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Pete Johnson (musician)
Pete Johnson (born Kermit H. Johnson, March 25, 1904 – March 23, 1967) was an American boogie-woogie and jazz pianist. Tony Russell stated in his book ''The Blues – From Robert Johnson to Robert Cray'' that "Johnson shared with the other members of the 'Boogie Woogie Trio' the technical virtuosity and melodic fertility that can make this the most exciting of all piano music styles, but he was more comfortable than Meade Lux Lewis in a band setting; and as an accompanist, unlike Lewis or Albert Ammons, he could sparkle but not outshine his singing partner". Scott Yanow for AllMusic, wrote: "Johnson was one of the three great boogie-woogie pianists", the others being Lewis and Ammons "whose sudden prominence in the late 1930s helped make the style very popular". Biography Johnson was born in Kansas City, Missouri. He was raised by his mother after his father deserted the family. Things got so bad financially, Pete was placed in an orphanage when he was three. He became so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kansas City, Missouri
Kansas City (abbreviated KC or KCMO) is the largest city in Missouri by population and area. As of the 2020 census, the city had a population of 508,090 in 2020, making it the 36th most-populous city in the United States. It is the central city of the Kansas City metropolitan area, which straddles the Missouri–Kansas state line and has a population of 2,392,035. Most of the city lies within Jackson County, with portions spilling into Clay, Cass, and Platte counties. Kansas City was founded in the 1830s as a port on the Missouri River at its confluence with the Kansas River coming in from the west. On June 1, 1850, the town of Kansas was incorporated; shortly after came the establishment of the Kansas Territory. Confusion between the two ensued, and the name Kansas City was assigned to distinguish them soon after. Sitting on Missouri's western boundary with Kansas, with Downtown near the confluence of the Kansas and Missouri Rivers, the city encompasses about , making ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
From Spirituals To Swing
''From Spirituals to Swing'' was the title of two concerts presented by John Hammond in Carnegie Hall on 23 December 1938 and 24 December 1939. The concerts included performances by Count Basie, Benny Goodman, Big Joe Turner and Pete Johnson, Helen Humes, Meade Lux Lewis, Albert Ammons, Mitchell's Christian Singers, the Golden Gate Quartet, James P. Johnson, Big Bill Broonzy and Sonny Terry. Concert The idea was a history, starting with spirituals and leading up to big swing bands, involving African American performers. Hammond had difficulty gaining sponsorship for the event because it involved African American artists and an integrated audience. However, ''The New Masses'', the journal of the American Communist Party, agreed to finance it. Hammond, according to the liner notes of the boxed set, " 1938... conceived a concert at Carnegie Hall in New York City to showcase African-American music from its raw beginnings to the most current jazz. Hammond... was one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jam Session
A jam session is a relatively informal musical event, process, or activity where musicians, typically instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined arrangements, except for when the group is playing well-known jazz standards or covers of existing popular songs. Original jam sessions, also called "free flow sessions," are often used by musicians to develop new material (music) and find suitable arrangements. Both styles can be used simply as a social gathering and communal practice session. Jam sessions may be based upon existing songs or forms, may be loosely based on an agreed chord progression or chart suggested by one participant, or may be wholly improvisational. Jam sessions can range from very loose gatherings of amateurs to evenings where a jam session coordinator or host acts as a "gatekeeper" so that appropriate-level performers take the stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etta Jones
Etta Jones (November 25, 1928 – October 16, 2001) was an American jazz singer. Her best-known recordings are "Don't Go to Strangers" and "Save Your Love for Me". She worked with Buddy Johnson, Oliver Nelson, Earl Hines, Barney Bigard, Gene Ammons, Kenny Burrell, Milt Jackson, Cedar Walton, and Houston Person.Thedeadrockstarsclub.com - accessed September 2011 Biography 
Jones was born in , and raised in
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Budd Johnson
Albert J. "Budd" Johnson III (December 14, 1910 – October 20, 1984) was an American jazz saxophonist and clarinetist who worked extensively with, among others, Ben Webster, Benny Goodman, Big Joe Turner, Coleman Hawkins, Dizzy Gillespie, Duke Ellington, Quincy Jones, Count Basie, Billie Holiday and, especially, Earl Hines. Life and career Johnson initially played drums and piano before switching to tenor saxophone. In the 1920s, he performed in Texas and parts of the Midwest, working with Jesse Stone among others. Johnson had his recording debut while working with Louis Armstrong's band in 1932 to 1933, but he is more known for his work, over many years, with Earl Hines. It is contended that he and Billy Eckstine, Hines' long-term collaborator, led Hines to hire "modernists" in the birth of bebop, which came largely out of the Hines band. Johnson was also an early figure in the bebop era, doing sessions with Coleman Hawkins in 1944. In the 1950s he led his own group, and did s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clyde Bernhardt
Clyde Edric Barron Bernhardt (July 11, 1905 – May 20, 1986) was an American jazz trombonist. Bernhardt was born in Gold Hill, North Carolina, and raised there and in Harrisburg, Pennsylvania. He started playing trombone at age 17, and in the 1920s played with a variety of lesser-known ensembles, such as Bill Eady's Ellwood Syncopators, Tillie Vennie, Odie Cromwell's Wolverine Syncopators, Charlie Grear's Original Midnite Ramblers, the Richard Cheatham Orchestra, the Whitman Sisters, Honey Brown's Orchestra, Henry P. McClane's Society Orchestra and Ray Parker. He worked with King Oliver in 1931, and through the middle of the decade did stints with Alex Hill, The Alabamians, Billy Fowler, Ira Coffey's Walkathonians, and Vernon Andrade. In 1937, he joined Edgar Hayes's orchestra, remaining there through 1942, then worked with Jay McShann, Cecil Scott, Luis Russell, Leonard Feather, Pete Johnson, Wynonie Harris, Claude Hopkins, and Paul and Dud Bascomb. He led his own ensemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Lips Page
Oran Thaddeus "Hot Lips" Page (January 27, 1908 – November 5, 1954) was an American jazz trumpeter, singer, and bandleader. He was known as a scorching soloist and powerful vocalist. Page was a member of Walter Page's Blue Devils, Artie Shaw's Orchestra and Count Basie's Orchestra, and he worked with Ma Rainey, Bessie Smith and Ida Cox.Thedeadrockstarsclub.com Retrieved April 30, 2019. He was one of the five musicians booked for the opening night at Birdland with in 1949. Life and career Oran Thadeus Page was born in |
Albert Nicholas
Albert Nicholas (May 27, 1900 – September 3, 1973) was an American jazz clarinet player. Career Nicholas's primary instrument was the clarinet, which he studied with Lorenzo Tio in his hometown of New Orleans, Louisiana, United States. Late in the 1910s, he played with Buddy Petit, King Oliver, and Manuel Perez. He spent three years in the Merchant Marines and then joined Oliver in Chicago from 1925 to 1927. After time in East Asia and Egypt, he returned to New York City in 1928 and played with Luis Russell until 1933, playing there with Red Allen, Charlie Holmes, and J. C. Higginbotham. Later he played with Chick Webb, Louis Armstrong (with Russell) and Jelly Roll Morton. The Dixieland jazz revival of the late 1940s reinvigorated his career; he played with Art Hodes, Bunk Johnson, and Kid Ory, and had a regular gig with Ralph Sutton in 1948. In 1953, he moved to France; except for recording sessions in the U.S. in 1959-60, he remained there for most of the rest of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concept Album
A concept album is an album whose tracks hold a larger purpose or meaning collectively than they do individually. This is typically achieved through a single central narrative or theme, which can be instrumental, compositional, or lyrical. Sometimes the term is applied to albums considered to be of "uniform excellence" rather than an LP with an explicit musical or lyrical motif. There is no consensus among music critics as to the specific criteria for what a "concept album" is. The format originates with folk singer Woody Guthrie's ''Dust Bowl Ballads'' (1940) and was subsequently popularized by traditional pop/jazz singer Frank Sinatra's 1940s–50s string of albums, although the term is more often associated with rock music. In the 1960s several well-regarded concept albums were released by various rock bands, which eventually led to the invention of progressive rock and rock opera. Since then, many concept albums have been released across numerous musical genres. Definiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rocket 88
"Rocket 88" (originally stylized as Rocket "88") is a song that was first recorded in Memphis, Tennessee, in March 1951. The recording was credited to "Jackie Brenston and his Delta Cats", who were actually Ike Turner and his Kings of Rhythm. The single reached number one on the ''Billboard'' R&B chart. Many music writers acknowledge its importance in the development of rock and roll music, with several considering it to be the first rock and roll record. In 2017, the Mississippi Blues Trail dedicated its 200th marker to "Rocket 88" as an influential record. The song was inducted into the Blues Hall of Fame in 1991, the Grammy Hall of Fame in 1998, and the Rock and Roll Hall of Fame in 2018. Composition and recording The original version of the twelve-bar blues song was credited to Jackie Brenston and his Delta Cats, which reached number one on the R&B charts. Brenston was Ike Turner's saxophonist and the Delta Cats were actually Turner's Kings of Rhythm back-up band, who rehear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ike Turner
Izear Luster "Ike" Turner Jr. (November 5, 1931 – December 12, 2007) was an American musician, bandleader, songwriter, record producer, and talent scout. An early pioneer of 1950s rock and roll, he is best known for his work in the 1960s and 1970s with his then-wife Tina Turner as the leader of the Ike & Tina Turner Revue. A native of Clarksdale, Mississippi, Turner began playing piano and guitar as a child and then formed the Kings of Rhythm as a teenager. His first recording, "Rocket 88" (credited to Jackie Brenston and his Delta Cats), is considered a contender for the distinction of first rock and roll song. During the 1950s, Turner also worked as a talent scout and producer for Sun Records and Modern Records. He was instrumental in the early careers of various blues musicians such as B.B. King, Howlin' Wolf, and Bobby "Blue" Bland. In 1954, Turner relocated to East St. Louis where his Kings of Rhythm became one of the most renowned acts in Greater St. Louis. He later forme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Rock And Roll Record
The origins of rock and roll are complex. Rock and roll emerged as a defined musical style in the United States in the early to mid-1950s. It derived most directly from the rhythm and blues music of the 1940s, which itself developed from earlier blues, the beat-heavy jump blues, boogie woogie, up-tempo jazz, and swing music. It was also influenced by gospel, country and western, and traditional folk music. Rock and roll in turn provided the main basis for the music that, since the mid-1960s, has been generally known simply as rock music. The phrase "rocking and rolling" originally described the movement of a ship on the ocean, but it was used by the early 20th century, both to describe a spiritual fervor and as a sexual analogy. Various gospel, blues and swing recordings used the phrase before it became used more frequently – but still intermittently – in the late 1930s and 1940s, principally on recordings and in reviews of what became known as "rhythm and blues" music aimed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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