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Perspective Distortion
In photography and cinematography, perspective distortion is a warping or transformation of an object and its surrounding area that differs significantly from what the object would look like with a normal focal length, due to the relative scale of nearby and distant features. Perspective distortion is determined by the relative distances at which the image is captured and viewed, and is due to the angle of view of the image (as captured) being either wider or narrower than the angle of view at which the image is viewed, hence the apparent relative distances differing from what is expected. Related to this concept is axial magnification – the perceived depth of objects at a given magnification. Perspective distortion takes two forms: ''extension distortion'' and ''compression distortion,'' also called ''wide-angle distortion'' and ''long-lens'' or ''telephoto distortion,'' when talking about images with the same field size. Extension or wide-angle distortion can be seen in imag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camera Focal Length Distance House Animation
A camera is an optical instrument that can capture an image. Most cameras can capture 2D images, with some more advanced models being able to capture 3D images. At a basic level, most cameras consist of sealed boxes (the camera body), with a small hole (the aperture) that allows light to pass through in order to capture an image on a light-sensitive surface (usually a digital sensor or photographic film). Cameras have various mechanisms to control how the light falls onto the light-sensitive surface. Lenses focus the light entering the camera, and the aperture can be narrowed or widened. A shutter mechanism determines the amount of time the photosensitive surface is exposed to the light. The still image camera is the main instrument in the art of photography. Captured images may be reproduced later as part of the process of photography, digital imaging, or photographic printing. Similar artistic fields in the moving-image camera domain are film, videography, and cinematograph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photo Finish
A photo finish occurs in a sporting race when multiple competitors cross the finishing line at nearly the same time. As the naked eye may not be able to determine which of the competitors crossed the line first, a photo or video taken at the finish line may be used for a more accurate check. Photo finishes make it less likely that officials will declare a race a dead heat. Finish line photos are still used in nearly every modern racing sport. Although some sports use electronic equipment to track the racers during a race, a photo is considered the most important evidence in selecting the winner. They are especially important during close races, but they are also used to assign official times to each competitor during any race. Method of capture Strip photography Photo-finish cameras were developed during the 1940s and 1950s as a means of regulating the racing industry and to reduce cheating. Betting on races became increasingly popular during the middle decades of the twentieth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Kubrick
Stanley Kubrick (; July 26, 1928 – March 7, 1999) was an American film director, producer, screenwriter, and photographer. Widely considered one of the greatest filmmakers of all time, his films, almost all of which are adaptations of novels or short stories, cover a wide range of genres and are noted for their innovative cinematography, Black comedy, dark humor, realistic attention to detail and extensive set designs. Kubrick was raised in the Bronx, New York City, and attended William Howard Taft High School (New York City), William Howard Taft High School from 1941 to 1945. He received average grades but displayed a keen interest in literature, photography, and film from a young age, and taught himself all aspects of film production and directing after graduating from high school. After working as a photographer for ''Look (American magazine), Look'' magazine in the late 1940s and early 1950s, he began making short films on shoestring budgets, and made his first major Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terry Gilliam
Terrence Vance Gilliam (; born 22 November 1940) is an American-born British filmmaker, comedian, animator, actor and former member of the Monty Python comedy troupe. Gilliam has directed 13 feature films, including ''Time Bandits'' (1981), ''Brazil'' (1985), ''The Adventures of Baron Munchausen'' (1988), ''The Fisher King'' (1991), '' 12 Monkeys'' (1995), ''Fear and Loathing in Las Vegas'' (1998), ''The Brothers Grimm'' (2005), '' Tideland'' (2005), and ''The Imaginarium of Doctor Parnassus'' (2009). Being the only Monty Python member not born in Britain, he became a naturalised British subject in 1968 and formally renounced his American citizenship in 2006. Gilliam was born in Minnesota, but spent his high school and college years in Los Angeles. He started his career as an animator and strip cartoonist. He joined Monty Python as the animator of their works, but eventually became a full member and was given acting roles. He became a feature film director in the 1970s. Most of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ultra Wide Angle Lens
An ultra wide-angle lens is a lens whose focal length is shorter than that of an average wide-angle lens, providing an even wider view. The term denotes a different range of lenses, relative to the size of the sensor in the camera in question. * For 1" any 9mm or shorter is considered ultra wide angle. * For 4/3" any 10 mm or shorter lens is considered ultra wide angle. * For APS-C any lens shorter than 15 mm. * For 35mm film or full-frame sensor any lens shorter than 24 mm * For 6x4.5 cm any lens shorter than 41 mm * For 6x6 cm and 6x7 cm any lens shorter than 56 mm Features 'Fisheye' and rectilinear lenses Ultra-wide angle lenses come in two varieties: Fisheye lenses with curvilinear barrel distortion, and rectilinear lenses which are designed so that straight lines in the scene will render straight (uncurved) in the photographic image and thus lack the extreme distortion that is characteristic of a fisheye lens. Neither denotes a particular ran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barrel Distortion
In geometric optics, distortion is a deviation from rectilinear projection; a projection in which straight lines in a scene remain straight in an image. It is a form of aberration in optical systems, optical aberration. Radial distortion Although distortion can be irregular or follow many patterns, the most commonly encountered distortions are radially symmetric, or approximately so, arising from the symmetry of a photographic lens. These ''radial distortions'' can usually be classified as either ''barrel'' distortions or ''pincushion'' distortions. Mathematically, barrel and pincushion distortion are quadratic function, quadratic, meaning they increase as the ''square'' of distance from the center. In mustache distortion the quartic function, quartic (degree 4) term is significant: in the center, the degree 2 barrel distortion is dominant, while at the edge the degree 4 distortion in the pincushion direction dominates. Other distortions are in principle possible ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curvilinear Perspective
Curvilinear perspective, also five-point perspective, is a graphical projection used to draw 3D objects on 2D surfaces. It was formally codified in 1968 by the artists and art historians André Barre and Albert Flocon in the book ''La Perspective curviligne'',Albert Flocon and André Barre, ''La Perspective curviligne'', Flammarion, Éditeur, Paris, 1968 which was translated into English in 1987 as ''Curvilinear Perspective: From Visual Space to the Constructed Image'' and published by the University of California Press.Albert Flocon and André Barre, ''Curvilinear Perspective: From Visual Space to the Constructed Image'', (Robert Hansen, translator), University of California Press, Berkeley and Los Angeles, California, 1987 Curvilinear perspective is sometimes colloquially called fisheye perspective, by analogy to a fisheye lens. History Earlier, less mathematically precise versions can be seen in the work of the miniaturist Jean Fouquet. Leonardo da Vinci in a lost notebook sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rectilinear Lens
In photography, a rectilinear lens is a photographic lens that yields images where straight features, such as the edges of walls of buildings, appear with straight lines, as opposed to being curved. In other words, it is a lens with little or no barrel or pincushion distortion. At particularly wide angles, however, the rectilinear perspective will cause objects to appear increasingly stretched and enlarged as they near the edge of the frame. These types of lenses are often used to create forced perspective effects. The most famous example is the Rapid Rectilinear Lens developed by John Henry Dallmeyer in 1866. It allowed distortionless photos to be taken quickly for the first time, and was a standard lens design for 60 years. As of 2020, the Laowa 9mm f/5.6 lens is the world's widest rectilinear lens for full frame cameras. The vast majority of video and still cameras use lenses that produce nearly rectilinear images. A popular alternative type of lens is a fisheye lens which p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Depth Of Field
The depth of field (DOF) is the distance between the nearest and the furthest objects that are in acceptably sharp focus in an image captured with a camera. Factors affecting depth of field For cameras that can only focus on one object distance at a time, depth of field is the distance between the nearest and the farthest objects that are in acceptably sharp focus. "Acceptably sharp focus" is defined using a property called the "circle of confusion". The depth of field can be determined by focal length, distance to subject, the acceptable circle of confusion size, and aperture. Limitations of depth of field can sometimes be overcome with various techniques and equipment. The approximate depth of field can be given by: : \text \approx \frac for a given circle of confusion (c), focal length (f), f-number (N), and distance to subject (u). As distance or the size of the acceptable circle of confusion increases, the depth of field increases; however, increasing the size of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Focal Length
The focal length of an optical system is a measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power. A positive focal length indicates that a system converges light, while a negative focal length indicates that the system diverges light. A system with a shorter focal length bends the rays more sharply, bringing them to a focus in a shorter distance or diverging them more quickly. For the special case of a thin lens in air, a positive focal length is the distance over which initially collimated (parallel) rays are brought to a focus, or alternatively a negative focal length indicates how far in front of the lens a point source must be located to form a collimated beam. For more general optical systems, the focal length has no intuitive meaning; it is simply the inverse of the system's optical power. In most photography and all telescopy, where the subject is essentially infinitely far away, longer focal length (lower opti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
135 Film
135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film used for still photography. It is a film with a film gauge of loaded into a standardized type of magazine – also referred to as a cassette or cartridge – for use in 135 film cameras. The engineering standard for this film is controlled by ISO 1007 titled '135-size film and magazine'. The term 135 was introduced by Kodak in 1934 as a designation for 35 mm film specifically for still photography, perforated with Kodak Standard perforations. It quickly grew in popularity, surpassing 120 film by the late 1960s to become the most popular photographic film size. Despite competition from formats such as 828, 126, 110, and APS, it remains the most popular film size today. The size of the 135 film frame with its aspect ratio of 1:1.50 has been adopted by many high-end digital single-lens reflex and digital mirrorless cameras, commonly referred to as " full frame". Eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait
A portrait is a portrait painting, painting, portrait photography, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, Personality type, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a Snapshot (photography), snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earlie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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