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Philippe Herreweghe
Philippe Maria François Herreweghe, Knight Herreweghe (born 2 May 1947) is a Belgian conductor and choirmaster. Herreweghe founded La Chapelle Royale and Collegium Vocale Gent and is renowned as a conductor, with a repertoire ranging from Renaissance to early Romantic classical music. He specialises in Baroque music, with a particular focus on the music of Johann Sebastian Bach. Early life Herreweghe was born in Ghent as the first of three children to Edward Raymond Frans (1919–2006) and Elza Maria Augusta Herreweghe (née van Herrewege; 1919–1976). He received his first piano lessons from his mother. In his school years at the University of Ghent, Herreweghe combined studies in medical science and psychiatry with a musical education at the Ghent Conservatory, where Marcel Gazelle, Yehudi Menuhin's accompanist, was his piano teacher. Career In 1970, Herreweghe founded the Collegium Vocale Gent with a group of fellow students. Nikolaus Harnoncourt and Gustav Leonhar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herreweghe Philippe
Philippe Maria François Herreweghe, Knight Herreweghe (born 2 May 1947) is a Belgian conductor and choirmaster. Herreweghe founded La Chapelle Royale and Collegium Vocale Gent and is renowned as a conductor, with a repertoire ranging from Renaissance to early Romantic classical music. He specialises in Baroque music, with a particular focus on the music of Johann Sebastian Bach. Early life Herreweghe was born in Ghent as the first of three children to Edward Raymond Frans (1919–2006) and Elza Maria Augusta Herreweghe (née van Herrewege; 1919–1976). He received his first piano lessons from his mother. In his school years at the University of Ghent, Herreweghe combined studies in medical science and psychiatry with a musical education at the Ghent Conservatory, where Marcel Gazelle, Yehudi Menuhin's accompanist, was his piano teacher. Career In 1970, Herreweghe founded the Collegium Vocale Gent with a group of fellow students. Nikolaus Harnoncourt and Gustav Leonhardt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Campra
André Campra (; baptized 4 December 1660 – 29 June 1744) was a French composer and conductor of the Baroque era. The leading French opera composer in the period between Jean-Baptiste Lully and Jean-Philippe Rameau, Campra wrote several '' tragédies en musique'' and ''opéra-ballets'' that were extremely well received. He also wrote three books of cantatas as well as religious music, including a requiem. Biography Campra was the son of Giovanni Francesco Campra, a surgeon and violinist from Graglia, Italy, and Louise Fabry, from Aix-en-Provence. His father was his first music teacher. He was baptised on 4 December 1660 in the Église de la Madeleine in Aix. He became a choirboy in the Cathédrale Saint-Sauveur there in 1674 and commenced ecclesiastical studies four years later. He was reprimanded by his superiors in 1681 for having taken part in theatrical performances without permission, but was nevertheless made a chaplain on 27 May of that year. He served as ''maître de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Chigiana
The Accademia Musicale Chigiana (''English'': Chigiana Musical Academy) is a music institute in Siena, Italy. It was founded by Count Guido Chigi-Saracini in 1932 as an international centre for advanced musical studies. It organises Master Classes in the major musical instruments as well as singing, conducting and composition. During the summer months a series of concerts are held under the title of ''Estate Musicale Chigiana''. Amongst the teachers at the academy in the 1950s were Clotilde von Derp and Alexander Sakharoff who stopped their international touring to teach here at the invitation of the Count. In 1983 the Accademia Musicale Chigiana, Fulvia Casella Nicolodi and Guido Turchi created an International Composition Competition named after Alfredo Casella, for the one hundredth anniversary of his birth. The International ''Accademia Musicale Chigiana Prize'' has been assigned, and among the winners’ names are some of the most famous ones in international concert circle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic and literary movement that became prominent in Western culture from approximately 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre Des Champs-Élysées
The Orchestre des Champs-Élysées is an orchestra that specializes in the performance of music from the period from roughly 1750 to the early twentieth century, that is, it covers the period from the flourishing of Haydn to that of Mahler. It performs each work on instruments from the period of the composer's lifetime. It was established in 1991. Venues As of 2010, the Orchestra has been in residence at the Théâtre des Champs-Elysées in Paris, and at the Palais des Beaux-Arts in Brussels, for several years. It has performed in such venues as the Concertgebouw (Amsterdam), the Musikverein (Vienna), the Barbican Centre (London), Alte Oper (Frankfurt), the Philharmonic Halls in Berlin and Munich, the Gewandhaus (Leipzig), the Lincoln Center (New York), Parco della Musica (Rome) and the Auditoriums of Dijon and Lucerne. Conductors As of 2010, the Artistic Director and principal conductor is Philippe Herreweghe. Guest conductors have included Daniel Harding, Louis Langrée, Christ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensemble Vocal Européen
Ensemble may refer to: Art * Architectural ensemble * ''Ensemble'' (album), Kendji Girac 2015 album * Ensemble (band), a project of Olivier Alary * Ensemble cast (drama, comedy) * Ensemble (musical theatre), also known as the chorus * ''Ensemble'' (Stockhausen), 1967 group-composition project by Karlheinz Stockhausen * Musical ensemble Mathematics and science * Distribution ensemble or probability ensemble (cryptography) * Ensemble Kalman filter * Ensemble learning (statistics and machine learning) * Ensembl genome database project * Neural ensemble, a population of nervous system cells (or cultured neurons) involved in a particular neural computation * Statistical ensemble (mathematical physics) ** Climate ensemble ** Ensemble average (statistical mechanics) ** Ensemble averaging (machine learning) ** Ensemble (fluid mechanics) ** Ensemble forecasting (meteorology) ** Quantum statistical mechanics, the study of statistical ensembles of quantum mechanical systems Technolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Classical Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Gilles (composer)
Jean Gilles (8 January 1668 – 5 February 1705) was a French composer, born at Tarascon. Biography After receiving his musical training as a choirboy at the Cathedral of Saint-Sauveur at Aix-en-Provence, he succeeded his teacher Guillaume Poitevin as music master there. After moving on several times, he became music master at the Cathedral of St Etienne at Toulouse in 1697, as the successor of André Campra. His musical style was influenced by Campra, as were most musicians of his day. He composed motets and a famous requiem, which was performed for the first time at his own funeral (because the original commissioner thought it too expensive to perform), but was later sung at the funeral services for Jean-Philippe Rameau in 1764, Stanisław Leszczyński, King of Poland in 1766, and Louis XV in 1774. His motets were played frequently from 1728 to 1771 at the Concert Spirituel. His choral works often alternate passages sung by the soloists with those sung by the chorus. In 1752, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Dumont
Henri Dumont (also Henry Du Mont, originally Henry de Thier) (1610 – 8 May 1684) was a baroque composer of the French school, born in the Southern Netherlands. Life Dumont was born to Henry de Thier and Elisabeth Orban in Looz (Borgloon). The family moved to Maastricht in 1613, where Henri and his brother Lambert were choirboys at the church of Notre-Dame (i.e., the Basilica of Our Lady). In 1630 he was named organist and given a leave of two months to complete his education. In the principality of Liège (where he spent much of his time) he studied with Léonard de Hodémont (1575–1639), absorbing trends from Italy. On 1 December 1632, he resigned in favor of his brother. In 1639 he went to Paris to become organist at the important parish church of Saint-Paul. From this time he used the name Dumont or Du Mont in place of De Thier. From 1652 he was harpsichordist at the court of the Duke of Anjou (Philippe I, Duke of Orléans, a brother of Louis XIV), and in 1660 he obtained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
