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Pepeu Gomes
Pedro Anibal de Oliveira Gomes, better known as Pepeu Gomes (born February 7, 1952 in Salvador, Bahia state) is an accomplished Brazilian guitar player, multi-instrumentalist and composer. He was one of the members of Novos Baianos. Biography Pepeu Gomes was born February 7, 1952 and had contact with music from an early age because his father played in a dance orchestra and his mother taught piano lessons. Growing up he was influenced by the music of Waldir Azevedo, Jacob do Bandolim, Pixinguinha, and Canhoto da Paraíba. At nine years of age he invented his first instrument, a broom with a cable (that was usually used for street fighting) with the string tied at the ends. Later, he obtained a classical guitar and he learned to play by ear. At 11 years old, Gomes, interested in the style of Jovem Guarda, formed his first band, "Los Gatos" ("The Cats"), in which he played the upright bass. He formed his first professional band at 17 years old named "Os Minos". The group disbanded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Craviola
Paulinho Nogueira (Campinas, 8 October 1929 – São Paulo, 2 August 2003) was a Brazilian guitarist, composer and singer. Biography He was an eclectic composer, his influences ranging from bossa nova to Bach. Paulinho Nogueira designed the craviola, a guitar with a sloping bout and offset body shape. He was the teacher of Toquinho.Gildo De Stefano, "Il popolo del samba", Roma 2005 Craviola The Craviola is an acoustic guitar designed by Paulinho Nogueira and built by manufacturer Giannini. Craviolas have a distinct asymmetric body shape that deviates from the upper and lower bouts of classical guitars. Its timbre is said to resemble a combination of sounds from a harpsichord and a viola caipira, hence the portmanteau (''Cravo'' is the Portuguese word for harpsichord). Craviolas can be six-string or twelve-string (either nylon or steel) and are produced solely by Giannini. Discography * ''A voz do violão'' (1959) Columbia * ''Brasil, violão e sambalanço'' (1960) RGE * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimi Hendrix
James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942September 18, 1970) was an American guitarist, singer and songwriter. Although his mainstream career spanned only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music." Born in Seattle, Washington, Hendrix began playing guitar at the age of 15. In 1961, he enlisted in the US Army, but was discharged the following year. Soon afterward, he moved to Clarksville then Nashville, Tennessee, and began playing gigs on the chitlin' circuit, earning a place in the Isley Brothers' backing band and later with Little Richard, with whom he continued to work through mid-1965. He then played with Curtis Knight and the Squires before moving to England in late 1966 after bassis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Airto Moreira
Airto Guimorvan Moreira (born August 5, 1941) is a Brazilian jazz drummer and percussionist. He is married to jazz singer Flora Purim, and their daughter Diana Moreira is also a singer. Coming to prominence in the late 1960s as a member of the Brazilian ensemble Quarteto Novo, he moved to the United States and worked in jazz fusion with Miles Davis and Return to Forever. Biography Airto Moreira was born in Itaiópolis, Brazil, into a family of folk healers, and raised in Curitiba and São Paulo. Showing an extraordinary talent for music at a young age, he became a professional musician at age 13, noticed first as a member of the samba jazz pioneers Sambalanço Trio and for his landmark recording with Hermeto Pascoal in Quarteto Novo in 1967. Shortly after, he followed his wife Flora Purim to the United States. After moving to the US, Moreira studied with Moacir Santos in Los Angeles. He then moved to New York where he began playing regularly with jazz musicians, including th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montreux Jazz Festival
The Montreux Jazz Festival (formerly Festival de Jazz Montreux and Festival International de Jazz Montreux) is a music festival in Switzerland, held annually in early July in Montreux on the Lake Geneva shoreline. It is the second-largest annual jazz festival in the world after Canada's Montreal International Jazz Festival. History The Montreux Jazz Festival opened on 18 June 1967 and was founded by Claude Nobs, Géo Voumard and René Langel with considerable help from Ahmet and Nesuhi Ertegun of Atlantic Records. The festival was first held at Montreux Casino. The driving force is the tourism office under the direction oRaymond Jaussi It lasted for three days and featured almost exclusively jazz artists. The highlights of this era were Charles Lloyd, Miles Davis, Keith Jarrett, Jack DeJohnette, Bill Evans, Soft Machine, Weather Report, The Fourth Way, Nina Simone, Jan Garbarek, and Ella Fitzgerald. Originally a pure jazz festival, it opened up in the 1970s and today present ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lanny Gordin
Alexander Gordin (28 November 1951 – 28 November 2023), better known as Lanny Gordin, was a Brazilian guitarist and composer who collaborated with artists such as Gal Costa, Gilberto Gil and Caetano Veloso, among others. Biography Alexander Gordin was born in Shanghai, to a Russian father and a Polish mother. He grew up in Israel until age six, when his family moved to Brazil. There, his father owned a nightclub, Stardust, in São Paulo. Gordin played live there for the first time with artists such as Hermeto Pascoal and Heraldo do Monte. Lanny Gordin's first major works were with artists from Jovem Guarda. One of his recordings from this period is the song "Nem Sim, Nem Não", by Eduardo Araújo, recorded in 1968. Gordin then began to play with artists from Tropicália, recording the albums ''Gal Costa'' (1969), '' Gal'' (1969), ''LeGal'' (1970) and '' Fatal - A Todo Vapor'' (1971), with Gal Costa; ''Caetano Veloso'' (also known as Album Branco), by Caetano Veloso (1969); ''Gil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandolim
A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of 8 strings, although five (10 strings) and six (12 strings) course versions also exist. There are of course different types of strings that can be used, metal strings are the main ones since they are the cheapest and easiest to make. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin (G3, D4, A4, E5). Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass. There are many styles of mandolin, but the three most common types are the ''Neapolitan'' or ''round-backed'' mandolin, the ''archtop'' mandolin and the ''flat-backed'' mandolin. The round-backed version has a deep bottom, constructed of strips of wood, glued togeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maracatu (ritmo)
The term maracatu denotes any of several performance genres found in Pernambuco, Northeastern Brazil. Main types of maracatu include '' maracatu nação'' (nation-style maracatu) and ''maracatu rural'' (rural-style maracatu). Maracatu Nação Maracatu nação (also known as ''maracatu de baque virado'': "maracatu of the turned-around beat"), the most well-known of the maracatu genres, is an Afro-Brazilian performance genre practiced in the state of Pernambuco, mainly in the cities of Recife and Olinda. The term, often shortened simply to ''nação'' ("nation", pl. ''nações''), refers not only to the performance but to the performing groups themselves. ''Maracatu nação''’s origins lie in the investiture ceremonies of the ''Reis do Congo'' (Kings of Congo), who were enslaved people who were granted leadership roles within the enslaved community by the Portuguese administration. When slavery was abolished in Brazil in 1888, the institution of the Kings of Congo ceased to exi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choro
''Choro'' (, "cry" or "lament"), also popularly called ''chorinho'' ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as ''chorões''. Choro instruments Originally ''choro'' was played by a trio of flute, guitar and cavaquinho (a small chordophone with four strings). Other instruments commonly played in choro are the mandolin, clarinet, saxophone, trumpet and trombone. These melody instruments are backed by a rhythm section composed of 6-string guitar, 7-string guitar (playing bass lines) and light percussion, such as a pandeiro. The cavaquinho appears sometimes as a melody instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frevo
Frevo is a dance and musical style originating from Recife, Pernambuco, Brazil, traditionally associated with Brazilian Carnival. The word ''frevo'' is said to come from ''frever'', a variant of the Portuguese word ''ferver'' (to boil). It is said that the sound of the ''frevo'' will make listeners and dancers feel as if they are boiling on the ground. The word frevo is used for both the frevo music and the frevo dance. Origins of Frevo The frevo music came first. By the end of the 19th century, bands from the Brazilian Army regiments based in the city of Recife started a tradition of parading during the Carnival. Since the Carnival is originally linked to Catholicism, they played religious procession marches and martial music, as well. A couple of regiments had famous bands which attracted many followers and it was just a matter of time to people start to compare one to another and cheer for their favorite bands. The two most famous bands were the ''Espanha'' (meaning Spain), who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby Consuelo
Baby Consuelo (born Bernadete Dinorah de Carvalho Cidade July 18, 1952), known professionally as Baby do Brasil, is a Brazilian performer, singer and composer.Allmusic discography/ref> Although she is known for her energetic performances and compositions in pop, Baby has also composed for the samba and MPB scene. Early in her career she was a member of Novos Baianos, and was at once married to Brazilian guitarist and bandmate Pepeu Gomes Pedro Anibal de Oliveira Gomes, better known as Pepeu Gomes (born February 7, 1952 in Salvador, Bahia state) is an accomplished Brazilian guitar player, multi-instrumentalist and composer. He was one of the members of Novos Baianos. Biography Pep .... Her 1985 album, "Sem Pecado e Sem Juízo" sold more than 1 million copies. From her marriage to Pepeu Gomes, she has three daughters (who also made up the Brazilian pop group, SNZ) and three sons, Pedro Baby, Krishna and Kriptus. Discography with Novos Baianos *''É Ferro na Boneca'' (197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
