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Piano Concerto No. 2 (Prokofiev)
Sergei Prokofiev set to work on his Piano Concerto No. 2 in G minor, Op. 16, in 1912 and completed it the next year. But that version of the concerto is lost; the score was destroyed in a fire following the Russian Revolution. Prokofiev reconstructed the work in 1923, two years after finishing his Piano Concerto No. 3, and declared it to be "so completely rewritten that it might almost be considered iano ConcertoNo. 4." Indeed its orchestration has features that clearly postdate the 1921 concerto. Performing as soloist, Prokofiev premiered this "No. 2" in Paris on 8 May 1924 with Serge Koussevitzky conducting. It is dedicated to the memory of Maximilian Schmidthof, a friend of Prokofiev's at the Saint Petersburg Conservatory who had killed himself in 1913. Movements and scoring The work is scored for piano solo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, snare drum, cymbals, tambourine and strings. It consists of four mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Prokofiev
Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''., group=n (27 April .S. 15 April1891 – 5 March 1953) was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from ''The Love for Three Oranges,'' the suite ''Lieutenant Kijé'', the ballet ''Romeo and Juliet''—from which "Dance of the Knights" is taken—and ''Peter and the Wolf.'' Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas. A graduate of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Ansermet
Ernest Alexandre Ansermet (; 11 November 1883 – 20 February 1969)"Ansermet, Ernest" in ''The New Encyclopædia Britannica''. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 435. was a Swiss conductor. Biography Ansermet was born in Vevey, Switzerland. Originally he was a mathematics professor, teaching at the University of Lausanne. He began conducting at the Casino in Montreux in 1912, and from 1915 to 1923 was the conductor for Diaghilev's Ballets Russes. Travelling in France for this, he met both Claude Debussy and Maurice Ravel, and consulted them on the performance of their works. During World War I, he met Igor Stravinsky, who was exiled in Switzerland, and from this meeting began the conductor's lifelong association with Russian music. In 1918 Ansermet founded his own orchestra, the Orchestre de la Suisse Romande (OSR). He toured widely in Europe and America and became famous for accurate performances of difficult modern music, making first reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evgeny Kissin
Evgeny Igorevich Kissin (russian: link=no, Евге́ний И́горевич Ки́син, translit=Evgénij Ígorevič Kísin, yi, link=no, יעווגעני קיסין, translit=Yevgeni Kisin; born 10 October 1971) is a Russian concert pianist and composer. He became a British citizen in 2002 and an Israeli citizen in 2013. He first came to international fame as a child prodigy. He has a wide repertoire and is especially known for his interpretations of the works of the Romantic era, particularly those of Franz Schubert, Frédéric Chopin, Robert Schumann, Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, and Ludwig van Beethoven. He is commonly viewed as a great successor of the Russian piano school because of the depth, lyricism and poetic quality of his interpretations. Early life and education Kissin was born in Moscow to Jewish parents. Recognized as a child prodigy at age six, he began piano studies at the Gnessin Music School in Moscow. At the school he became a stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Argerich
Martha Argerich (; Eastern Catalan: ɾʒəˈɾik born 5 June 1941) is an Argentine classical concert pianist. She is widely considered to be one of the greatest pianists of all time. Early life and education Argerich was born in Buenos Aires. Her paternal ancestors were Spaniards from Catalonia who had been based in Buenos Aires since the 18th century. Her maternal grandparents were Jewish immigrants from the Russian Empire, who settled in Colonia Villa Clara in Argentina's Entre Ríos Province, one of the colonies established by Baron de Hirsch and the Jewish Colonization Association. The provenance of the name '' Argerich'' is Catalonia. A precocious child, Argerich began kindergarten at the age of two years and eight months, where she was the youngest child. A five-year-old boy, who was a friend, teased her that she would not be able to play the piano, and Argerich responded by playing perfectly, by ear, a piece their teacher played them. The teacher immediately called ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavlovsk, Saint Petersburg
Pavlovsk (russian: Па́вловск "he townof Pavel" after Emperor Pavel (Paul) of Russia) is a municipal town in Pushkinsky District in the suburban part of the federal city of St. Petersburg, Russia, located south from St. Petersburg proper and about southeast from Pushkin. Population: Known since the late 18th century, when Saint Petersburg was the capital of Russian Empire, as a countryside residence of Russian royal family commissioned creation of the town's landmark -palace with a large park, now parts of its federal museum reserve. The town developed around the Pavlovsk Palace, a major residence of the Russian imperial family. Between 1918 and 1944, its official name was Slutsk, after the revolutionary Vera Slutskaya, and then was changed back to Pavlovsk. Pavlovsk is part of the UNESCO World Heritage Site "Historic Centre of Saint Petersburg and Related Groups of Monuments". History Fortress A wooden fortress was built by Russians on the place of Pav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Steinberg (music Critic)
Carl Michael Alfred Steinberg (4 October 1928 – 26 July 2009) was an American music critic and author who specializes in classical music. He was best known, according to ''San Francisco Chronicle'' music critic Joshua Kosman, for "the illuminating, witty and often deeply personal notes he wrote for the San Francisco Symphony's program booklets, beginning in 1979." He contributed several entries to the ''New Grove Dictionary of Music and Musicians'', wrote articles for music journals and magazine, notes for CDs, and published a number of books on music, both collected published annotations and new writings. Life and career Born in Breslau, Germany (now Wrocław, Poland), Steinberg left Germany in 1939 as one of the ''Kindertransport'' child refugees and spent four years in England. He immigrated to the United States in 1943 with his brother and mother and earned a degree in musicology from Princeton University (the classical-music scholar and pianist Charles Rosen was his room ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finale (music)
A finale is the last movement of a sonata, symphony, or concerto; the ending of a piece of non-vocal classical music which has several movements; or, a prolonged final sequence at the end of an act of an opera or work of musical theatre. Michael Talbot wrote of the finales typical in sonatas: "The rondo is the form par excellence used for final movements, and ... its typical character and structural properties accord perfectly with those thought desirable in a sonata finale of the early nineteenth century." Carl Czerny (1791–1857) observed "that first movements and finales ought to—and in practice actually do—proclaim their contrasted characters already in their opening themes." In theatrical music, Christoph Willibald Gluck was an early proponent of extended finales, with multiple characters, to support the "increasingly natural and realistic" stories in his operas that "improved continuity and theatrical validity" beyond the earlier works.Koopman, John"Expressivity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means 'joke' or 'jest'. More rarely the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, 'jesting') has been used. Sometimes the word ''scherzando'' ('joking') is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appears in historical writings as early as 1700 BC and was used by ancient musicians in West Africa, the Middle East, Greece and India. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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