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Phaedrus (fabulist)
Gaius Julius Phaedrus (; grc-gre, Φαῖδρος; Phaîdros) was a 1st-century CE Roman Empire, Roman fabulist and the first versifier of a collection of Aesop's fables into Latin. Few facts are known about him for certain and there was little mention of his work during late antiquity. It was not until the discovery of a few imperfect manuscripts during and following the Renaissance that his importance emerged, both as an author and in the transmission of the fables. Biography A recent statement of the few facts that past scholars have tried to deduce from autobiographical hints given by Phaedrus in his poems has summarised them as follows: He was born in Macedonia, probably in Pydna, about 15 BCE, came to Rome as a slave and was freed by Augustus. He probably had some teaching function between then and the time of Tiberius, under whom the first book of his poems appeared. Envious competitors interpreted the morals of some fables as being critical of the regime and he was trie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phaedrus Fabulist 1745 Engraving
Phaedrus may refer to: People * Phaedrus (Athenian) (c. 444 BC – 393 BC), an Athenian aristocrat depicted in Plato's dialogues * Phaedrus (fabulist) (c. 15 BC – c. AD 50), a Roman fabulist * Phaedrus the Epicurean (138 BC – c. 70 BC), an Epicurean philosopher Art and literature * Phaedrus (dialogue), ''Phaedrus'' (dialogue), a dialogue of Plato * ''Phaedrus'' (play), a 3rd-century BCE comedic play by Alexis (poet) * Phaedrus, a character in ''Zen and the Art of Motorcycle Maintenance'' * A work by Cy Twombly * Phaedrus, Johnathan, a character in the Reckoners novels by Brandon Sanderson. See also * Phaedra (other) {{disambig, hndis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Pithou
Pierre Pithou (1 November 1539 – 1 November 1596) was a French lawyer and scholar. He is also known as Petrus Pithoeus. Life He was born at Troyes. From childhood he loved literature, and his father Pierre encouraged this interest. Young Pithou was called to the Paris bar in 1560. On the outbreak of the second war of religion in 1567, Pithou, who was a Calvinist, withdrew to Sedan, France and afterwards to Basel, returning to France on the publication of the edict of pacification. Soon afterwards he accompanied the duc de Montmorency on his embassy to England, returning shortly before the massacre of St Bartholomew, in which he narrowly escaped with his life. Next year he followed the example of the future Henry IV of France Henry IV (french: Henri IV; 13 December 1553 – 14 May 1610), also known by the epithets Good King Henry or Henry the Great, was King of Navarre (as Henry III) from 1572 and King of France from 1589 to 1610. He was the first monarc ... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foot (prosody)
The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the iamb, trochee, dactyl, and anapest. The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation. The English word "foot" is a translation of the Latin term ''pes'', plural ''pedes'', which in turn is a translation of the Ancient Greek ποῦς, pl. πόδες. The Ancient Greek prosodists, who invented this terminology, specified that a foot must have both an arsis and a thesis, that is, a place where the foot was raised ("arsis") and where it was put down ("thesis") in beating time or in marching or dancing. The Greeks recognised three basic types of feet, the iambic (where the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Brooke Boothby, 6th Baronet
Sir Brooke Boothby, 6th Baronet (3 June 174423 January 1824) was a British linguist, translator, poet and landowner, based in Derbyshire, England. He was part of the intellectual and literary circle of Lichfield, which included Anna Seward and Erasmus Darwin. In 1766 he welcomed the philosopher Jean-Jacques Rousseau to Ashbourne circles, after Rousseau's short stay in London with Hume. Ten years later, in 1776, Boothby visited Rousseau in Paris, and was given the manuscript of the first part of Rousseau's three-part autobiographic '' Confessions''. Boothby translated the manuscript and published it in Lichfield in 1780 after the author's death, and donated the document to the British Library in 1781. The well-known portrait of Boothby by Joseph Wright of Derby, from 1781, shows him reclining in a wooded glade with a book carrying on its cover simply the name Rousseau, indicating Boothby's admiration and promotion of the writer and his work generally. Several portraits were also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octosyllable
The octosyllable or octosyllabic verse is a line of verse with eight syllables. It is equivalent to tetrameter verse in trochees in languages with a stress accent. Its first occurrence is in a 10th-century Old French saint's legend, the '' Vie de Saint Leger''; another early use is in the early 12th-century Anglo-Norman '' Voyage de saint Brendan''. It is often used in French, Italian, Spanish and Portuguese poetry. While commonly used in couplets, typical stanzas using octosyllables are: décima, some quatrains, redondilla. In Spanish verse, an octosyllable is a line that has its seventh syllable stressed, on the principle that this would normally be the penultimate syllable of a word (''Lengua Castellana y Literatura'', ed. Grazalema Santillana. El Verso y su Medida, p. 46). If the final word of a line does not fit this pattern, the line could have eight or seven or nine syllables (as normally counted), thus – :1 / 2 / 3 / 4 / 5 / Gra/NA/da :1 / 2 / 3 / 4 / 5 / Ma/DR ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Smart
Christopher Smart (11 April 1722 – 20 May 1771) was an English poet. He was a major contributor to two popular magazines, ''The Midwife'' and ''The Student'', and a friend to influential cultural icons like Samuel Johnson and Henry Fielding. Smart, a high church Anglican, was widely known throughout London. Smart was infamous as the pseudonymous midwife "Mrs. Mary Midnight" and for widespread accounts of his father-in-law, John Newbery, locking him away in a mental asylum for many years over Smart's supposed religious "mania". Even after Smart's eventual release, a negative reputation continued to pursue him as he was known for incurring more debt than he could repay; this ultimately led to his confinement in debtors' prison until his death. His two most widely known works are ''A Song to David'' and ''Jubilate Agno'', which are believed to have been written during his confinement in St. Luke's Asylum, although this is still debated by scholars as there is no record o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean De La Fontaine
Jean de La Fontaine (, , ; 8 July 162113 April 1695) was a French fabulist and one of the most widely read French poets of the 17th century. He is known above all for his ''Fables'', which provided a model for subsequent fabulists across Europe and numerous alternative versions in France, as well as in French regional languages. After a long period of royal suspicion, he was admitted to the French Academy and his reputation in France has never faded since. Evidence of this is found in the many pictures and statues of the writer, later depictions on medals, coins and postage stamps. Life Early years La Fontaine was born at Château-Thierry in France. His father was Charles de La Fontaine, maître des eaux et forêts – a kind of deputy-ranger – of the Duchy of Château-Thierry; his mother was Françoise Pidoux. Both sides of his family were of the highest provincial middle class; though they were not noble, his father was fairly wealthy. Jean, the eldest child, was educa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Frog And The Ox
The Frog and the Ox appears among Aesop's Fables and is numbered 376 in the Perry Index. The story concerns a frog that tries to inflate itself to the size of an ox, but bursts in the attempt. It has usually been applied to socio-economic relations. Versions of the fable There are Classical versions of the story in both Greek and Latin, as well as several Latin retellings in Mediaeval times. One by Walter of England is in verse and was followed in Renaissance times by a Neo-Latin poem by Hieronymus Osius. In some sources, the frog sees the ox and tries to equal it in size; in others the frog is only told of an enormous beast by another and keeps swelling, asking at intervals, 'Was it as big as this?' Both Martial and Horace are among the Latin satiric poets who made use of the fable of the frog and the ox, although they refer to different versions of it. The story related by Phaedrus has a frog motivated by envy of the ox, illustrating the moral that 'the needy man, while affe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Horse That Lost Its Liberty
The fable of how the horse lost its liberty in the course of settling a petty conflict exists in two versions involving either a stag or a boar and is numbered 269 in the Perry Index. When the story is told in a political context, it warns against seeking a remedy that leaves one worse off than before. Where economic circumstances are involved, it teaches that independence is always better than compromised plenty. The horse, the hunter and the stag A horse disputes ownership of a meadow with a stag but cannot drive it off by force. It therefore calls in the aid of a man, who bridles the horse and rides on its back. But then, seeing how useful the horse is to him, he refuses to unbridle it afterwards. The story is related as an example of telling a fable in Aristotle’s work on rhetoric and is there ascribed to the poet Stesichorus. The fable was also told by the Roman poet Horace, widening its significance as an example of how one should be content with little rather than losing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bird In Borrowed Feathers
The Bird in Borrowed Feathers is a fable of Classical Greek origin usually ascribed to Aesop. It has existed in numerous different versions between that time and the Middle Ages, going by various titles and generally involving members of the corvid family. The lesson to be learned from it has also varied, depending on the context in which it was told. Several idioms derive from the fable. The main variations While the details of the fable have always been varied, two main versions have been transmitted to European cultures in modern times. The first of these is mostly found in Greek sources and numbered 101 in the Perry Index. It concerns a daw or crow that dresses itself in the feathers of other birds before competing against them, only to have them recognised and stripped away by their owners; in some versions all its own feathers are also torn away. The lesson to be learned is that borrowed finery brings humiliation. The second version stems from the Latin collection of Pha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace
Quintus Horatius Flaccus (; 8 December 65 – 27 November 8 BC), known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his ''Odes'' as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."Quintilian 10.1.96. The only other lyrical poet Quintilian thought comparable with Horace was the now obscure poet/metrical theorist, Caesius Bassus (R. Tarrant, ''Ancient Receptions of Horace'', 280) Horace also crafted elegant hexameter verses (''Satires'' and '' Epistles'') and caustic iambic poetry ('' Epodes''). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let in, he plays about the heartstrin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romulus (fabulist)
Romulus is the author, now considered a legendary figure, of versions of ''Aesop's Fables'' in Latin. These were passed down in Western Europe, and became important school texts, for early education. Romulus is supposed to have lived in the 5th century. The Romulus of medieval tradition therefore represents a number of traditional attributions of Latin manuscripts of beast fables. These are based on prose adaptations of Phaedrus (1st century AD). The ''Romulus'' texts make up the bulk of the medieval 'Aesop'. Scholars identify several strands of manuscripts: * The ''Romulus Ordinarius'' (''Romulus Vulgaris''), 83 tales known in a 9th-century text; * The ''Romulus of Vienna''; * The ''Romulus of Nilant'', 45 fables, published in 1709 by Johan Frederik Nilant (Jean-Frédéric Nilant). These prose works gave rise to versifications: the ''Novus Aesopus'' of Alexander Neckam, the verse ''Romulus'' often attributed to Gualterus Anglicus (''Romulus of Nevelet''). Further adaptation an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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