Pertti Jalava
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Pertti Jalava
Pertti Jalava (born 1960) is Finnish composer who has written numerous works for various chamber ensembles choral groups and orchestra, including five symphonies and a piano concerto. He wrote music for jazz and big band line-ups. Stylistically he keeps these genres separate, he does allow influences to travel between the two. Career Jalava studied composition almost entirely on his own. In 1993, having already created an extensive repertoire influenced by jazz and classical music for his jazz ensembles, he studied theatre composition with the American Craig Bohmler on a six-month course run by the Finnish Music Theatre Association. As his final assignment he composed a chamber opera called Paradise. Having completed this course, a turning point in his career, Jalava embarked on an intensive course of private study and attended composition laboratories held by the Turku Philharmonic Orchestra and the University of Turku in 1994, 1996 and 1998. Pertti Jalava won a number of ...
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University Of Turku
sv, Åbo universitet , latin_name = Universitas Aboensis , image_name = University of Turku.svg , motto = ''Vapaan kansan lahja vapaalle tieteelle'' , established = 1920 , type = Public University , endowment = , administrative_staff = 3,412 , rector = Jukka Kola , students = 20,768 , undergrad = 8,247 , postgrad = 6,244 , doctoral = 1,984 , city = Turku , country = Finland , campus = Urban , free_label = , free = , colors = , colours = , mascot = , affiliations = Coimbra Group, UArctic , website Official Website (in English) , motto_lang = fin , mottoeng = The gift of a free nation to free science ...
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Living People
Related categories * :Year of birth missing (living people) / :Year of birth unknown * :Date of birth missing (living people) / :Date of birth unknown * :Place of birth missing (living people) / :Place of birth unknown * :Year of death missing / :Year of death unknown * :Date of death missing / :Date of death unknown * :Place of death missing / :Place of death unknown * :Missing middle or first names See also * :Dead people * :Template:L, which generates this category or death years, and birth year and sort keys. : {{DEFAULTSORT:Living people 21st-century people People by status ...
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1960 Births
Year 196 ( CXCVI) was a leap year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Dexter and Messalla (or, less frequently, year 949 ''Ab urbe condita''). The denomination 196 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus attempts to assassinate Clodius Albinus but fails, causing Albinus to retaliate militarily. * Emperor Septimius Severus captures and sacks Byzantium; the city is rebuilt and regains its previous prosperity. * In order to assure the support of the Roman legion in Germany on his march to Rome, Clodius Albinus is declared Augustus by his army while crossing Gaul. * Hadrian's wall in Britain is partially destroyed. China * First year of the '' Jian'an era of the Chinese Han Dynasty. * Emperor Xian o ...
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Music Of Finland
The music of Finland can be roughly divided into categories of folk music, classical and contemporary art music, and contemporary popular music. The folk music of Finland belongs to a broader musical tradition, that has been common amongst Balto-Finnic people, sung in the so-called ''Kalevala'' metre. Though folk songs of the old variety became progressively rarer in western Finland, they remained common in eastern parts of the country, mainly Karelia. After publication of Kalevala, this type of singing started to gain more popularity again. In the west of the country, more mainstream Nordic folk music traditions prevail. The Sami people of northern Finland have their own musical traditions, collectively Sami music. Finnish folk music has undergone a roots revival in the recent decades, and has also become a part of popular music. In the field of classical and contemporary art music, Finland has produced a proportionally exceptional number of musicians and composers. Contem ...
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Finnish Jazz Musicians
This is a list of Finnish jazz musicians notable enough for Wikipedia articles. {{Compact ToC , short1, center=yes, seealso=yes, refs=yes, x=, y=, z=, custom1=Å A * Aaltonen, Juhani "Junnu" (saxophonist, flutist, composer) * Aaltonen, Tapani "Mongo" (percussionist) * Assefa, Abdissa "Mamba" (percussionist) B * Björkenheim, Raoul (guitarist, composer) D * Donner, Otto (trumpetist, composer, arranger, producer) E * Engberg, Peter (guitarist) * Eskelinen, Rami (drummer) * Eskola, Jukka (trumpetist) F * Försti, Johanna (singer) G * Gustavson, Jukka (pianist, organist, composer) H * Haarla, Iro (pianist, harpist, keyboardist, composer) * Halkosalmi, Veli-Matti "Vellu" (composer, arranger, trombonist, teacher) * Hauta-Aho, Teppo (bassist, composer) * Heikinheimo, Ilmari (drummer, composer) * Heikkinen, Esko (trumpetist, conductor) * Heinilä, Kari "Sonny" (flutist, saxophonist, composer) * Herrala, Ville (bassist) * Hytti, Antti (bassist, composer) I * Iivanainen, Johanna (sin ...
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Tonality
Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality. In this hierarchy, the single pitch or triadic chord with the greatest stability is called the tonic. The root of the tonic chord forms the name given to the key, so in the key of C major, the note C is both the tonic of the scale and the root of the tonic chord (which is C–E–G). Simple folk music songs often start and end with the tonic note. The most common use of the term "is to designate the arrangement of musical phenomena around a referential tonic in European music from about 1600 to about 1910". Contemporary classical music from 1910 to the 2000s may practice or avoid any sort of tonality—but harmony in almost all Western popular music remains tonal. Harmony in jazz includes many but not all tonal characteristics of the European common practice period, usually known as "classical music". "All harmonic idioms in ...
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Twelve-note Technique
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law of the twelve tones" in 1919. In 1923, Arnold Schoenberg (1874–1951) developed his own, better-known version of 12-tone technique, which became associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one notePerle 1977, 2. through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Over time, the technique increased greatly in popularity and eventually became widely influential on 20th-centu ...
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Asymmetric Rhythm
In music, the terms ''additive'' and ''divisive'' are used to distinguish two types of both rhythm and meter: * A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units. * This can be contrasted with additive rhythm, in which larger periods of time are constructed by concatenating (joining end to end) a series of units into larger units of unequal length, such as a meter produced by the regular alternation of and . When applied to meters, the terms ''perfect'' and ''imperfect'' are sometimes used as the equivalents of ''divisive'' and ''additive'', respectively . For example, 4 may be evenly divided by 2 or reached by adding 2 + 2. In contrast, 5 is only evenly divisible by 5 and 1 and may be reached by adding 2 or 3. Thus, (or, more commonly, ) is divisive while is additive. The terms ''additive'' and ''divisive'' ...
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Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ...
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Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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