchaikovsky's Op. posth. 79 in 1897. Between 1951 and 1955, Soviet composer Semyon Bogatyrev reconstructed the symphony from Tchaikovsky's sketches and various re-workings. This version was premiered on February 7, 1957, in Moscow by the Moscow Region Philharmonic Orchestra conducted by Mikhail Terian, and was published by the State Music Publishers in Moscow in 1961. It was first recorded by the Philadelphia Orchestra under Eugene Ormandy in 1962, soon after they gave the U.S. premiere of the work (February 16, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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