Piano Concerto (Vaughan Williams)
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Piano Concerto (Vaughan Williams)
The Piano Concerto in C is a concertante work by Ralph Vaughan Williams written in 1926 ( movements 1 & 2) and 1930-31 (movement 3). During the intervening years, the composer completed '' Job: A Masque for Dancing'' and began work on his Fourth Symphony. The concerto shares some thematic characteristics with these works, as well as some of their drama and turbulence. Structure #Toccata: Allegro moderato - Largamente - Cadenza #:The concerto begins with driving, energetic music from the soloist set against a threatening, rising theme in the orchestra. A faster, more scherzo-like idea, shared out equally between piano and orchestra, soon contrasts against the opening music. These two blocks of music alternate, forming the basis of the entire movement. It is as though the traditional dialogue between soloist and orchestra has been supplanted by a more generalised dialogue of musical types. At the movement's climax, a brief and thunderous piano solo is joined by the full orchestra. ...
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Ralph Vaughan Williams
Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social life. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Music of Germany, Teutonic influences. Vaughan Williams i ...
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Paul Hindemith
Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (new objectivity) style of music in the 1920s, with compositions such as '' Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler'' (1938), the '' Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd'', a requiem based on Walt Whitman's poem (1946). Life and career Hindemith was born in Hanau, near Frankfurt, the eldest child of the painter and decorator Robert Hindemith from Lower Silesia and his wife Marie Hindemith, née Warnecke. H ...
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Concertos By Ralph Vaughan Williams
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebast ...
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Piano Concertos
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ro ...
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Vernon Handley
Vernon George "Tod" Handley (11 November 1930 – 10 September 2008) was a British conductor, known in particular for his support of British composers. He was born of a Welsh father and an Irish mother into a musical family in Enfield, Middlesex. He acquired the nickname "Tod" because his feet were turned in at his birth, which his father simply summarised: "They toddle". Handley preferred the use of the name "Tod" throughout his life over his given names. Education and studies Handley attended Enfield Grammar School. While in school, he watched the BBC Symphony Orchestra in its studio in Maida Vale, where by his own account he learned some of his conducting technique by observing Sir Adrian Boult. Later the two corresponded in the early 1950s and met around 1958. He spent a period in the Armed Forces and then attended Balliol College, Oxford, where he read English philology and became musical director of the University Dramatic Society. He also studied at the Guildhall Sc ...
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Royal Liverpool Philharmonic Orchestra
Royal Liverpool Philharmonic is a music organisation based in Liverpool, England, that manages a professional symphony orchestra, a concert venue, and extensive programmes of learning through music. Its orchestra, the Royal Liverpool Philharmonic Orchestra, is the UK's oldest continuing professional symphony orchestra. In addition to the orchestra, the organisation administers the Royal Liverpool Philharmonic Choir, the Liverpool Philharmonic Youth Company and other choirs and ensembles. It is involved in educational and community projects in Liverpool and its surrounding region. It is based in the Liverpool Philharmonic Hall, an Art Deco concert hall built in the late 1930s. History 19th century The organisation has its origins in a group of music amateurs in the early 19th century. They had met during the 1830s in St Martin's Church under the leadership of William Sudlow, a stockbroker and organist; their main interest was choral music.Spiegl, Fritz and Sara Cohen"Liverpool ...
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Piers Lane
Piers Lane (born 8 January 1958) is an Australian classical pianist. His performance career has taken him to more than 40 countries. His concerto repertoire exceeds 75 works. Early life Lane's English father and Australian mother met while auditioning as piano students for the Royal College of Music. Lane was born in London and he grew up in Brisbane. He graduated with a Medal of Excellence from the Queensland Conservatorium of Music, where his teacher was Nancy Weir, winning the Margaret Nickson Prize in 1978 and the Ruby C Cooling prize in 1977 and 1978. He was later awarded an honorary doctorate by the conservatorium. He first came to prominence at the inaugural Sydney International Piano Competition in 1977, at which he was named Best Australian Pianist (he was a judge at the 2004 competition). He later studied overseas on a Churchill Fellowship. Career Highlights of Lane's career include concerto performances at Avery Fisher Hall, Lincoln Center in New York wi ...
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Joseph Cooper (broadcaster)
Joseph Elliott Needham Cooper, OBE (7 October 1912 – 4 August 2001) was a British pianist and broadcaster, best known as the chairman of the BBC's long-running television panel game '' Face the Music''. Early career Cooper was born at Westbury-on-Trym, near Bristol, England. He was educated at Clifton College, and then at Keble College, Oxford, where he was an organ scholar. During the 1930s he worked initially as a church organist and piano teacher before joining the GPO Film Unit, where he wrote incidental music for documentaries, including ''Mony a Pickle'' (1938) and ''A Midsummer Day's Work'' (1939). Here his colleagues included W. H. Auden and Benjamin Britten. Cooper had already embarked on career as a concert pianist when the outbreak of World War II forced him to give up performing for the duration of hostilities. He resumed his career in 1946, studying briefly with Egon Petri and making his London debut in 1947. As a concert pianist, Cooper made a numb ...
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Concerto For Two Pianos And Orchestra (Vaughan Williams)
The Concerto for Two Pianos and Orchestra is a piano concerto by the British composer Ralph Vaughan Williams. He wrote his solo Piano Concerto in the years between 1926 and 1930, which was first performed in 1933 under Adrian Boult Sir Adrian Cedric Boult, CH (; 8 April 1889 – 22 February 1983) was an English conductor. Brought up in a prosperous mercantile family, he followed musical studies in England and at Leipzig, Germany, with early conducting work in London .... The piece gained a reputation for being too difficult and demanding, so Vaughan Williams reworked the piece for two pianos with the assistance of Joseph Cooper. This revised edition premiered in 1946. The piece is difficult, and the piano parts are often percussive and dissonant. It is in three movements: #Toccata: ''Allegro moderato'' #Romanza: ''Lento'' #Fuga chromatica (''Allegro''), con finale alla tedesca The piece lasts about 25 minutes. Footnotes Vaughan Williams Piano, two 1946 comp ...
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Texture (music)
In music, texture is how the tempo, melodic, and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece. The texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices (see Common types below). For example, a thick texture contains many 'layers' of instruments. One of these layers could be a string section or another brass. The thickness also is changed by the amount and the richness of the instruments playing the piece. The thickness varies from light to thick. A piece's texture may be changed by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tempo, and rhythms used. The types categorized by number and relationship of parts are an ...
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Béla Bartók
Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers. Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology. Biography Childhood and early years (1881–98) Bartók was born in the Banatian town of Nagyszentmiklós in the Kingdom of Hungary (present-day Sânnicolau Mare, Romania) on 25 March 1881. On his father's side, the Bartók family was a Hungarian lower noble family, originating from Borsodszirák, Borsod. His paternal grandmother was a Catholic of Bunjevci origin, but considered herself Hungarian. Bartók's father (1855–1888) was also named Béla. Bartók's mother, Paula (née Voit) (1857–1939), also spoke Hungarian fluently. A native of Turócszentmárton ...
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Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ...
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