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Phyllis Treigle
Phyllis Treigle (born May 6, 1960) is a native of New Orleans, Louisiana, and is a noted American soprano, and the daughter of the bass-baritone Norman Treigle. She graduated from Loyola University of the South's College of Music and made her professional debut with the New Orleans Opera Association as Flora Bervoix, in ''La traviata'', in 1980. Treigle subsequently appeared with the New York City Opera (as Miss Jessel in '' The Turn of the Screw'', conducted by Christopher Keene), Dublin Grand Opera Society, Houston Grand Opera (Bekhetaten in the American premiere of '' Akhnaten''), New Orleans Opera ('' Der fliegende Holländer''), Pittsburgh Opera (in Tito Capobianco's production of ''Mefistofele'', originally mounted for her father), Sarasota Opera Association, The New Opera Theatre, Skylight Opera Theatre (Donna Elvira in ''Don Giovanni'', directed by Francesca Zambello), Wolf Trap Opera Company ('' Transformations'' and ''Postcard from Morocco''), Eugene Opera, New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Orleans, Louisiana
New Orleans ( , ,New Orleans Merriam-Webster. ; french: La Nouvelle-Orléans , es, Nueva Orleans) is a Consolidated city-county, consolidated city-parish located along the Mississippi River in the southeastern region of the U.S. state of Louisiana. With a population of 383,997 according to the 2020 U.S. census, it is the List of municipalities in Louisiana, most populous city in Louisiana and the twelfth-most populous city in the southeastern United States. Serving as a List of ports in the United States, major port, New Orleans is considered an economic and commercial hub for the broader Gulf Coast of the United States, Gulf Coast region of the United States. New Orleans is world-renowned for its Music of New Orleans, distinctive music, Louisiana Creole cuisine, Creole cuisine, New Orleans English, uniq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Opera Theatre
The New Opera Theatre was a New Orleans-based opera company founded in 1986, with conductor Louise LaBruyère as Music Director and stage director Brian Morgan serving as Artistic Director. It specialized in experimental productions of both ancient and contemporary opera. The ensemble's first production was in April 1987, the world-premiere of Morgan's post-minimalist opera, ''s'' ("a concerto for stage director"), with Phyllis Treigle as E, and LaBruyère conducting. This was followed later the same year by ''Hänsel und Gretel'', with identical-twins Libbye and Cyril Hellier in the title roles. In 1988, The NOT produced, in collaboration with I Cantori di New York, ''Dido and Æneas'', with Thaïs St Julien as Dido and Susannah Waters as Belinda, with Bart Folse conducting. The production was first seen at New York City's Symphony Space, then in New Orleans. In 1989, The NOT presented the New Orleans premiere of ''Pelléas et Mélisande'' (with Tracey Mitchell as Mélisan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aroldo
''Aroldo'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on and adapted from their earlier 1850 collaboration, ''Stiffelio''. The first performance was given in the Teatro Nuovo Comunale in Rimini on 16 August 1857. Composition history ''Stiffelio'' had provoked the censorship board because of “the immoral and rough” storylines of a Protestant minister deceived by his wife and also because making the characters German did not please an Italian audience, although, as Budden notes, the opera "enjoyed a limited circulation (in Italy), but with the title changed to ''Guglielmo Wellingrode'', the main protagonist now a German minister of state".Budden 2001, p.13 Verdi had rejected an 1852 request to write a new last act for the ''Wellingrode'' version, but, by Spring 1856, in collaboration with his original librettist, Piave, he decided to rewrite the story line and make a small number of musical changes and additions.Verdi to De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Voix Humaine
' (English: ''The Human Voice'') is a forty-minute, one-act opera for soprano and orchestra composed by Francis Poulenc in 1958. The work is based on the play The Human Voice, of the same name by Jean Cocteau, who, along with French soprano Denise Duval, worked closely with Poulenc in preparation for the opera's premiere. Poulenc's ' was first performed at the Opéra-Comique, Théâtre National de l'Opéra-Comique in Paris on 6 February 1959, with Duval as the solo singer and Georges Prêtre conducting; the scenery, costumes and direction were by Cocteau. The libretto consists of a woman's last phone conversation with her lover, who now loves someone else. During the call, the woman reveals that she has attempted suicide because her lover has abandoned her. History Cocteau's play Cocteau finished writing ''The Human Voice, La voix humaine'' in 1928, and the monodrama was premiered two years later. Having been previously criticized for using mechanical effects in his plays, Cocte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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