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Peter Von Cornelius
Peter von Cornelius (23 September 1783, Düsseldorf – 6 March 1867, Berlin) was a German painter; one of the main representatives of the Nazarene movement. Life Early years Cornelius was born in Düsseldorf. From the age of twelve he attended drawing classes at the Düsseldorf Academy.Artist biography in ''German Masters of the Nineteenth Century'', p.267 His father, who was superintendent of the Düsseldorf gallery and professor at the academy, died in 1799, after which Cornelius supported his family by his work as a portraitist and illustrator. In a letter to the Count Raczynski he wrote:It fell to the lot of an elder brother and myself to watch over the interests of a numerous family. It was at this time that it was attempted to persuade my mother that it would be better for me to devote myself to the trade of a goldsmith than to continue to pursue painting – in the first place, in consequence of the time necessary to qualify me for the art, and in the next, because the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Von Cornelius
Peter von Cornelius (23 September 1783, Düsseldorf – 6 March 1867, Berlin) was a German painter; one of the main representatives of the Nazarene movement. Life Early years Cornelius was born in Düsseldorf. From the age of twelve he attended drawing classes at the Düsseldorf Academy.Artist biography in ''German Masters of the Nineteenth Century'', p.267 His father, who was superintendent of the Düsseldorf gallery and professor at the academy, died in 1799, after which Cornelius supported his family by his work as a portraitist and illustrator. In a letter to the Count Raczynski he wrote:It fell to the lot of an elder brother and myself to watch over the interests of a numerous family. It was at this time that it was attempted to persuade my mother that it would be better for me to devote myself to the trade of a goldsmith than to continue to pursue painting – in the first place, in consequence of the time necessary to qualify me for the art, and in the next, because the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nibelungenlied
The ( gmh, Der Nibelunge liet or ), translated as ''The Song of the Nibelungs'', is an epic poetry, epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The is based on an oral tradition of Germanic heroic legend that has some of its origin in historic events and individuals of the 5th and 6th centuries and that spread throughout almost all of Germanic languages, Germanic-speaking Europe. Scandinavian parallels to the German poem are found especially in the heroic lays of the ''Poetic Edda'' and in the ''Völsunga saga''. The poem is split into two parts. In the first part, the prince Sigurd, Siegfried comes to Worms, Germany, Worms to acquire the hand of the Burgundians, Burgundian princess Kriemhild from her brother King Gunther. Gunther agrees to let Siegfried marry Kriemhild if Siegfried helps Gunther acquire the warrior-queen Brünhild as his wife. Siegfried does this and marries Kriemhild; however, Brünhild and Krie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Friedrich Hermann
Karl Friedrich Hermann (4 August 1804 – 31 December 1855) was a German classical scholar and antiquary. Biography He was born at Frankfurt-am-Main. Having studied philosophy at the universities of Heidelberg and Leipzig (and taking a degree in 1824), he went on a tour of Italy; on his return from which he lectured as ''privatdozent'' in Heidelberg. In 1832 he was appointed professor of classical philology at the University of Marburg, and in 1833 received the additional offices of second librarian at the university, and director of the philological seminary. In 1842 he transferred to Göttingen as the chair of philology and archaeology, vacant by the death of Otfried Müller. At Göttingen, his colleagues were Friedrich Wilhelm Schneidewin, Ernst von Leutsch and Friedrich Wieseler. Works His knowledge of all branches of classical learning was profound, but he was chiefly distinguished for his works on Greek antiquities and ancient philosophy. Among these may be mentioned, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patroclus
In Greek mythology, as recorded in Homer's ''Iliad'', Patroclus (pronunciation variable but generally ; grc, Πάτροκλος, Pátroklos, glory of the father) was a childhood friend, close wartime companion, and the presumed (by some later ancient sources) lover of Achilles. of name There are at least three pronunciations of the name 'Patroclus' in English. Because the penultimate syllable is light in Latin prose (''pă′.trŏ.clŭs''), the antepenult was stressed in Latin and would normally be stressed in English as well, for (analogous to 'Sophocles'). However, this pronunciation is seldom encountered: for metrical convenience, Alexander Pope had made the 'o' long, and thus stressed, in his translation of Homer, following a convention of Greek and Latin verse, and that pronunciation – of Latin ''pa.trō′.clus'' – has stuck, for English . Moreover, because in prose a penultimate Greco-Latin short ''o'' (omicron) would only be stressed in a closed syllable, the pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Art
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace. The earliest Gothic art was monumental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Revolutions Of 1848–1849
The German revolutions of 1848–1849 (), the opening phase of which was also called the March Revolution (), were initially part of the Revolutions of 1848 that broke out in many European countries. They were a series of loosely coordinated protests and rebellions in the states of the German Confederation, including the Austrian Empire. The revolutions, which stressed pan-Germanism, demonstrated popular discontent with the traditional, largely autocratic political structure of the thirty-nine independent states of the Confederation that inherited the German territory of the former Holy Roman Empire after its dismantlement as a result of the Napoleonic Wars. This process began in the mid 1840s. The middle-class elements were committed to liberal principles, while the working class sought radical improvements to their working and living conditions. As the middle class and working class components of the Revolution split, the conservative aristocracy defeated it. Liberals were for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick William IV
Frederick William IV (german: Friedrich Wilhelm IV.; 15 October 17952 January 1861), the eldest son and successor of Frederick William III of Prussia, reigned as King of Prussia from 7 June 1840 to his death on 2 January 1861. Also referred to as the "romanticist on the throne", he is best remembered for the many buildings he had constructed in Berlin and Potsdam as well as for the completion of the Gothic Cologne Cathedral. In politics, he was a conservative, who initially pursued a moderate policy of easing press censorship and reconciling with the Catholic population of the kingdom. During the German revolutions of 1848–1849, he at first accommodated the revolutionaries but rejected the title of Emperor of the Germans offered by the Frankfurt Parliament in 1849, believing that Parliament did not have the right to make such an offer. He used military force to crush the revolutionaries throughout the German Confederation. From 1849 onward he converted Prussia into a constit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apocalypse
Apocalypse () is a literary genre in which a supernatural being reveals cosmic mysteries or the future to a human intermediary. The means of mediation include dreams, visions and heavenly journeys, and they typically feature symbolic imagery drawn from the Hebrew Bible, cosmological and (pessimistic) historical surveys, the division of time into periods, esoteric numerology, and claims of ecstasy and inspiration. Almost all are written under pseudonyms (false names), claiming as author a venerated hero from previous centuries, as with Book of Daniel, composed during the 2nd century BCE but bearing the name of the legendary Daniel. Eschatology, from Greek ''eschatos'', last, concerns expectations of the end of the present age, and apocalyptic eschatology is the application of the apocalyptic world-view to the end of the world, when God will punish the wicked and reward the faithful. An apocalypse will often contain much eschatological material, but need not: the baptism of J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Judgment
The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, label=none) is part of the Abrahamic religions and the ''Frashokereti'' of Zoroastrianism. Christianity considers the Second Coming of Jesus Christ to entail the final judgment by God of all people who have ever lived, resulting in the approval of some and the penalizing of others. The concept is found in all the canonical gospels, particularly in the Gospel of Matthew. The Christian tradition is also followed by Islam, where it is mentioned in the 43rd chapter (''Az-Zukhruf'') of the Quran, according to some interpretations. Christian futurists believe it will follow the resurrection of the dead and the Second Coming of Jesus, while full preterists believe it has already occurred. The Last Judgment has inspired numerous artistic depic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwigskirche (Munich)
The Catholic Parish and University Church St. Louis, called ''Ludwigskirche'', in Munich is a monumental church in Romanesque Revival architecture, neo-romanesque style with the second-largest altar fresco of the world. The building, with its Rundbogenstil, round arches called the ''Rundbogenstil'', strongly influenced other church architecture, train stations and synagogues in both Germany and the United States. Architecture The ''Ludwigskirche'' is situated in the northern part of the Ludwigstrasse (Munich), Ludwigstrasse and was built by the architect Friedrich von Gärtner from 1829 onward (completed 1844). The patron was King Ludwig I of Bavaria. The facade with two steeples was constructed as balance to the Theatinerkirche (Munich), Theatinerkirche, which stands diagonally opposite. The floor plan shows the church as a model to a three-aisled Byzantine basilica with the basic geometric figure of the cross of tau. The church is 60 m long and 20 m wide. The towers are 71 mete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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