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Pentax Auto 110
The Pentax Auto 110 and Pentax Auto 110 Super were fully automatic single-lens reflex cameras manufactured by Asahi Pentax for use with Kodak 110 film cartridges. The Auto 110 was introduced with three interchangeable, fixed focal length lenses in 1978. A further three lenses (including one zoom lens) were added in 1981 to coincide with the release of the Auto 110 Super the following year. The camera system was sold until 1985. The complete system is sometimes known as the Pentax System 10, apparently for its official Pentax name, although most Pentax advertising only uses the camera name or Pentax-110. This model represented the only complete ultraminiature SLR system manufactured for the 110 film format, although several fixed-lens 110 SLRs were sold. The camera system also claims to be the smallest interchangeable-lens SLR system ever created. The cameras and lenses were very small (the camera fits in the palm of a hand easily). Auto 110 The Pentax Auto 110 features fully ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentax Auto 110
The Pentax Auto 110 and Pentax Auto 110 Super were fully automatic single-lens reflex cameras manufactured by Asahi Pentax for use with Kodak 110 film cartridges. The Auto 110 was introduced with three interchangeable, fixed focal length lenses in 1978. A further three lenses (including one zoom lens) were added in 1981 to coincide with the release of the Auto 110 Super the following year. The camera system was sold until 1985. The complete system is sometimes known as the Pentax System 10, apparently for its official Pentax name, although most Pentax advertising only uses the camera name or Pentax-110. This model represented the only complete ultraminiature SLR system manufactured for the 110 film format, although several fixed-lens 110 SLRs were sold. The camera system also claims to be the smallest interchangeable-lens SLR system ever created. The cameras and lenses were very small (the camera fits in the palm of a hand easily). Auto 110 The Pentax Auto 110 features fully ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telephoto Lens
A telephoto lens, in photography and cinematography, is a specific type of a long-focus lens in which the physical length of the lens is shorter than the focal length. This is achieved by incorporating a special lens group known as a ''telephoto group'' that extends the light path to create a long-focus lens in a much shorter overall design. The angle of view and other effects of long-focus lenses are the same for telephoto lenses of the same specified focal length. Long-focal-length lenses are often informally referred to as ''telephoto lenses'', although this is technically incorrect: a telephoto lens specifically incorporates the telephoto group. Telephoto lenses are sometimes broken into the further sub-types of short telephoto (85–135 mm in 35 mm film format), medium telephoto: (135–300 mm in 35 mm film format) and super telephoto (over 300 mm in 35 mm film format) . Construction In contrast to a telephoto lens, for any given focal len ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minolta 110 Zoom SLR
The Minolta 110 Zoom SLR is a 110 format single-lens reflex (SLR) camera produced by Minolta of Japan between 1976 and 1979. It was the first SLR in 110 format. It has an unusual, flattened shape. Other 110 SLRs were shaped like SLRs in larger formats, but the 110 Zoom SLR took the flat format of the typical 110 pocket camera and added a larger lens and prism hump to it. 1979's replacement, the Minolta 110 Zoom SLR Mark II, has a more conventional shape. The 110 Zoom SLR provides aperture priority autoexposure; fully manual exposure is not available. Light metering is with a CdS meter mounted on the front of the camera. An exposure compensation dial allows the photographer to compensate for unusual lighting situations; it also allows the use of film speeds other than the ISO 100 and 400 auto-selected by the cartridge tab, by applying the appropriate compensation factor. The lens is a fixed 25–50 mm f/4.5-16 manual focus zoom with macro focusing down to 11 in ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentax 110 Winder
is a brand name used primarily by the Japanese multinational imaging and electronics company Ricoh for DSLR cameras, lenses, sport optics (including binoculars and rifle scopes), and CCTV optics. The Pentax brand is also used by Hoya Corporation for medical products & services, TI Asahi for surveying instruments, and Seiko Optical Products for certain optical lenses. Corporate history Early history The company was founded as Asahi Kogaku Goshi Kaisha in November 1919 by Kumao Kajiwara, at a shop in the Toshima suburb of Tokyo, and began producing spectacle lenses (which it still manufactures). In 1938 it changed its name to , and by this time it was also manufacturing camera/cine lenses. In the lead-up to World War II, Asahi Optical devoted much of its time to fulfilling military contracts for optical instruments. At the end of the war, Asahi Optical was disbanded by the occupying powers, being allowed to re-form in 1948. The company resumed its pre-war activities, manufacturi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crop Factor
In digital photography, the crop factor, format factor, or focal length multiplier of an image sensor format is the ratio of the dimensions of a camera's imaging area compared to a reference format; most often, this term is applied to digital cameras, relative to 35 mm film format as a reference. In the case of digital cameras, the imaging device would be a digital sensor. The most commonly used definition of crop factor is the ratio of a 35 mm frame's diagonal (43.3 mm) to the diagonal of the image sensor in question; that is, CF=diag35mm / diagsensor. Given the same 3:2 aspect ratio as 35mm's 36 mm × 24 mm area, this is equivalent to the ratio of heights or ratio of widths; the ratio of sensor areas is the square of the crop factor. The crop factor is sometimes used to compare the field of view and image quality of different cameras with the same lens. The crop factor is sometimes referred to as the focal length multiplier ("Film") since multiplying a le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentax Q
The Pentax Q is a mirrorless interchangeable-lens camera introduced by Pentax on June 23, 2011. Characteristics Introduced as "The world's smallest interchangeable lens system camera…" The Pentax Q system is composed of four bodies (Q, Q10, Q-7, Q-S1) and eight lenses: the 01 prime normal, the 02 wide-tele zoom, 03 fish-eye, the 04 "toy" wide angle, the 05 "toy" telephoto, the 06 telephoto zoom, the 07 "mount shield" lens, and the 08 ultra-wide zoom. The zooms and prime normal lenses have leaf shutters (with built-in neutral density filters) and sync with flash up to 1/2000 of a second. The other lenses use the camera's electronic shutter. The 09 macro lens was prototyped but never released. Modern Pentax K mount lenses can be used on the Q with an adapter that has a mechanical shutter. Other adapted lenses use the electronic shutter. The camera's small sensor size (1/2.3") means that the Q has a crop factor of 5.6× (compared to full-frame 35mm cameras), as well as a short fla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macro Photography
Macro photography (or photomacrography or macrography, and sometimes macrophotography) is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life size (though ''macrophotography'' also refers to the art of making very large photographs). By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life size. The ratio of the subject size on the film plane (or sensor plane) to the actual subject size is known as the reproduction ratio. Likewise, a macro lens is classically a lens capable of reproduction ratios of at least 1:1, although it often refers to any lens with a large reproduction ratio, despite rarely exceeding 1:1. Apart from technical photography and film-based processes, where the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teleconverter
A teleconverter (sometimes called tele extender) is a secondary lens mounted between a camera and a photographic lens which enlarges the central part of an image obtained by the lens. For example, a 2× teleconverter for a 35 mm camera enlarges the central 12×18 mm part of an image to the size of 24×36 mm in the standard 35 mm film format. Teleconverters are typically made in 1.4×, 1.7×, 2× and 3× variants, with 1.4× and 2× being the most common. A 2× teleconverter doubles the apparent focal length of a given lens. Teleconverters also decrease the intensity of the light that reaches the film plane (or sensor) by the square of its magnification. A 2× teleconverter reduces the light to 1/4, doubles the focal ratio and halves the resolution of the master lens it is connected to. This, however, does not necessarily halve the resolution of the digital image. A closely related device reduces the focal length. It is generally marketed under the name speed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soligor
Soligor was originally the trade mark for the American Allied Impex Corporation, used from 1956 for lenses and later cameras imported from Japan. It imported cameras from Japan and also took control of companies in Japan. Among the first products was Miranda T (camera), Miranda T camera and Soligor lenses. Soligor GmbH is a German manufacturer of photographic equipment, optics, video surveillance equipment, and personal electronics. Founded in Stuttgart in 1968 as A.I.C. Phototechnik GmbH by Allied Impex Corporation (USA), the company changed its official name in 1993 to match the brand name used on its optical products. Most commonly encountered products were manufactured in Japan (to quite a reasonable standard-many by Tokina) under the Soligor brand, as well as Miranda Camera Company, Miranda (which was acquired by Allied Impex in the 1960s). The company also seems to have had an association with Vivitar (the T4 interchangeable mount, for instance). The company is currently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperfocal Distance
In optics and photography, hyperfocal distance is a distance beyond which all objects can be brought into an "acceptable" focus. As the hyperfocal distance is the focus distance giving the maximum depth of field, it is the most desirable distance to set the focus of a fixed-focus camera. The hyperfocal distance is entirely dependent upon what level of sharpness is considered to be acceptable. The hyperfocal distance has a property called "consecutive depths of field", where a lens focused at an object whose distance is at the hyperfocal distance ''H'' will hold a depth of field from ''H''/2 to infinity, if the lens is focused to ''H''/2, the depth of field will extend from ''H''/3 to ''H''; if the lens is then focused to ''H''/3, the depth of field will extend from ''H''/4 to ''H''/2, etc. Thomas Sutton and George Dawson first wrote about hyperfocal distance (or "focal range") in 1867. Louis Derr in 1906 may have been the first to derive a formula for hyperfocal distance. Rudo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
