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Philosophy Of Music
Philosophy of music is the study of "fundamental questions about the nature of music and our experience of it".Andrew Kania,The Philosophy of Music, ''The Stanford Encyclopedia of Philosophy'', Spring 2014 edition, edited by Edward N. Zalta. The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics. The expression was born in the 19th century and has been used especially as the name of a discipline since the 1980s.Daniel Martín Sáez,The Expression »Philosophy of Music«. A Brief History and Some Philosophical Considerations, ''International Review of the Aesthetics and Sociology of Music'', vol. 52, nº 2 (December 2021), pp. 203-220. Some basic questions in the philosophy of music are: * What is the definition of music? (what are the necessary and sufficient conditions for classifying something as music?) * What is the relationship between music and mind? * What is the relationship between music and language? * What does mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philosophy
Philosophy (from , ) is the systematized study of general and fundamental questions, such as those about existence, reason, knowledge, values, mind, and language. Such questions are often posed as problems to be studied or resolved. Some sources claim the term was coined by Pythagoras ( BCE), although this theory is disputed by some. Philosophical methods include questioning, critical discussion, rational argument, and systematic presentation. in . Historically, ''philosophy'' encompassed all bodies of knowledge and a practitioner was known as a ''philosopher''."The English word "philosophy" is first attested to , meaning "knowledge, body of knowledge." "natural philosophy," which began as a discipline in ancient India and Ancient Greece, encompasses astronomy, medicine, and physics. For example, Newton's 1687 ''Mathematical Principles of Natural Philosophy'' later became classified as a book of physics. In the 19th century, the growth of modern research universiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonie Fantastique
' (''Fantastical Symphony: Episode in the Life of an Artist … in Five Sections'') Op. 14, is a program symphony written by the French composer Hector Berlioz in 1830. It is an important piece of the early Romantic period. The first performance was at the Paris Conservatoire on 5 December 1830. Franz Liszt made a piano transcription of the symphony in 1833 (S. 470). The American composer and conductor Leonard Bernstein described the symphony as the first musical expedition into psychedelia because of its hallucinatory and dream-like nature, and because history suggests Berlioz composed at least a portion of it under the influence of opium. According to Bernstein, "Berlioz tells it like it is. You take a trip, you wind up screaming at your own funeral." Berlioz put a great deal of emotion into the piece, exploring the extremities of many ends of the emotional spectrum. He wanted people to understand his intentions behind it as they were the driving factor behind each movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Program Music
Program music or programatic music is a type of instrumental art music that attempts to musically render an extramusical narrative. The narrative itself might be offered to the audience through the piece's title, or in the form of program notes, inviting imaginative correlations with the music. A well-known example is Sergei Prokofiev's ''Peter and the Wolf''. The genre culminates in the symphonic works of Richard Strauss that include narrations of the adventures of Don Quixote, ''Till Eulenspiegel'', the composer's domestic life, and an interpretation of Nietzsche's philosophy of the Übermensch. Following Strauss, the genre declined and new works with explicitly narrative content are rare. Nevertheless the genre continues to exert an influence on film music, especially where this draws upon the techniques of 19th-century late romantic music. Similar compositional forms also exist within popular music, including the concept album and rock opera. The term is almost exclusive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Tieck
Johann Ludwig Tieck (; ; 31 May 177328 April 1853) was a German poet, fiction writer, translator, and critic. He was one of the founding fathers of the Romantic movement in the late 18th and early 19th centuries. Early life Tieck was born in Berlin, the son of a rope-maker. His siblings were the sculptor Christian Friedrich Tieck and the poet Sophie Tieck. He was educated at the , where he learned Greek and Latin, as required in most preparatory schools. He also began learning Italian at a very young age, from a grenadier with whom he became acquainted. Through this friendship, Tieck was given a first-hand look at the poor, which could be linked to his work as a Romanticist. He later attended the universities of Halle, Göttingen, and Erlangen. At Göttingen, he studied Shakespeare and Elizabethan drama. On returning to Berlin in 1794, Tieck attempted to make a living by writing. He contributed a number of short stories (1795–98) to the series ''Straussfedern'', published ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Heinrich Wackenroder
Wilhelm Heinrich Wackenroder (13 July 1773 – 13 February 1798) was a German jurist and writer. With Ludwig Tieck and the Schlegel brothers, he has co-founded the German Romanticism. Life Wackenroder was born in Berlin. He was a close friend of Tieck from youth until his early death. They collaborated on virtually everything they wrote in this period. Wackenroder probably made substantial contributions to Tieck's novel ''Franz Sternbalds Wanderungen'' (''Franz Sternbald’s Wanderings,'' 1798), and Tieck to Wackenroder's influential collection of essays, ''Herzensergießungen eines kunstliebenden Klosterbruders'' (''Outpourings of an Art-Loving Friar,'' 1797). ''Outpourings'' is a tribute to Renaissance and medieval literature and art, attributing to them a sense of emotion Wackenroder and Tieck felt was missing in German Enlightenment thought. It was also the first work to claim for Northern Renaissance art a status equivalent to that of the Italian Renaissance, at least in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Representation (arts)
Representation is the use of signs that stand in for and take the place of something else.Mitchell, W. 1995, "Representation", in F Lentricchia & T McLaughlin (eds), ''Critical Terms for Literary Study'', 2nd edn, University of Chicago Press, Chicago It is through representation that people organize the world and reality through the act of naming its elements. Signs are arranged in order to form semantic constructions and express relations. For many philosophers, both ancient and modern, man is regarded as the "representational animal" or '' animal symbolicum'', the creature whose distinct character is the creation and the manipulation of signs – things that "stand for" or "take the place of" something else. Representation has been associated with aesthetics (art) and semiotics (signs). Mitchell says "representation is an extremely elastic notion, which extends all the way from a stone representing a man to a novel representing the day in the life of several Dubliners". The t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Absolute Music
Absolute music (sometimes abstract music) is music that is not explicitly 'about' anything; in contrast to program music, it is non- representational.M. C. Horowitz (ed.), ''New Dictionary of the History of Ideas'', , vol.1, p. 5 The idea of absolute music developed at the end of the 18th century in the writings of authors of early German Romanticism, such as Wilhelm Heinrich Wackenroder, Ludwig Tieck and E. T. A. Hoffmann but the term was not coined until 1846 where it was first used by Richard Wagner in a programme to Beethoven's Ninth Symphony. The aesthetic ideas underlying absolute music derive from debates over the relative value of what was known in the early years of aesthetic theory as the fine arts. Kant, in his '' Critique of Judgment'', dismissed music as "more a matter of enjoyment than culture" and "less worth in the judgement of reason than any other of the fine arts" because of its lack of conceptual content, thus treating as a deficit the very feature of music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musique Concrète
Musique concrète (; ): "[A] problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language. This creates several problems of translation affecting key terms. Perhaps the most obvious of these is the word ''concret''/''concrète'' itself. The word in French, which has nothing of the familiar meaning of "concrete" in English, is used throughout [''In Search of a Concrete Music''] with all its usual French connotations of "palpable", "nontheoretical", and "experiential", all of which pertain to a greater or lesser extent to the type of music Schaeffer is pioneering. Despite the risk of ambiguity, we decided to translate it with the English word ''conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
