Peter King (saxophonist)
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Peter King (saxophonist)
Peter John King (11 August 1940 – 23 August 2020) was an English jazz saxophonist, composer, and clarinettist. Early life Peter King was born in Kingston upon Thames, Surrey, England. He took up the clarinet and saxophone as a teenager, entirely self-taught. His first public appearances were in 1957, playing alto in a trad jazz group at the Swan Public House, Kingston, in a group organised by trumpeter Alan Rosewell, with whom he worked at the Directorate of Overseas Surveys as an apprentice cartographer. After the performance, however, King made the choice of becoming a professional musician. He came under the strong musical influence of Charlie Parker developing a bebop style inspired by Parker. Career In 1959, at the age of 19, he was booked by Ronnie Scott to perform at the opening of Scott's club in Gerrard Street, London. In the same year, he received the ''Melody Maker'' New Star award. He worked with Johnny Dankworth's orchestra from 1960 to 1961, and went on ...
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Kingston Upon Thames
Kingston upon Thames (hyphenated until 1965, colloquially known as Kingston) is a town in the Royal Borough of Kingston upon Thames, southwest London, England. It is situated on the River Thames and southwest of Charing Cross. It is notable as the ancient market town in which Saxon kings were crowned and today is the administrative centre of the Royal Borough. Historically in the county of Surrey, the ancient parish of Kingston became absorbed in the Municipal Borough of Kingston-upon-Thames, reformed in 1835. From 1893 to 2021 it was the location of Surrey County Council, extraterritorially in terms of local government administration since 1965, when Kingston became a part of Greater London. Today, most of the town centre is part of the KT1 postcode area, but some areas north of Kingston railway station are within KT2. The United Kingdom Census 2011 recorded the population of the town (comprising the four wards of Canbury, Grove, Norbiton and Tudor) as 43,013, while ...
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Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ...
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Al Haig
Alan Warren Haig (July 19, 1922 – November 16, 1982) was an American jazz pianist, best known as one of the pioneers of bebop. Biography Haig was born in Newark, New Jersey and raised in nearby Nutley. In 1940, he majored in piano at Oberlin College. He started performing with Dizzy Gillespie and Charlie Parker in 1945, and performed and recorded under Gillespie from 1945 to 1946, as a member of Eddie Davis and His Beboppers in 1946 (also featuring Fats Navarro), and the Eddie Davis Quintet in 1947, under Parker from 1948 to 1950, and under Stan Getz from 1949 to 1951. The Gillespie quintet, which included Haig, recorded four 78 r.p.m. sides for Guild Records in May 1945 which are regarded as the first recordings to demonstrate all elements of the mature bebop style. He was part of the nonet on the first session of Miles Davis' ''Birth of the Cool''. For much of the 1950s and 1960s, "Haig was all but a forgotten giant", in Brian Case's words; "Jazz pianism, ever more ...
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Nat Adderley
Nathaniel Carlyle Adderley (November 25, 1931 – January 2, 2000) was an American jazz trumpeter. He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years. Adderley's composition "Work Song" (1960) is a jazz standard, and also became a success on the pop charts after singer Oscar Brown Jr. wrote lyrics for it. Early life Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee and in amateur gigs around the area. Adderley attended Florida University, majoring in sociology with a minor in music. He switched to cornet in 1950. From 1951 to 1953, he served in the army ...
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Hampton Hawes
Hampton Barnett Hawes Jr. (November 13, 1928 – May 22, 1977) was an American jazz pianist. He was the author of the memoir ''Raise Up Off Me'', which won the Deems-Taylor Award for music writing in 1975. Early life Hampton Hawes was born on November 13, 1928, in Los Angeles, California. His father, Hampton Hawes Sr., was minister of Westminster Presbyterian Church in Los Angeles. His mother, the former Gertrude Holman, was Westminster's church pianist. Hawes' first experience with the piano was as a toddler sitting on his mother's lap while she practiced. He was reportedly able to pick out fairly complex tunes by the age of three. Later life and career Hawes was self-taught; by his teens he was playing with the leading jazz musicians on the West Coast, including Dexter Gordon, Wardell Gray, Art Pepper, Shorty Rogers, and Teddy Edwards. His second professional job, at 18, was playing for eight months with the Howard McGhee Quintet at the Hi De Ho Club, in a group that inclu ...
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Red Rodney
Robert Roland Chudnick (September 27, 1927 – May 27, 1994), known professionally as Red Rodney, was an American jazz trumpeter. Biography Born in Philadelphia, Pennsylvania, he became a professional musician at 15, working in the mid-1940s for the big bands of Jerry Wald, Jimmy Dorsey, Georgie Auld, Elliot Lawrence, Benny Goodman, and Les Brown. He was inspired by hearing Dizzy Gillespie and Charlie Parker to change his style to bebop, moving on to play with Claude Thornhill, Gene Krupa, and Woody Herman. He was Jewish. He accepted an invitation from Charlie Parker to join his quintet. and was a member of the band from 1949 to 1951. Being the only white member of the group, when playing in the southern United States he was billed as "Albino Red" as a ruse to avoid prejudice against mixed race musical combos. During this time he recorded extensively. During the 1950s, he worked as a bandleader in Philadelphia and recorded with Ira Sullivan. He became addicted to heroin a ...
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Al Cohn
Al Cohn (November 24, 1925 – February 15, 1988) was an American jazz saxophonist, arranger and composer. He came to prominence in the band of clarinetist Woody Herman and was known for his longtime musical partnership with fellow saxophonist Zoot Sims. Biography Alvin Gilbert Cohn was born in Brooklyn, New York. In addition to his work as a jazz tenor saxophonist, Cohn was widely respected as an arranger. His work included the Broadway productions of ''Raisin and ''Sophisticated Ladies'', and his arrangements of his own compositions were recorded by big bands led by Maynard Ferguson, Gerry Mulligan, Terry Gibbs and Bob Brookmeyer. Also, Cohn did arrangements for unreleased Linda Ronstadt recordings from the 1980s. Cohn also appeared on stage with Elvis Presley in June, 1972, as a member of the Joe Malin Orchestra at Madison Square Garden. Al Cohn died of liver cancer in Stroudsburg, Pennsylvania in 1988. Cohn's first wife was singer Marilyn Moore. His son, Joe Cohn, is a ...
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Zoot Sims
John Haley "Zoot" Sims (October 29, 1925 – March 23, 1985) was an American jazz saxophonist, playing mainly tenor but also alto (and, later, soprano) saxophone. He first gained attention in the "Four Brothers" sax section of Woody Herman's big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn. Biography Sims was born in 1925 in Inglewood, California, United States, to vaudeville performers Kate Haley and John Sims. His father was a vaudeville hoofer, and Sims prided himself on remembering many of the steps his father taught him. Growing up in a performing family, he learned to play drums and clarinet at an early age. His brother was the trombonist Ray Sims. Sims began on tenor saxophone at age 13. He initially modelled his playing on the work of Lester Young, Ben Webster, and Don Byas. By his late teens, having dropped out of high school, he was playing in big bands, starting with those of Kenny Baker and Bobby Sh ...
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Philly Joe Jones
Joseph Rudolph "Philly Joe" Jones (July 15, 1923 – August 30, 1985) was an American jazz drummer. Biography Early career As a child, Jones appeared as a featured tap dancer on ''The Kiddie Show'' on the Philadelphia radio station WIP. He was in the US Army during World War II. In 1947 he became the house drummer at Café Society in New York City, where he played with the leading bebop players of the day, including Tadd Dameron. From 1955 to 1958, Jones toured and recorded with Miles Davis Quintet — a band that became known as "The Quintet" (along with Red Garland on piano, John Coltrane on sax, and Paul Chambers on bass). Davis acknowledged that Jones was his favorite drummer, and stated in his autobiography that he would always listen for Jones in other drummers. From 1958, Jones worked as a leader, but continued to work as a sideman with other musicians, including Bill Evans and Hank Mobley. Evans, like Davis, also openly stated that Jones was his all-time favorite drumm ...
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Ray Charles
Ray Charles Robinson Sr. (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential singers in history, and was often referred to by contemporaries as "The Genius". Among friends and fellow musicians he preferred being called "Brother Ray". Charles was blinded during childhood, possibly due to glaucoma. Charles pioneered the soul music genre during the 1950s by combining blues, jazz, rhythm and blues, and gospel styles into the music he recorded for Atlantic Records. He contributed to the integration of country music, rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records, notably with his two ''Modern Sounds'' albums. While he was with ABC, Charles became one of the first black musicians to be granted artistic control by a mainstream record company. Charles's 1960 hit "Georgia On My Mind" was the first of his three career No. 1 hits on the ''Billboard'' ...
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Stan Tracey
Stanley William Tracey (30 December 1926 – 6 December 2013) was a British jazz pianist and composer, whose most important influences were Duke Ellington and Thelonious Monk. Tracey's best known recording is the 1965 album ''Jazz Suite Inspired by Dylan Thomas's "Under Milk Wood"'', which is based on the BBC radio drama ''Under Milk Wood'', by Dylan Thomas. Early career The Second World War meant that Tracey had a disrupted formal education, and he became a professional musician at the age of sixteen as a member of an ENSA touring group playing the accordion, his first instrument. He joined Ralph Reader, Ralph Reader's Gang Shows at the age of nineteen, while in the Royal Air Force, RAF and formed a brief acquaintance with the comedian Tony Hancock. Later, in the early 1950s, he worked in groups on the transatlantic ocean liner, liners ''RMS Queen Mary, Queen Mary'' and ''Caronia'' and toured the UK in 1951 with Cab Calloway. By the mid-1950s, he had also taken up the vibrapho ...
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Harry South
Harry Percy South (7 September 1929 – 12 March 1990) was an English jazz pianist, composer, and arranger, who moved into work for film and television. Career South was born in Fulham, London. He came to prominence in the 1950s, playing with Joe Harriott, Dizzy Reece, Tony Crombie, and Tubby Hayes. In 1954, he was in the Tony Crombie Orchestra with Dizzy Reece, Les Condon (trumpet), Joe Temperley, Sammy Walker (tenor sax), Lennie Dawes (baritone sax), and Ashley Kozak (bass). After returning from a 9-month tour of Calcutta, India, with the Ashley Kozak Quartet, he spent four years with the Dick Morrissey Quartet,Harry South at David Taylor's British Bebop website
where he both wrote and arranged material for their subsequent four albums. He formed the Harry South Big Band in 1966 with < ...
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