Piano, Strings And Bossa Nova
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Piano, Strings And Bossa Nova
''Piano, Strings and Bossa Nova'' is an album by Argentine composer, pianist and conductor Lalo Schifrin recorded in 1962 and released on the MGM label.Payne, DLalo Schifrin discographyaccessed March 1, 2012 Track listing ''All compositions by Lalo Schifrin except as indicated'' # "The Wave" - 2:43 # " Insensatez" (Vinicius de Moraes, Antonio Carlos Jobim) - 2:22 # "You and Me (Voce e Eu)" (de Moraes, Carlos Lyra) - 1:48 # "Lalo's Bossa Nova (Samba Para Dos)" - 2:17 # "Silvia" - 3:11 # "Murmurio" (Luiz Antonio, Djaima Ferreira) - 2:01 # " Maria" (Leonard Bernstein, Stephen Sondheim) - 2:29 # "Rapaz de Bem" (Johnny Alf) - 2:34 # "Samba Do Perroquet (Parrot Samba)" (Ferreira, Ivono Rebella) - 2:04 # "Rio After Dark" - 2:33 # "Time for Love" ( Leonard Feather) - 2:26 # "Four Leaf Clover" (Harry M. Woods, Mort Dixon) - 1:50 *Recorded in New York City on October 23 (tracks 1-6) and October 24 (tracks 7-12), 1962 Personnel *Lalo Schifrin - piano, arranger * Jim Hall - gui ...
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Lalo Schifrin
Boris Claudio "Lalo" Schifrin (born June 21, 1932) is an Argentine-American pianist, composer, arranger and conductor. He is best known for his large body of film and TV scores since the 1950s, incorporating jazz and Latin American musical elements alongside traditional orchestrations. He is a five-time Grammy Award winner, and has been nominated for six Academy Awards and four Emmy Awards. Schifrin's best known compositions include the " Theme from ''Mission: Impossible''", and the scores to '' Cool Hand Luke'' (1967), ''Bullitt'' (1968), ''THX 1138'' (1971), ''Enter the Dragon'' (1973), ''The Four Musketeers'' (1974), ''Voyage of the Damned'' (1976), ''The Amityville Horror'' (1979), and the ''Rush Hour'' trilogy (1998–2007). Schifrin is also noted for his collaborations with Clint Eastwood from the late 1960s to the 1980s, particularly the ''Dirty Harry'' series of films. He also composed the Paramount Pictures fanfare used from 1976 to 2004. In 2019, he received an ...
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Leonard Feather
Leonard Geoffrey Feather (13 September 1914 – 22 September 1994) was a British-born jazz pianist, composer, and producer, who was best known for his music journalism and other writing. Biography Feather was born in London, England, into an upper middle-class Jewish family. He learned to play the piano and clarinet without formal training and started writing about jazz and film by his late teens. At the age of twenty-one, Feather made his first visit to the United States, and after working in the UK and the US as a record producer finally settled in New York City in 1939, where he lived until moving to Los Angeles in 1960. Feather was co-editor of ''Metronome'' magazine and served as chief jazz critic for the ''Los Angeles Times'' until his death. Feather made a significant contribution to the development of jazz broadcasting in Britain, first devising three ''Evergreens of Jazz'' programmes broadcast in August and September 1936, using George Scott-Wood and His Six Swingers. ...
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Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Current-day Iraq (Mesopotamia), Iran (Persia), and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. History Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3000 BCE. The instrument had great popularity in Europe during the ...
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Latin Percussion
{{for, the company, Latin Percussion Latin percussion is a family of percussion, membranophone, lamellophone and idiophone instruments used in Latin music. Instruments Afro-Cuban and Puerto Rican styles Folkloric and Santeria * Trap drums * Abakua and Arará drums * Chekere/Shekere * Erikundi * Bata *Cowbell * Shaker *Conga * Cajon * Guiro *Barril de bomba *Pandereta plenera * Cuá *mouth sounds 20-21st century music (Salsa, Son Montuno, Bolero, etc.) * Bongo *Conga * Clave/ Wood block *Cowbell (cencerro) *Timbales * Shaker/Maraca * Güiro *Cajón South America *Timbales, a similar Afro-Cuban instrument *Surdo *Cuíca * Caixa *Reco-reco *Cabasa/Afuche *Repinique *Agogô *Tan-tan *Pandeiro *Tamborim *Apito *Berimbau Neo Samba and Neo-Bossa Nova additions *Conga *Timbales * Bongo * Clave/ Wood block *Cowbell Andean styles (Peru, Bolivia, South Ecuador, Argentina, Chile) * Rain Stick *Reco-reco * Sheep hooves, or chapchas * Chipaya box *Bombo *Huancara *Maraca Coastal Peruvian an ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Rudy Collins
Rudy Collins (July 24, 1934 – August 15, 1988) was an American jazz drummer born in New York City. Collins played trombone in high school and started on drums at that time as well. He studied with Sam Ulano during 1953–57 and began gigging in New York City, playing with Hot Lips Page, Cootie Williams, Eddie Bonnemere, Dizzy Gillespie, Johnny Smith, Carmen McRae, Cab Calloway, and Roy Eldridge. he played with J.J. Johnson and Kai Winding at the Newport Jazz Festival. Later in the 1950s Collins became increasingly interested in the nascent free jazz scene, in addition to playing with more traditional ensembles. He worked with Herbie Mann from 1959 and later with Cecil Taylor, Quincy Jones, Dave Pike, and Lalo Schifrin. His last recordings were in 1981. Discography With Ahmed Abdul-Malik *''Sounds of Africa'' (New Jazz, 1962) With Gene Ammons *'' Night Lights'' (Prestige, 1970 985 With Ray Bryant *'' The Ray Bryant Touch'' (Cadet, 1967) With Billy Butler *'' This Is Bi ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Chris White (bassist)
Chris White (July 6, 1936 − November 2, 2014) was an American jazz bassist. Early life and education Christopher Wesley White was born in Harlem, New York, and grew up in Brooklyn."White, Chris (Christopher Wesley)"
, Encyclopedia of Jazz Musicians, Jazz.com.
He graduated in 1956 from City College of New York, and in 1968 from the Manhattan School of Music. In 1974, he earned his Master of Education from the

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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Jim Hall (musician)
James Stanley Hall (December 4, 1930 – December 10, 2013) was an American jazz guitarist, composer and arranger. Biography Early life and education Born in Buffalo, New York, Hall moved with his family to Cleveland, Ohio, during his childhood. Hall's mother played the piano, his grandfather violin, and his uncle guitar.Hall, Devra "Sketches from PROS Folios: Jim Hall". Copyright 1988-2004. He began playing the guitar at the age of 10, when his mother gave him an instrument as a Christmas present. At 13 he heard Charlie Christian play on a Benny Goodman record, which he calls his "spiritual awakening". As a teenager in Cleveland, he performed professionally, and also took up the double bass. Hall's major influences since childhood were tenor saxophonists Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson. While he copied out solos by Charlie Christian, and later Barney Kessel, it was horn players from whom he took the lead. In 1955, Hall attended the Cleveland I ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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