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Penrose Annual
''The Penrose Annual'' was a London-based review of graphic arts, printed nearly annually from 1895 to 1982. ''Penrose'' began in 1895 as ''Process Work Yearbook – Penrose's Annual.'' Lund Humphries has printed the publication since 1897 and has been responsible for its content since 1906 until selling Penrose to Northwood Publications Limited, part of the Thompson Corporation, in 1974. It was edited by William Gamble from 1895 to 1933 then Richard Bertram Fishenden from 1934 to 1957. Fishenden's friend Allan Delafons then took over as editor from the delayed 1958 volume number 52 until the 1962 volume number 56. There was no Penrose annual for 1963 and it re-appeared in 1964 with a new editor, Herbert Spencer, who continued until the 66th volume in 1973, when the title was sold to Northwood. Bryan Smith then edited two volumes before handing over to Penrose's final editor, Clive Goodacre (initially assisted by Stanley Greenwood). Goodacre edited Penrose until Northwood closed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graphic Arts
A category of fine art, graphic art covers a broad range of visual artistic expression, typically two-dimensional, i.e. produced on a flat surface.Graphic art " ''Encyclopædia Britannica''. Britannica.com. Retrieved 21 February 2016. The term usually refers to the arts that rely more on line, color or tone, especially drawing and the various forms of ;"Graphic art." ''The Oxford Dictionary of Art''. 3rd ed. Ed. Ian Chilvers. Oxford: Oxford University Press, 2004. p. 309. it is sometimes understood to refer specifically to processes, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eye (magazine)
''Eye'' magazine is a quarterly print magazine on graphic design and visual culture. History First published in London in 1990, ''Eye'' was founded by Rick Poynor, a prolific writer on graphic design and visual communication. Poynor edited the first twenty-four issues (1990–1997). Max Bruinsma was the second editor, editing issues 25–32 (1997–1999), before its current editor John L. Walters took over in 1999. Stephen Coates was art director for issues 1–26, Nick Bell was art director from issues 27–57, and Simon Esterson has been art director since issue 58. Frequent contributors include Phil Baines, Steven Heller, John-Patrick Hartnett, Richard Hollis, Paul Kahn, Robin Kinross, Jan Middendorp, J. Abbott Miller, John O'Reilly, Rick Poynor, Elizabeth Resnick, Alice Twemlow, Kerry William Purcell, Steve Rigley, Adrian Shaughnessy, David Thompson, Christopher Wilson, Steve Hare and many others. Recent issues have included photographs by Philip Sayer, Maria Spann an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monotype
Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix (printing), matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image is then transferred onto a paper by pressing the two together, using a printing-press, brayer, Baren_(printing_tool), baren or by techniques such as rubbing with the back of a wooden spoon or the fingers which allow pressure to be controlled selectively. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque colour. The inks used may be oil or water-based. With oil-based inks, the paper may be dry, in which case the image has more contrast, or the paper may be damp, in which case the image has a 10 percent greater range of tones. Monotyping produces a unique print, or monotype; most of the ink ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Tschichold
Jan Tschichold (born Johannes Tzschichhold, also known as Iwan Tschichold, or Ivan Tschichold; 2 April 1902 – 11 August 1974) was a German calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of planning corporate identity programs. He also designed the typeface Sabon. Life Tschichold was the son of a provincial signwriter, and he was trained in calligraphy. In 1919, he began in the class of Hermann Delitzsch a study on the Leipziger Akademie der Künste (Leipzig Academy of the Arts). Due to his extraordinary achievements, he soon became a master pupil of the rector of Walter Tiemann, a type designer with the Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatrice Warde
Beatrice Lamberton Warde (September 20, 1900 – September 16, 1969, née Beatrice Becker) was a twentieth-century writer and scholar of typography. As a marketing manager for the British Monotype Corporation, she was influential in the development of printing tastes in Britain and elsewhere in the mid-twentieth century and was recognized at the time as " e of the few women typographers in the world". Her writing advocated higher standards in printing, and championed intelligent use of historic typefaces from the past, which Monotype specialised in reviving, and the work of contemporary typeface designers. Early life and interests Born in New York, Warde was the only daughter of May Lamberton Becker, a journalist on the staff of the ''New York Herald Tribune'', and Gustave Becker, composer and teacher. Warde was educated at Barnard College at Columbia University. At the age of thirteen her school introduced her to the art of calligraphy. This led to a general interest in typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Morison
Stanley Arthur Morison (6 May 1889 – 11 October 1967) was a British typographer, printing executive and historian of printing. Largely self-educated, he promoted higher standards in printing and an awareness of the best printing and typefaces of the past. From the 1920s Morison became an influential adviser to the British Monotype Corporation, advising them on type design. His strong aesthetic sense was a force within the company, which starting shortly before his joining became increasingly known for commissioning popular, historically influenced designs that revived some of the best typefaces of the past, with particular attention to the middle period of printing from the Renaissance to the late eighteenth century, and creating and licensing several new type designs that would become popular. Original typefaces commissioned under Morison's involvement included Times New Roman, Gill Sans and Perpetua, while revivals of older designs included Bembo, Ehrhardt and Bell. Times N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaus Pevsner
Sir Nikolaus Bernhard Leon Pevsner (30 January 1902 – 18 August 1983) was a German-British art historian and architectural historian best known for his monumental 46-volume series of county-by-county guides, ''The Buildings of England'' (1951–74). Life Nikolaus Pevsner was born in Leipzig, Saxony, the son of Anna and her husband Hugo Pevsner, a Russian-Jewish fur merchant. He attended St. Thomas School, Leipzig, and went on to study at several universities, Munich, Berlin, and Frankfurt am Main, before being awarded a doctorate by Leipzig in 1924 for a thesis on the Baroque architecture of Leipzig. In 1923, he married Carola ("Lola") Kurlbaum, the daughter of distinguished Leipzig lawyer Alfred Kurlbaum. He worked as an assistant keeper at the Dresden Gallery between 1924 and 1928. He converted from Judaism to Lutheranism early in his life. During this period he became interested in establishing the supremacy of German modernist architecture after becoming aware of Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typographica
''Typographica'' was the name of a journal of typography and visual arts founded and edited by Herbert Spencer from 1949 to 1967. Spencer was just 25 years old when the first ''Typographica'' was issued. He also served as the editor of the journal. ''Typographica'' was produced in two series: the "Old Series" and the "New Series". Each series was published in sixteen issues. See also * ''Watching Words Move'', by Ivan Chermayeff and Tom Geismar, Chronicle Books, 2006. () – This book was developed from the insert in ''Typographica'' 6 (New Series). References * ''Typographica'', by Rick Poynor, Princeton Architectural Press, New York, 2002. () * ''The Liberated Page: An Anthology of Major Typographic Experiments of This Century as Recorded in ''Typographica'' Magazine'', by Herbert Spencer, Lund Humphries. ({{ISBN, 978-0-85331-578-0) * ''Eye'', No. 31, Vol. 8, edited by Max Bruinsma, Quantum Publishing, London, Spring 1999. * ''Typographica'', Rick Poynor Rick Poynor is a Bri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Spencer (graphic Designer)
Herbert Spencer (22 June 1924 – 11 March 2002) was a British designer, editor, writer, photographer and teacher. He was born in London.Rick Poynor (15 March 2002)Herbert Spencer: Influential typographer with an aesthete's eye for avant-garde design ''The Guardian''. Archived 25 January 2014.Ken Garland. (2002)Herbert Spencer '' Eye'' 11 (44, Summer 2002). Archived 2 October 2002. Life and work Spencer was an RAF cartographer during the Second World War. He taught typography at the Central School of Arts and Crafts from 1949 to 1955. In 1966 he became a senior research fellow in the print research department of the Royal College of Art; he was a professor of graphic arts there from 1978 until 1985.Overview: Herbert Spencer (1924–2002) From ''A Dictionary of Modern Design'', cited at Oxford In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Bride Library
St Bride Library (formerly known as St Bride Printing Library and St Bride Typographical Library) is a library in London primarily devoted to printing, book arts, typography and graphic design. The library is housed in the St Bride Foundation Institute in Bride Lane, London EC4, a small street leading south of Fleet Street near its intersection with New Bridge Street, in the City of London. It is centrally located in the area traditionally synonymous with the British Press and once home to many of London's newspaper publishing houses. The Library is named after the nearby church, St Bride's Church, the so-called "Cathedral of Fleet Street". The Bridewell Theatre is the theatre attached to the Foundation. St Bride Library opened on 20 November 1895 as a technical library for the printing school and printing trades. The library remained, as the school relocated in 1922 to become what is now known as the London College of Communication. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typesetting
Typesetting is the composition of text by means of arranging physical ''type'' (or ''sort'') in mechanical systems or ''glyphs'' in digital systems representing ''characters'' (letters and other symbols).Dictionary.com Unabridged. Random House, Inc. 23 December 2009Dictionary.reference.com/ref> Stored types are retrieved and ordered according to a language's orthography for visual display. Typesetting requires one or more fonts (which are widely but erroneously confused with and substituted for typefaces). One significant effect of typesetting was that authorship of works could be spotted more easily, making it difficult for copiers who have not gained permission. Pre-digital era Manual typesetting During much of the letterpress era, movable type was composed by hand for each page by workers called compositors. A tray with many dividers, called a case, contained cast metal '' sorts'', each with a single letter or symbol, but backwards (so they would print correctly). The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
