Piano Concerto No. 1 (Mozart)
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Piano Concerto No. 1 (Mozart)
Piano Concerto No. 1 refers to the first piano concerto published by one of a number of composers: * Piano Concerto No. 1 (Bartók) (Sz. 83), by Béla Bartók *Piano Concerto No. 1 (Beethoven) (Op. 15), by Ludwig van Beethoven *Piano Concerto No. 1 (Brahms) (Op. 15), by Johannes Brahms *Piano Concerto No. 1 (Chopin) (Op. 11), by Frédéric Chopin * Piano Concerto No. 1 (Emerson) (1977), by Keith Emerson * Piano Concerto No. 1 (Ginastera) (Op. 28) by Alberto Ginastera * Piano Concerto No. 1 (Glass) (''Tirol Concerto for Piano and Orchestra'', 2000), by Philip Glass * Piano Concerto No. 1 (Glazunov) (Op. 92, 1911) by Alexander Glazunov *Piano Concerto No. 1 (Kabalevsky) (Op. 9), by Dmitry Kabalevsky * Piano Concerto No. 1 (Lehnhoff) (2005), by Dieter Lehnhoff * Piano Concerto No. 1 (Lieberson) (1983) by Peter Lieberson * Piano Concerto No. 1 (Lindberg) (1994) by Magnus Lindberg *Piano Concerto No. 1 (Liszt) (S. 124), by Franz Liszt *Piano Concerto No. 1 (Mendelssohn) (Op. 25), by Felix ...
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Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Piano Concerto (Barber)
The Piano Concerto, Op. 38, by Samuel Barber was commissioned by the music publishing company G. Schirmer in honor of the centenary of their founding. The premiere was on September 24, 1962, in the opening festivities of Philharmonic Hall, now David Geffen Hall, the first hall built at Lincoln Center in Manhattan, with John Browning as soloist with the Boston Symphony Orchestra conducted by Erich Leinsdorf. History Barber began work on the concerto in March 1960. John Browning was the intended soloist from the outset and the concerto was written with his specific keyboard technique in mind. The first two movements were completed before the end of 1960 but the last movement was not completed until 15 days before the world premiere performance. According to Browning (in the liner notes for his 1991 RCA Victor recording of the Concerto with the St. Louis Symphony), the initial version of the piano part of the third movement was unplayable at performance tempo; Barber resisted reworkin ...
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Piano Concerto (Busoni)
The Piano Concerto in C major, Op. 39 by Ferruccio Busoni, is one of the largest works ever written in this genre. The concerto lasts around 70 minutes and is in five movements; in the final movement a men's chorus sings words from the final scene of the verse drama ''Aladdin'' by Adam Oehlenschläger, who also wrote the words of one of the Danish national anthems. The first performance of the concerto took place in the Beethoven-Saal, Berlin, Germany, on November 10, 1904, at one of Busoni's own concerts of modern music. Busoni was the soloist, with Karl Muck conducting the Berlin Philharmonic Orchestra and the choir of the Kaiser Wilhelm Memorial Church (Kaiser-Wilhelm-Gedächtniskirche). The reviews were decidedly mixed, some being filled with outright hostility or derision. A year later, the work was performed in Amsterdam, with the Concertgebouw Orchestra conducted by Busoni himself and Egon Petri as soloist. The century following its premiere has seen relatively few performan ...
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Piano Concerto (Cowell)
Henry Cowell wrote his ''Piano Concerto'' (formally ''Concerto for Piano and Orchestra'') in 1928. The piece contains many innovative uses of dissonance, cluster chords and extended uses of form. History Cowell completed his Piano Concerto in 1928, and premiered the first movement as soloist with the Conductorless Orchestra of New York City in April 1930; he was also the soloist in the first complete performance on December 28, 1930, with the Havana Philharmonic conducted by Pedro Sanjuan. It was only until 1978, long after the composer's death, that its first full performance was done in the United States.Keller, James"About Cowell's Piano Concerto" ''American Mavericks''. Retrieved 13 June, 2022. Movements The concerto is in three movements. I. Polyharmony The first movement, ''Polyharmony'', begins with an orchestral tutti. II. Tone Cluster III. Counter Rhythm Instrumentation ;Woodwinds :2 Flutes :2 Oboes :2 Clarinets :2 Bassoons ;Brass :2 French Horns :2 Trumpets : ...
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Piano Concerto (Dvořák)
The Concerto for Piano and Orchestra in G minor, Op. 33, is the only piano concerto by Czech composer Antonín Dvořák. Written in 1876, it was the first of three concertos that Dvořák completed, followed by the Violin Concerto (Dvořák), Violin Concerto, Op. 53 from 1879 and the Cello Concerto (Dvořák), Cello Concerto, Op. 104, written in 1894–1895. The piano concerto is probably the least known and least performed of Dvořák's concertos. As the eminent music critic Harold C. Schonberg put it, Dvořák wrote "an attractive Piano Concerto in G minor with a rather ineffective piano part, a beautiful Violin Concerto in A minor, and a supreme Cello Concerto in B minor". Background Dvořák composed his piano concerto from late August through 14 September 1876. Its autograph version contains many corrections, erasures, cuts and additions, the bulk of which were made in the piano part. The work was premiered in Prague on 24 March 1878, with the orchestra of the Pragu ...
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Piano Concerto (Furtwängler)
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect ..., including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conducting, conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordi ...
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Concerto In F (Gershwin)
Concerto in F is a composition by George Gershwin for solo piano and orchestra which is closer in form to a traditional concerto than his earlier jazz-influenced ''Rhapsody in Blue''. It was written in 1925 on a commission from the conductor and director Walter Damrosch. It is just over half an hour long. Genesis of the Concerto Damrosch had been present at the February 12, 1924 concert arranged and conducted by Paul Whiteman at Aeolian Hall in New York City titled ''An Experiment in Modern Music'' which became famous for the premiere of Gershwin's ''Rhapsody in Blue'', in which the composer performed the piano solo. The day after the concert, Damrosch contacted Gershwin to commission from him a full-scale piano concerto for the New York Symphony Orchestra, closer in form to a classical concerto and orchestrated by the composer. Because of contractual obligations for three different Broadway musicals, he was not able to begin sketching ideas until May 1925. He began the two-p ...
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Piano Concerto (Grieg)
The Piano Concerto in A minor, Op. 16, composed by Edvard Grieg in 1868, was the only concerto Grieg completed. It is one of his most popular works and is among the most popular of the genre. Structure The concerto is in three movements: Performance time of the whole concerto is usually about 30 minutes. Instrumentation Grieg scored the concerto for solo piano, 2 flutes, 2 oboes, 2 clarinets (in A and B), 2 bassoons, 2 horns in E and E, 2 trumpets in C and B, 2 trombones, tuba, timpani and strings (violins, violas, cellos and double basses). He later added 2 horns and changed the tuba to a third trombone. History and influences The work is among Grieg's earliest important works, written by the 24-year-old composer in 1868 in Søllerød, Denmark, during one of his visits there to benefit from the climate. The concerto is often compared to the Piano Concerto of Robert Schumann: it is in the same key; the opening descending flourish on the piano is similar; the overall st ...
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Piano Concerto (Khachaturian)
Aram Khachaturian's Piano Concerto in D-flat major, Op. 38, was composed in 1936. It was his first work to bring him recognition in the West, and it immediately entered the repertoire of many notable pianists. The Piano Concerto was the first of three concertos Khachaturian wrote for the individual members of a renowned Soviet piano trio that performed together from 1941 until 1963. The others were the Violin Concerto for David Oistrakh (1940) and the Cello Concerto for Sviatoslav Knushevitsky (1946). The Piano Concerto in D-flat was written for Lev Oborin, who premiered it in Moscow on 12 July 1937, with the Moscow Philharmonic Orchestra under Lev Steinberg.Aram Khachaturian, Onno van Rijen
The only piano available for the premiere was an upright piano, and the orchestra had just one rehearsal. The venue was an o ...
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Piano Concerto (Ligeti)
The Concerto for Piano and Orchestra by György Ligeti is a five- movement piano concerto. Ligeti wrote:I present my artistic credo in the ''Piano Concerto'': I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as "frozen" time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer.It is dedicated to the American conductor Mario di Bonaventura who premiered the work. History Initial sketches of the Concerto began in 1980, but it was not until 1985 that he ...
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Piano Concerto In G (Ravel)
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ...
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Concierto Heroico
The ''Concierto heroico'' for piano and orchestra was composed by Joaquín Rodrigo for pianist Leopoldo Querol between 1935 and 1943. Rodrigo began work on the concerto in 1935 and completed the first two movements before setting the work aside; having forgotten about it, he returned and completed it in 1945. The piece is called "heroic" because of the martial rhythms and fanfares of the first movement.Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds
Fairclough, P. 2016. Routledge.
Such touches were common to the era and were sometimes erroneously taken to suggest Rodrigo's support of