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Personal Column (film)
''Personal Column'' (french: Pièges) is a 1939 French thriller film directed by Robert Siodmak and starring Maurice Chevalier, Pierre Renoir, Marie Déa and Erich von Stroheim. It was shot at the Joinville Studios in Paris. The film's sets were designed by the art directors Maurice Colasson and Georges Wakhévitch. ''Lured'', an American re-make, directed by Douglas Sirk and starring Lucille Ball, was released in 1947. Plot After one of her fellow taxi dancers is murdered by an unknown man whom she met through a personal column ad, Adrienne Charpentier is recruited by the police to answer a series of similar adverts to try to track down the killer. She meets and falls in love with the charming nightclub owner and womanizer Robert Fleury, but clues begin to appear that suggest that it is he who is the murderer. Partial cast * Maurice Chevalier as Robert Fleury * Marie Déa as Adrienne Charpentier, la journaliste/the newspaper woman * Pierre Renoir as Brémontier * Erich von Stroh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Siodmak
Robert Siodmak (; 8 August 1900 – 10 March 1973) was a German film director who also worked in the United States. He is best remembered as a thriller specialist and for a series of films noirs he made in the 1940s, such as ''The Killers'' (1946). Early life Siodmak was born in Dresden, Germany, the son of Rosa Philippine (née Blum) and Ignatz Siodmak and the brother of Curt, Werner and Roland. His parents were both from Jewish families in Leipzig (the myth of his American birth in Memphis, Tennessee was necessary for him to obtain a visa in Paris during World War II). He worked as a stage director and a banker before becoming editor and scenarist for Curtis Bernhardt in 1925 (Bernhardt directed a film of Siodmak's story ''Conflict'' in 1945). At twenty-six he was hired by his cousin, producer Seymour Nebenzal, to assemble original silent movies from stock footage of old films. Siodmak worked at this for two years before he persuaded Nebenzal to finance his first feature, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joinville Studios
The Joinville Studios were a film studio in Paris which operated between 1910 and 1987. They were one of the leading French studios, with major companies such as Pathé and Gaumont making films there. A second studio was added to the original in 1923. This was located less than a kilometre away, and together the two served as a major filmmaking hub. After the Second World War the studio was merged into the Franstudio network in 1947 along with other major Paris studios including the Saint-Maurice Studios and Francoeur Studios. In the early 1930s, the American company Paramount Pictures took over the studios and made French-language versions of their hit films. In total, films were made in fourteen different languages as Joinville became a hub of such multi-language versions. While many were remakes of English-language hits, some were original stories. This practice declined as dubbing Dubbing (re-recording and mixing) is a post-production process used in filmmaking and v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine Farel
Katherine, also spelled Catherine, and other variations are feminine names. They are popular in Christian countries because of their derivation from the name of one of the first Christian saints, Catherine of Alexandria. In the early Christian era it came to be associated with the Greek adjective (), meaning "pure", leading to the alternative spellings ''Katharine'' and ''Katherine''. The former spelling, with a middle ''a'', was more common in the past and is currently more popular in the United States than in Britain. ''Katherine'', with a middle ''e'', was first recorded in England in 1196 after being brought back from the Crusades. Popularity and variations English In Britain and the U.S., ''Catherine'' and its variants have been among the 100 most popular names since 1880. The most common variants are ''Katherine,'' ''Kathryn,'' and ''Katharine''. The spelling ''Catherine'' is common in both English and French. Less-common variants in English include ''Katheryn'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Bry
Henri is an Estonian, Finnish, French, German and Luxembourgish form of the masculine given name Henry. People with this given name ; French noblemen :'' See the 'List of rulers named Henry' for Kings of France named Henri.'' * Henri I de Montmorency (1534–1614), Marshal and Constable of France * Henri I, Duke of Nemours (1572–1632), the son of Jacques of Savoy and Anna d'Este * Henri II, Duke of Nemours (1625–1659), the seventh Duc de Nemours * Henri, Count of Harcourt (1601–1666), French nobleman * Henri, Dauphin of Viennois (1296–1349), bishop of Metz * Henri de Gondi (other) * Henri de La Tour d'Auvergne, Duke of Bouillon (1555–1623), member of the powerful House of La Tour d'Auvergne * Henri Emmanuel Boileau, baron de Castelnau (1857–1923), French mountain climber * Henri, Grand Duke of Luxembourg (born 1955), the head of state of Luxembourg * Henri de Massue, Earl of Galway, French Huguenot soldier and diplomat, one of the principal commanders of Bat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Varennes
Jacques Varennes (6 September 1894 – 8 November 1958) was a French film actor who appeared in around seventy films during his career. He appeared in Maurice Tourneur's 1938 historical film '' The Patriot''.Waldman p.156 Selected filmography * ''Les amours de minuit'' (1931) - Gaston Bouchard * ''The Devil's Holiday'' (1931) - Charlie Thorne * ''Fra Diavolo'' (1931) - Viani * '' When Love Is Over'' (1931) - Robert Fournier * ''Le disparu de l'ascenseur'' (1932) - Alfred Tortoran * ''Criez-le sur les toits'' (1932) * ''Antoinette'' (1932) - M. de Saurin * '' The House of Mystery'' (1933) - Henri Corradin * ''Une nuit de folies'' (1934) - Julot * ''Chansons de Paris'' (1934) - Bermasse * ''Brevet 95-75'' (1934) - Pierre Violey * '' Little Jacques'' (1934) - Daniel Mortal * ''Le bossu'' (1934) - Le prince de Gonzague * ''Jim la houlette'' (1935) - Maitre Clisson * ''Le bébé de l'escadron'' (1935) * ''Un soir de bombe'' (1935) - Paulo * ''Un de la légion'' (1936) - Durand * ''La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Brunot
André Brunot (3 October 1879 - 6 August 1973) was a French film actor. He appeared in more than twenty films from 1910 to 1966. Filmography References External links * {{DEFAULTSORT:Brunot, Andre 1879 births 1973 deaths French male film actors 20th-century French male actors Sociétaires of the Comédie-Française Administrators of the Comédie-Française ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Personal Advertisement
A personal advertisement, sometimes called a contact ad, is a form of classified advertising in which a person seeks to find another person for friendship, romance, marriage, or sexual activity. In British English, it is commonly known as an advert in a lonely hearts column. In India, it is a dating ad or matrimonial ad. The earliest personal ads were placed in newspapers among other classified ads, and typically had matrimony as the objective. As interest in personal ads grew, newspapers provided personals sections specifically for those ads. Later, newspapers and magazines for the sole purpose of personal ads were published. Lonely hearts clubs were organized in the 20th century to provide listings of ads to their fee-paying members. With the advent of the Internet, personal ads began to appear on online sites as well, eventually turning into profiles on dating sites and apps. Personal ads have been described by a researcher as "a valuable way of finding potential mates for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taxi Dancer
A taxi dancer is a paid dance partner in a partner dance. Taxi dancers are hired to dance with their customers on a dance-by-dance basis. When taxi dancing first appeared in taxi-dance halls during the early 20th century in the United States, male patrons typically bought dance tickets for a small sum each. When a patron presented a ticket to a chosen taxi dancer, she danced with him for the length of a song. She earned a commission on every dance ticket earned. Though taxi dancing has for the most part disappeared in the United States, it is still practised in some other countries. Etymology The term "taxi dancer" comes from the fact that, as with a taxi-cab driver, the dancer's pay is proportional to the time he or she spends dancing with the customer. Patrons in a taxi-dance hall typically purchased dance tickets for ten cents each, which gave rise to the term "dime-a-dance girl". Other names for a taxi dancer are "dance hostess" and "taxi" (in Argentina). In the 1920s and 3 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucille Ball
Lucille Désirée Ball (August 6, 1911 – April 26, 1989) was an American actress, comedienne and producer. She was nominated for 13 Primetime Emmy Awards, winning five times, and was the recipient of several other accolades, such as the Golden Globe Cecil B. DeMille Award and two stars on the Hollywood Walk of Fame. She earned many honors, including the Women in Film Crystal Award, an induction into the Television Hall of Fame, the Lifetime Achievement Award from the Kennedy Center Honors, and the Governors Award from the Academy of Television Arts & Sciences. Ball's career began in 1929 when she landed work as a model. Shortly thereafter, she began her performing career on Broadway using the stage name Diane (or Dianne) Belmont. She later appeared in films in the 1930s and 1940s as a contract player for RKO Radio Pictures, being cast as a chorus girl or in similar roles, with lead roles in B-pictures and supporting roles in A-pictures. During this time, she met Cuban bandlea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Douglas Sirk
Douglas Sirk (born Hans Detlef Sierck; 26 April 1897 – 14 January 1987) was a German film director best known for his work in Hollywood melodramas of the 1950s. Sirk started his career in Germany as a stage and screen director, but he left for Hollywood in 1937 after his Jewish wife was persecuted by the Nazis. In the 1950s, he achieved his greatest commercial success with film melodramas ''Magnificent Obsession'', ''All That Heaven Allows'', ''Written on the Wind'', ''A Time to Love and a Time to Die'', and '' Imitation of Life''. While those films were initially panned by critics as sentimental women's pictures, they are today widely regarded by film directors, critics, and scholars as masterpieces. His work is seen as "critique of the bourgeoisie in general and of 1950s America in particular", while painting a "compassionate portrait of characters trapped by social conditions". Beyond the surface of the film, Sirk worked with complex mises-en-scène and lush Technicolor to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lured
''Lured'' is a 1947 film noir directed by Douglas Sirk and starring George Sanders, Lucille Ball, Charles Coburn, and Boris Karloff. The film is a remake of Robert Siodmak's 1939 French film ''Pièges'' (titled ''Personal Column'' in the United States). The film's sets were designed by the art director Nicolai Remisoff. Plot Sandra Carpenter (Lucille Ball) is an American who had come to London in order to perform in a show, but is now working as a taxi dancer. She is upset to find out that friend and fellow dancer Lucy Barnard (Tanis Chandler) is missing and also believed to be the latest victim of the notorious "Poet Killer," who lures victims with ads in newspapers' personal columns, afterwards sending poems to taunt the police. Scotland Yard Inspector Harley Temple (Charles Coburn) believes the killer to be influenced by the 19th-century French poet Charles Baudelaire. He asks if Sandra would be willing to work undercover to help find her missing friend and the killer. He se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Wakhévitch
Georges Wakhévitch (russian: Георгий Леонидович Вахевич; Georgy Leonidovich Vakhevich; August 18, 1907 in Odessa, Russian Empire – February 11, 1984 in Paris) was a Russian-born French art director. The son of a naval engineer, he immigrated to France in 1921. He grew up in Paris, where he studied painting. He was an assistant to film director Lazare Meerson in the 1920s. Wakhévitch also designed sets and costumes for the theatre, the ballet, and the opera. His designs usually used vivid colours and successful sets for Covent Garden included '' Boris Godunov'', '' Otello'', ''Die Meistersinger'' and London's first ever staging of Verdi's '' Macbeth'' in 1960. He also provided Paris in 1956 with new sets for Gounod's ''Faust'', replacing some in use for over half a century. He was the father of avant-garde composer Igor Wakhévitch. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
