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Personal Appearance (album)
''Personal Appearance'' is a 1957 album by Sonny Stitt. Reception The original Downbeat review by Ira Gitler awarded the album 5 stars. He wrote "In rating this album five stars, I do not mean to say it is a 'perfect' record. Timmons plays well, but this is Stitt's album, and he is tremendous. Sonny is all over both his horns, communicating directly and deeply. If you consider yourself a jazz lover, you should own this set." Track listing # "You'd Be So Easy to Love" ( Cole Porter) – 4:45 # " Easy Living" (Ralph Rainger, Leo Robin) – 4:49 # " Autumn in New York" (Vernon Duke) – 2:20 # "You'd Be So Nice to Come Home To" (Porter) – 4:52 # "For Some Friends" ( Sonny Stitt) – 4:44 # "I Never Knew" (Ted Fio Rito, Gus Kahn) – 4:27 # " Between the Devil and the Deep Blue Sea" ( Harold Arlen, Ted Koehler) – 5:14 # "East of the Sun (and West of the Moon)" (Brooks Bowman) – 5:30 # "Original?" (Stitt) – 4:33 # "Avalon" (Buddy DeSylva, Al Jolson, Vincent Rose) – 2:55 # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Stitt
Edward Hammond Boatner Jr. (February 2, 1924 – July 22, 1982), known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz yet rarely worked with the same musicians for long. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone. Early life Edward Hammond Boatner, Jr. was born in Boston, Massachusetts, and grew up in Saginaw, Michigan. He had a musical background: his father, Edward Boatner, was a baritone singer, composer, and college music professor; his brother was a classically trained pianist, and his mother was a pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vernon Duke
Vernon Duke ( 16 January 1969) was a Russian-born American composer/songwriter who also wrote under his birth name, Vladimir Dukelsky. He is best known for "Taking a Chance on Love," with lyrics by Ted Fetter and John Latouche (1940), "I Can't Get Started," with lyrics by Ira Gershwin (1936), " April in Paris," with lyrics by E. Y. ("Yip") Harburg (1932), and "What Is There To Say," for the ''Ziegfeld Follies'' of 1934, also with Harburg. He wrote the words and music for " Autumn in New York" (1934) for the revue '' Thumbs Up!'' In his book, ''American Popular Song, The Great Innovators 1900-1950'', composer Alec Wilder praises this song, writing, “The verse may be the most ambitious I’ve ever seen." Duke also collaborated with lyricists Johnny Mercer, Ogden Nash, and Sammy Cahn. Early life Vladimir Aleksandrovich Dukelsky (Russian: Владимир Александрович Дукельский) was born in 1903 into a Belarusian noble family in the village of Parfyan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Rose
Vincent Rose ''(né'' Vincenzo Cacioppo; 13 June 1880 Palermo, Italy – 20 May 1944 Rockville Centre, New York) was an Italian-born American violinist, pianist, composer, and bandleader. Career Rose holds one of the longest histories as a band leader. He achieved much popularity with his Montmartre Orchestra in the 1920s, and recorded with the group for RCA. The same personnel later recorded for the Columbia label as the Hollywood Orchestra. After leaving California, he settled in New York, but continued to record as "Vincent Rose and His Orchestra" for various labels throughout the 1930s. Rose was a prolific songwriter, having published well over 200 songs. His hits included: :* 1920 "Whispering" :* 1921 "Avalon", with lyrics by Al Jolson and B.G. DeSylva, a big hit for Jolson. :* 1923 "Linger Awhile" :* 1940 "Blueberry Hill" In 1921, the estate of Giovanni Ricordi and the music publishing firm he founded, Casa Ricordi — the publisher of Puccini's operas — sued ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Jolson
Al Jolson (born Eizer Yoelson; June 9, 1886 – October 23, 1950) was a Lithuanian-American Jews, Jewish singer, comedian, actor, and vaudevillian. He was one of the United States' most famous and highest-paid stars of the 1920s, and was self-billed as "The World's Greatest Entertainer." Jolson was known for his "shamelessly sentimental, melodramatic approach" towards performing, as well as for popularizing many of the songs he sang. Jolson has been referred to by modern critics as "the king of blackface performers." Although best remembered today as the star of the first talking picture, ''The Jazz Singer'' (1927), he starred in a series of successful musical films during the 1930s. After the attack on Pearl Harbor in December 1941, he was the first star to entertain troops overseas during World War II. After a period of inactivity, his stardom returned with ''The Jolson Story'' (1946), in which Larry Parks played Jolson, with the singer dubbing for Parks. The formula was repeat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy DeSylva
George Gard "Buddy" DeSylva (January 27, 1895 – July 11, 1950) was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs and, along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records. Biography DeSylva was born in New York City, but grew up in California, and attended the University of Southern California, where he joined the Theta Xi Fraternity. His Portuguese-born father, Aloysius J. De Sylva, was better known to American audiences as actor Hal De Forrest. His father was also a lawyer as well as an actor. His mother, Georgetta Miles Gard, was the daughter of Los Angeles police chief George E. Gard. DeSylva's first successful songs were those used by Al Jolson on Broadway in the 1918 production of ''Sinbad'', which included "I'll Say She Does". Soon thereafter, he met Jolson and in 1918 the pair went to New York and DeSylva began working as a songwriter in Tin Pan Alley. In the early 1920s, DeSylva frequent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avalon (Al Jolson Song)
"Avalon" is a 1920 popular song written by Al Jolson, Buddy DeSylva and Vincent Rose referencing Avalon, California. It was introduced by Jolson and interpolated in the musicals '' Sinbad'' and ''Bombo.'' Jolson's recording rose to number two on the charts in 1921. The song was possibly written by Rose, but Jolson's popularity as a performer allowed him to claim composer co-credit. Originally, only Rose and Jolson were credited, and DeSylva's name was added later. A popular jazz standard, the song has been recorded by many artists, including Cab Calloway (1934), Coleman Hawkins (1935) and Eddie Durham (1936). The Benny Goodman Quartet played the song in their famous 1938 Carnegie Hall concert. The tune remains popular in the gypsy jazz repertoire, having been performed by Wawau Adler and others. The tune's opening melody resembles a part of Giacomo Puccini's aria ''E lucevan le stelle'', from the opera ''Tosca'', but in the major key. Puccini's publishers sued the song's co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brooks Bowman
Brooks Bowman (October 21, 1913 – October 17, 1937) composed the song "East of the Sun (and West of the Moon)" which has become a jazz standard. Biography A native of Cleveland, Ohio, he graduated from University School in that city, but had completed his first three years of preparatory school at Asheville School in Asheville, North Carolina. He then attended Stanford University for one year before transferring to Princeton University as a sophomore, in the fall of 1933. While an undergraduate student at Princeton he wrote the songs for the Princeton Triangle Club musical titled ''Stags at Bay'' in 1934, including "East of the Sun" (which almost didn't make it into the play due to a copyright dispute). Other songs he wrote for the show included "Love and a Dime" and "Will Love Find a Way?" For the Triangle Club production of 1936, he wrote ''What a Relief!'' which included the songs "Give Me a Gibson Girl," "Love Will Live On," "A Newspaper Picture of You," and "Then I S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East Of The Sun (and West Of The Moon)
"East of the Sun (and West of the Moon)" is a popular song written by Brooks Bowman, an undergraduate member of Princeton University's Class of 1936, for the 1934 production of the Princeton Triangle Club's production of Stags at Bay. It was published in 1934 by Santly Bros. and soon became a hallmark of the Princeton Tigertones, one of Princeton University's all-male a cappella groups. The standard is also sung by the Princeton Nassoons, Princeton University's oldest a cappella group. Recorded versions *"East of the Sun" was first recorded by Hal Kemp for Brunswick Records on Dec. 1, 1934, and has remained a jazz standard since the 1950s. *Another of the first recordings was by Arthur Tracy on September 22, 1935, according to CD jacket of ASV Living Era Hits of '35, CD AJA 5185. *Tommy Dorsey recorded it in 1940 with vocals by Frank Sinatra, a trumpet solo by Bunny Berigan, and backup slang lyrics. *Sarah Vaughan recorded it in a 1949 Columbia session for the album ''Sarah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Koehler
Ted L. Koehler (July 14, 1894 – January 17, 1973) was an American lyricist. He was inducted into the Songwriters Hall of Fame in 1972. Life and career Koehler was born in 1894 in Washington, D.C. He started out as a photo-engraver, but was attracted to the music business, where he started out as a theater pianist for silent films. He moved on to write for vaudeville and Broadway theatre, and he also produced nightclub shows. His most successful collaboration was with the composer Harold Arlen, with whom he wrote many famous songs from the 1920s through the 1940s. In 1929 the duo composed their first well-known song, " Get Happy", and went on to create "Let's Fall in Love", " Stormy Weather", " Sing My Heart" and other hit songs. Throughout the early and mid-1930s they wrote for the Cotton Club, a popular Harlem night club, for big band jazz legend Duke Ellington and other top performers, as well as for Broadway musicals and Hollywood films. Koehler also worked with ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Between The Devil And The Deep Blue Sea (song)
"Between the Devil and the Deep Blue Sea" is an American popular song published in 1931, with music by Harold Arlen and lyrics by Ted Koehler, and first recorded by Cab Calloway in 1931. It was introduced in the 1931 Cotton Club show ''Rhythmania'' and is now a widely recorded standard. Early hits Joel Whitburn identified the most successful early recordings as being by: # Cab Calloway recorded October 21, 1931 for Brunswick Records (catalogue No. 6209) # Louis Armstrong performed a version featuring a trumpet solo which was recorded on January 25, 1932 and released by Columbia Records, catalogue No. 2600D. # The Boswell Sisters with The Dorsey Brothers (Recorded March 21, 1932, Brunswick Records, No. 6291) Other notable recordings *1930 Jack Payne and his BBC Orchestra included in his album Roamin' Thru' the Roses, Vol. 6. *1932 Kate Smith recorded January 28, 1932 for Columbia Records with Blues in My Heart interpolated. *1935 Benny Goodman and orchestra (July 1, 1935 for Vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
