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Phalaecian Hendecasyllable
In poetry, a hendecasyllable (sometimes hendecasyllabic) is a line of eleven syllables. The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical (Ancient Greek and Latin) poetry, and the newer of which are syllabic or accentual-syllabic and used in medieval and modern poetry. Classical In classical poetry, "hendecasyllable" or "hendecasyllabic" may refer to any of three distinct 11-syllable Aeolic meters, used first in Ancient Greece and later, with little modification, by Roman poets. Aeolic meters are characterized by an Aeolic base × × followed by a choriamb – u u –; where –=a long syllable, u=a short syllable, and ×=an anceps, that is, a syllable either long or short. The three Aeolic hendecasyllables (with base and choriamb in bold) are: Phalaecian ( la, hendecasyllabus phalaecius): × × – u u – u – u – – This is a line used only occasionally in Greek choral odes and scolia, but a favori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Library Papyrus 739
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton (d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sappho
Sappho (; el, Σαπφώ ''Sapphō'' ; Aeolic Greek ''Psápphō''; c. 630 – c. 570 BC) was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her Greek lyric, lyric poetry, written to be sung while accompanied by music. In ancient times, Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Poetry of Sappho, Sappho's poetry is now lost, and what is extant has mostly survived in fragmentary form; only the "Ode to Aphrodite" is certainly complete. As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style. Little is known of Sappho's life. She was from a wealthy family from Lesbos, though her parents' names are uncertain. Ancient sources say that she had three brothers; Charaxos (Χάραξος), Larichos ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terza Rima
''Terza rima'' (, also , ; ) is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the tercet that follows (''aba bcb cdc''). The poem or poem-section may have any number of lines, but it ends with either a single line or a couplet, which repeats the rhyme of the middle line of the previous tercet (''yzy z'' or ''yzy zz''). ''Terza rima'' was invented early in the fourteenth century by the Italian poet Dante Alighieri for his narrative poem the ''Divine Comedy'', which he set in hendecasyllabic lines. In English, poets often use iambic pentameter. ''Terza rima'' is a challenging form for a poet, and it did not become common in the century following its invention. The form is especially challenging in languages that are inherently less rich in rhymes than Italian. ''Terza rima'' can gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torquato Tasso
Torquato Tasso ( , also , ; 11 March 154425 April 1595) was an Italian poet of the 16th century, known for his 1591 poem ''Gerusalemme liberata'' (Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between Christians and Muslims at the end of the First Crusade, during the Siege of Jerusalem (1099), Siege of Jerusalem of 1099. Tasso had mental illness and died a few days before he was to be Poet laureate, crowned on the Capitoline Hill as the king of poets by Clement VIII, Pope Clement VIII. His work was widely translated and adapted, and until the beginning of the 20th century, he remained one of the most widely read poets in Europe. Biography Early life Born in Sorrento, Torquato was the son of Bernardo Tasso, a nobleman of Bergamo and an epic and lyric poet of considerable fame in his day, and his wife Porzia de Rossi, a noblewoman born in Naples of Tuscany, Tuscan origins. His father had for many years been secretary in the service of F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Ariosto
Ludovico Ariosto (; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic ''Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal position of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Petrarca
Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca. Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the " Dark Ages".Renaissance or Prenaissance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Alighieri
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crescendo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anapaest
An anapaest (; also spelled anapæst or anapest, also called antidactylus) is a metrical foot used in formal poetry. In classical quantitative meters it consists of two short syllables followed by a long one; in accentual stress meters it consists of two unstressed syllables followed by one stressed syllable. It may be seen as a reversed dactyl. This word comes from the Greek , ''anápaistos'', literally "struck back" and in a poetic context "a dactyl reversed". Because of its length and the fact that it ends with a stressed syllable and so allows for strong rhymes, anapaest can produce a very rolling verse, and allows for long lines with a great deal of internal complexity. Apart from their independent role, anapaests are sometimes used as substitutions in iambic verse. In strict iambic pentameter, anapaests are rare, but they are found with some frequency in freer versions of the iambic line, such as the verse of Shakespeare's last plays, or the lyric poetry of the 19th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verso Sciolto
In Italian poetry, verso sciolto (plural ''versi sciolti'') refers to poetry written in hendecasyllables and lacking rhyme. It is very similar to blank verse in English poetry, and the two terms are often used interchangeably. Music term (Verso) sciolto means Free and Unrestricted (informal) lighthearted in tone. Psychology: Extremely civil and pleasant. Unthreatening. welcoming. Sciolto is an ''italic literal'' meaning loosely: noun: * a replete freedom or libre * the ideal of liberty verb: * set at liberty, indefinitely, with no conditions, concessions, compromises, terms (of endearment Affection or fondness is a "disposition or state of mind or body" that is often associated with a feeling or type of love. It has given rise to a number of branches of philosophy and psychology concerning emotion, disease, influence, and sta ... or otherwise). Musical notation {{Music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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