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Phoenix (Dan Fogelberg Album)
''Phoenix'' is the sixth album by American singer-songwriter Dan Fogelberg, released in 1979 (see 1979 in music). Track listing All songs written by Daniel Fogelberg. Personnel * Dan Fogelberg – lead and backing vocals, acoustic and electric guitars, percussion (1, 9), Sequential Circuits Prophet 5, Prophet 5, electric piano, electric and acoustic pianos (4–7, 9), bass guitar (10), orchestral arrangements * Kenneth A. Buttrey – percussion (3) * Paul Harris (musician), Paul Harris – acoustic piano (2) * Jerry Hey – flugelhorn (8) * Russ Kunkel – drums (5, 6), congas (7) * Gayle Levant – harp (8) * Marty Lewis – tambourine (5) * Jody Linscott – conductor, congas (4) * Andy Newmark – drums (2–4, 7, 9) * Norbert Putnam – bass guitar (except on 10) * Tom Scott (saxophonist), Tom Scott – saxophone (7), lyricon (7) * Sid Sharp – concertmaster * Glen Spreen – orchestral arrangements * Michael Utley, Mike Utley – organ (2, 5) Production * Producers – D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dan Fogelberg
Daniel Grayling Fogelberg (August 13, 1951 – December 16, 2007) was an American musician, songwriter, composer, and multi-instrumentalist. He is known for his 1970s and 1980s songs, including "Longer" (1979), "Same Old Lang Syne" (1980), and "Leader of the Band" (1979). Fogelberg recorded “Leader” as a tribute to his father for his 1979 album Phoenix, but felt it was too sentimental for the album and didn't release it until 1981 on The Innocent Age. Early life and family Dan Fogelberg was born in Peoria, Illinois. He was the youngest of three sons born to Margaret (née Irvine), a classically trained pianist, and Lawrence Peter Fogelberg, a band director at Woodruff High School (Peoria, Illinois), Woodruff High School in Peoria, at Pekin Community High School (Illinois), Pekin Community High School in Pekin, and at Bradley University in Peoria. Fogelberg’s mother was a Scottish immigrant, and his father was of Sweden, Swedish descent. His father was later to be the insp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Harris (musician)
Paul Harris is an American keyboard player and musician. Harris appears on several albums of the 1960s, 1970s and 1980s by leading artists such as Stephen Stills, B. B. King, allmusic album credits''Completely Well'' Judy Collins, Grace Slick, Al Kooper, ABBA, Eric Andersen, Rick Derringer, Nick Drake, John Martyn, John Sebastian, John Mellencamp, Joe Walsh, Seals & Crofts, Bob Seger and Dan Fogelberg. In the 1970s, he was a member of Stephen Stills Stephen Arthur Stills (born January 3, 1945) is an American musician, singer and songwriter best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has com ...' band Manassas and later the Souther–Hillman–Furay Band. He currently resides in Florida. References External links For a more complete discography Year of birth missing (living people) Living people American session musicians American rock keyboardists Souther–Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Plant
The Record Plant is a recording studio established in New York City in 1968 and currently operating in Los Angeles, California. Known for innovations in the recording artists' workspace, it has produced highly influential albums, including Blondie's ''Parallel Lines'', Metallica's '' Load'' and '' Reload'', the Eagles' ''Hotel California'', Fleetwood Mac's '' Rumours'', Eminem's ''The Marshall Mathers LP'', Guns N' Roses' ''Appetite for Destruction,'' and Kanye West's ''The College Dropout''. More recent albums with songs recorded at Record Plant include Lady Gaga's ''ARTPOP'', D'Angelo's '' Black Messiah'', Justin Bieber's '' Purpose'', Beyoncé's ''Lemonade'', and Ariana Grande's ''Thank U, Next''. The studio was founded in 1968 in New York City by Gary Kellgren and Chris Stone, who opened a Los Angeles branch the following year and a Sausalito, California, location in 1972. During the 1980s, they sold the New York and Sausalito studios; the former closed in 1987, the latter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Village Recorder
The Village (also known as Village Recorders, or the Village Recorder) is a recording studio located at 1616 Butler Avenue in West Los Angeles, California. History The building was built by the Freemasons in 1922 and was originally a Masonic temple. It remained that way until the 1960s, when Maharishi Mahesh Yogi used the building as a center for Transcendental Meditation. The temple was converted into a recording studio in 1968 by composer and meatpacking heir Geordie Hormel. The Village is home to a vintage Neve 8048 console as well as two Neve 88R consoles. The Village is renowned for its extensive inventory of vintage microphones and outboard gear. The studio also has Oscar Peterson's Steinway & Sons Model L, which Peterson used extensively from the 1940s through the 1980s. Many major motion picture and television soundtracks have also been recorded at the studio, including ''Ace Ventura'', ''Dead Poets Society'', ''O Brother, Where Art Thou?'', ''The Simpsons'', ''Toy St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Utley
Michael Edward Utley is an American musician, songwriter, and record producer for Jimmy Buffett's Coral Reefer Band. He is the musical director of the band. Born in Blytheville in Mississippi County, Arkansas, he graduated from the University of Arkansas where he was initiated into the Sigma Chi Fraternity. He was recognized by Sigma Chi as a Significant Sig in 2017. Early in his career, Utley worked with the house band for Atlantic Records in Miami, Florida's Criteria Studios backing performers such as Aretha Franklin, Jerry Jeff Walker, and the Allman Brothers and in California playing with Rita Coolidge and Kris Kristofferson. Jerry Jeff Walker recruited Utley to play keyboard instruments on Buffett's first major label album, ''A White Sport Coat and a Pink Crustacean'', in 1973. Utley continued to work with other performers in the mid-1970s while appearing on Buffett's subsequent albums until Buffett's 1977 breakout ''Changes in Latitudes, Changes in Attitudes'' when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyricon
The Lyricon is an electronic wind instrument, the first wind controller to be constructed. Invented by Bill Bernardi (and co-engineered by Roger Noble and with the late Lyricon performer Chuck GreenbergIngham (1998) p.184), filed for patent on October 5, 1971, by Computone Inc., patented under #US3767833 October 23, 1973 and then manufactured by Computone Inc. in Massachusetts in the early 1970s. The first lyricon was completed in 1974 with Tom Scott being the first customer for the instrument. The Lyricon was available in two designs, the first being somewhat silver and resembling a soprano saxophone and the latter, black and resembling an alto clarinet. Using a form of additive synthesis, the player was allowed to change between types of overtones with a key switchable between fundamentals of G, Bb, C, Eb, and F (allowing the instrument to be used to play transposed parts written for saxophones, trumpets, etc.) and an octave range that could be switched between low, medium, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Scott (saxophonist)
Thomas Wright Scott (born May 19, 1948) is an American saxophonist, composer, and arranger. He was a member of The Blues Brothers and led the jazz fusion group L.A. Express. Early life, family and education Scott was born in Los Angeles, California, US. He is the son of film and television composer Nathan Scott, who had more than 850 television credits and more than 100 film credits as a composer, orchestrator, and conductor, including the theme songs for '' Dragnet'' and '' Lassie''. Career Tom Scott's career began as a teenager as leader of the jazz ensemble Neoteric Trio and the band Men of Note. After that, he worked as a session musician. In 1970, Quincy Jones said of him: "Tom Scott, the saxophonist; he's 21, and out of sight! Plays any idiom you can name, and blows like crazy on half a dozen horns." Scott wrote the theme songs for the television shows '' Starsky and Hutch'' and ''The Streets of San Francisco''. In 1974, with the L.A. Express he composed the score for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andy Newmark
Andrew Newmark (born July 14, 1950)Scrymgeour, Alex (2008). "Andy Newmark: And the beat goes on." ''The Royal Gazette'' (online) October 10, 2008. Retrieved 9-2-2013. is an American session drummer who was a member of and has played with , , |
Jody Linscott
Jody Linscott is an American session musician and percussionist who resides in England and maintains an extended discography. She has two daughters Kachina Dechert and Coco Linscott and has written two children's books which were published by Doubleday, both edited by Jackie Onassis. Linscott has written several songs to accompany the books. Early days Jody Linscott was born in the United States, but went to England on a holiday in 1971 and never returned. While studying to be a bookbinder she repaired items, and once repaired a conga drum that the owner never returned to claim. After seeing a poster at the African Centre in Covent Garden for "Mustapha Tete Ade – Master Drummer from Ghana," she took the drum to his rhythms class to learn African rhythms. The class instructor, a visitor from Africa who was associated with the British Consulate, recognized her as a natural talent and offered to give her private lessons. Afterward, Linscott built a full set of congas from fibreg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appears in historical writings as early as 1700 BC and was used by ancient musicians in West Africa, the Middle East, Greece and India. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Current-day Iraq (Mesopotamia), Iran (Persia), and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. History Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3000 BCE. The instrument had great popularity in Europe during the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
