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Piano Concerto (Chávez)
''Concerto for Piano with Orchestra'' is a piano concerto by the Mexican composer Carlos Chávez, written between 1938 and 1940. History Early in 1938 Chávez received a grant from the John Simon Guggenheim Memorial Foundation, which provided support for the composition of a Piano Concerto. He set to work in the spring of 1938, finishing the short score by the end of the year. Resumption of work on the orchestration, however, was only possible in October 1940, and Chávez put the final touches on the score on 31 December of that year. The concerto was premiered by Eugene List with the New York Philharmonic Orchestra under the direction of Dimitri Mitropoulos on 1 January 1942. The European premiere was given by Tom Bromley and the BBC Symphony Orchestra conducted by Sir Adrian Boult on 6 September of the same year. The Mexican premiere did not take place until 13 August 1943, with Claudio Arrau and the Orquesta Sinfónica de México conducted by Chávez himself. Chávez revise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Chavez
Carlos may refer to: Places ;Canada * Carlos, Alberta, a locality ;United States * Carlos, Indiana, an unincorporated community * Carlos, Maryland, a place in Allegany County * Carlos, Minnesota, a small city * Carlos, West Virginia ;Elsewhere * Carlos (crater), Montes Apenninus, LQ12, Moon; a lunar crater near Mons Hadley People * Carlos (given name), including a list of name holders * Carlos (surname), including a list of name holders Sportspeople * Carlos (Timorese footballer) (born 1986) * Carlos (footballer, born 1995), Brazilian footballer * Carlos (footballer, born 1985), Brazilian footballer Others * Carlos (Calusa) (died 1567), king or paramount chief of the Calusa people of Southwest Florida * Carlos (DJ) (born 1966), British DJ * Carlos (singer) (1943—2008), French entertainer * Carlos the Jackal, a Venezuelan terrorist *Carlos (DJ) (born 2010) Guyanese DJ Arts and entertainment * ''Carlos'' (miniseries), 2010 biopic about the terrorist Carlos the Jackal * ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subdominant
In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdominant. It also happens to be the note one step below the dominant. In the movable do solfège system, the subdominant note is sung as ''fa''. The triad built on the subdominant note is called the subdominant chord. In Roman numeral analysis, the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad. These chords may also appear as seventh chords: in major, as IVM7, or in minor as iv7 or sometimes IV7: A cadential subdominant chord followed by a tonic chord produces the so-called plagal cadence. As with other chords which often precede the dominant, subdominant chords typically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrique Diemecke
Enrique Arturo Diemecke (born July 9, 1952) is a Mexican conductor, violinist and composer. He is currently the Artistic General Director of the Teatro Colón in Buenos Aires and music director of the Buenos Aires Philharmonic and the Flint Symphony Orchestra in Michigan, USA. Biography Diemecke was born in Guanajuato, Mexico to Emilio Diemecke, a professional cellist and Carmen Diemecke (Née Rodriguez) a pianist. Diemecke is one of eight musician siblings, their father was also born into a family of musicians from Leipzig, Germany. He began to play the violin at the age of six and at the age of nine he began to play the French horn, piano and percussion. He studied at Catholic University in Washington D.C. and with Charles Bruck at the Pierre Monteux School for Advanced Conductors. He studied violin in Mexico with Henryk Szeryng. In 1983, he was selected as an Exxon Arts Endowment Conductor and began his professional conducting career at the Rochester Philharmonic Orche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Autonomous University Of Mexico
The National Autonomous University of Mexico ( es, Universidad Nacional Autónoma de México, UNAM) is a public research university in Mexico. It is consistently ranked as one of the best universities in Latin America, where it's also the biggest in terms of enrollment. A portion of UNAM's main campus in Mexico City, known as '' Ciudad Universitaria'' (University City), is a UNESCO World Heritage site that was designed by some of Mexico's best-known architects of the 20th century and hosted the 1968 Summer Olympic Games. Murals in the main campus were painted by some of the most recognized artists in Mexican history, such as Diego Rivera and David Alfaro Siqueiros. With acceptance rates usually below 10%, and its research, especially in Artificial Intelligence, being recognized by UNESCO as one of the most impactful globally, UNAM is known for its high quality research and educational level. All Mexican Nobel laureates are either alumni or faculty of UNAM. UNAM was founded, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Miguel Prieto
Carlos Miguel Prieto (born 14 November 1965) is a Mexican conductor. He is music director of the Orquesta Sinfonica Nacional de Mexico and the Orquesta Sinfonica de Mineria, of the Louisiana Philharmonic Orchestra in New Orleans, and The Orchestra of the Americas in Washington, D.C.. Early life and education Prieto grew up in a musical family, with a cellist father, Carlos Prieto. His family formed the Cuarteto Prieto, with which he played violin. His grandfather was on the board of Mexico's National Symphony Orchestra. At an early age, he began playing violin, and continued playing music throughout his youth, including during his subsequent university studies. Prieto earned a degree in electrical engineering from Princeton. In 1992, he earned a Master's of Business Administration at Harvard University. He worked for a sugar company before devoting full-time to music as a career. Prieto attended conducting courses at the Pierre Monteux School in Maine, and at the Tanglew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduardo Mata
Eduardo Mata (5 September 19425 January 1995) was a Mexican conductor and composer. Career Mata was born in Mexico City. He studied guitar privately for three years before enrolling in the National Conservatory of Music. From 1960 to 1963 he studied composition under Carlos Chávez, and Julián Orbón. In 1964 he received a Koussevitzky Memorial Fellowship to study at Tanglewood. There, he studied conducting with Max Rudolf and Erich Leinsdorf and composition with Gunther Schuller. He composed several works in the 1950s and 1960s, including three symphonies and chamber works, which include sonatas for piano and for cello and piano. His Third Symphony and some of his chamber works have been recorded. In 1965 he was appointed head of the Music Department of the National Autonomous University of Mexico (UNAM) and conductor of the Guadalajara Orchestra; He also conducted the orchestra at the university, which later became the National Autonomous University of Mexico Philha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philharmonia Orchestra
The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia's younger conductors, the most important to its development was Herbert von Karajan who, though never formally chief conductor, was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London's five symphony orchestras in its first two decades. From the late 1950s to the early 1970s the orchestra's chief conductor was Otto Klemperer, with whom the orchestra gave many concerts and made numerous recordings of the core orchestral repertoire. During Klemperer's tenure Legge, citing the difficulty of maintaining the orchestra's high standards, attempted to disband it in 1964, but the players, backed by Klemp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ABC Records
ABC Records was an American record label founded in New York City in 1955. It originated as the main popular music label operated by the Am-Par Record Corporation. Am-Par also created the Impulse! jazz label in 1960. It acquired many labels before ABC was sold to MCA Records in 1979. ABC produced music in a variety of genres: pop, rock, jazz, country, rhythm and blues, soundtrack, gospel, and polka. In addition to producing records, ABC licensed masters from independent record producers, and purchased regionally released records for national distribution. The label was initially called Am-Par Records (1955), but quickly changed to ABC-Paramount Records (1955–1966), and then renamed ABC Records in 1966. History Background In the 1940s and early 1950s, the Federal Communications Commission took action against the Anti-competitive practices of movie studios and broadcasting companies, forcing the Radio Corporation of America (RCA) to sell the Blue Network, the sister network ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Westminster Records
Westminster Records was an American classical music record label, issuing original recordings until 1965. It was co–founded in 1949 by Mischa Naida (who later founded Musical Heritage Society), the owner of the Westminster Record Shop in New York City, businessman James Grayson (1897–1980), conductor Henry Swoboda, and Henry Gage. Its trademark was Big Ben and its slogan was "natural balance", referring to its single microphone technique. Early on, Westminster recordings were technically superior to most others available, and the label became popular among the growing community of audiophiles. In the late 1950s, the company began issuing stereophonic recordings, including a rare disc of the music of Swedish composer Hugo Alfvén (1872–1960), conducted by the composer. The "Westminster Laboratory" (W-Lab) series of classical recordings were technically superior to other brands and sold at higher price than the regular Westminster issues. The company was sold in the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna State Opera
The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polymodal Chromaticism
In music, polymodal chromaticism is the use of any and all musical modes sharing the same tonic simultaneously or in succession and thus creating a texture involving all twelve notes of the chromatic scale (total chromatic). Alternately it is the free alteration of the other notes in a mode once its tonic has been established.Wilson, Paul (1992). ''The Music of Béla Bartók'', pp. 8–9. . The term was coined by composer, ethnomusicologist, and pianist Béla Bartók. The technique became a means in Bartók's composition to avoid, expand, or develop major-minor tonality (i.e. common practice harmony). This approach differed from that used by Arnold Schoenberg and his followers in the Second Viennese School and later serialists. The concept was indicated by Bartók's folk-music-derived view of each note of the chromatic scale as being "of equal value" and thus to be used "freely and independently" (autobiography) and supported by references to the conception below in his Har ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finale (music)
A finale is the last movement of a sonata, symphony, or concerto; the ending of a piece of non-vocal classical music which has several movements; or, a prolonged final sequence at the end of an act of an opera or work of musical theatre. Michael Talbot wrote of the finales typical in sonatas: "The rondo is the form par excellence used for final movements, and ... its typical character and structural properties accord perfectly with those thought desirable in a sonata finale of the early nineteenth century." Carl Czerny (1791–1857) observed "that first movements and finales ought to—and in practice actually do—proclaim their contrasted characters already in their opening themes." In theatrical music, Christoph Willibald Gluck was an early proponent of extended finales, with multiple characters, to support the "increasingly natural and realistic" stories in his operas that "improved continuity and theatrical validity" beyond the earlier works.Koopman, John"Expressivity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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