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Peire D'Alvernhe
Peire d'Alvernhe or d'Alvernha (''Pèire'' in modern Occitan; b. c. 1130) was an Auvergnat troubadour (active 1149–1170) with twenty-oneGaunt and Kay, 287. or twenty-fourEgan, 72.Aubrey, ''The Music of the Troubadours'', 8. surviving works. He composed in an "esoteric" and "formally complex" style known as the ''trobar clus''. He stands out as the earliest troubadour mentioned by name in Dante's ''Divine Comedy''. Life According to his ''vida'', Peire was a burgher's son from the Diocese of Clermont.Egan, 71. As testified to by his ''vida'', his popularity was great within his lifetime and afterwards. Said to be handsome, charming, wise, and learned, he was "the first good inventor of poetry to go beyond the mountains" (i.e. the Pyrenees) and travel in Spain. He passed his time in Spain at the court of Alfonso VII of Castile and that of his son Sancho III in 1157–1158. It is possible that he was present at a meeting between Sancho of Castile, Sancho VI of Navarre and R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernart Marti
Bernart Marti was a troubadour, composing poems and satires in Occitan, in the mid-twelfth century. They show that he was influenced by his contemporaries Marcabru and knew Peire d'Alvernha, who, in one poem, he accused of abandoning holy orders. Along with Peire, Gavaudan and Bernart de Venzac Bernart de Venzac ( fl. 1180–1210) was an obscure troubadour from Venzac near Rodez in the Rouergue. He wrote in the Marcabrunian style, leaving behind five moralising pieces (two '' cansos'' and three '' sirventes'') and one religious ' ... he is sometimes placed in a hypothetical Marcabrunian school. His work is "enigmatic, ironic, and satiric", but has no following among later troubadours, according to Gaunt and Kay. Works Nine or ten of Marti's poems survive; the following have been attributed to him: *''A, senhors, qui so cuges '' *''Amar dei '' *''Belha m'es la flors d'aguilen'' *''Bel m'es lai latz la fontana '' *''Companho, per companhia '' *''D'entier vers far ieu non pes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crusade Song
A Crusade song ( oc, canso de crozada, ca, cançó de croada, german: Kreuzlied) is any vernacular lyric poem about the Crusades. Crusade songs were popular in the High Middle Ages: 106 survive in Occitan, forty in Old French, thirty in Middle High German, two in Italian, and one in Old Castilian. The study of the Crusade song, which may be considered a genre of its own, was pioneered by Kurt Lewent. He provided a classification of Crusade songs and distinguished between songs which merely mentioned, in some form, a Crusade from songs which were "Crusade songs". Since Lewent, scholars have added several classifications and definitions of Crusade songs. Scholars have argued for three different classifications of Crusade songs which include songs of exhortation, love songs, and songs which criticize the Crusading movement. The Crusade song was not confined to the topic of the Latin East, but could concern the Reconquista in Spain, the Albigensian Crusade in Languedoc, or the politic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Ghost
For the majority of Christian denominations, the Holy Spirit, or Holy Ghost, is believed to be the third person of the Trinity, a Triune God manifested as God the Father, God the Son, and God the Holy Spirit, each entity itself being God.Grudem, Wayne A. 1994. ''Systematic Theology: An Introduction to Biblical Doctrine.'' Leicester, England: Inter-Varsity Press; Grand Rapids, MI: Zondervan page 226. Nontrinitarian Christians, who reject the doctrine of the Trinity, differ significantly from mainstream Christianity in their beliefs about the Holy Spirit. In Christian theology, pneumatology is the study of the Holy Spirit. Due to Christianity's historical relationship with Judaism, theologians often identify the Holy Spirit with the concept of the ''Ruach Hakodesh'' in Jewish scripture, on the theory that Jesus was expanding upon these Jewish concepts. Similar names, and ideas, include the ''Ruach Elohim'' (Spirit of God), ''Ruach YHWH'' (Spirit of Yahweh), and the ''Ruach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtly Love
Courtly love ( oc, fin'amor ; french: amour courtois ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience. In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcabru
Marcabru (; floruit, fl. 1130–1150) is one of the earliest troubadours whose poems are known. There is no certain information about him; the two ''vida (Occitan literary form), vidas'' attached to his poems tell different stories, and both are evidently built on hints in the poems; not on independent information. According to the brief life in BnF ms. 12473, ''Marcabrun'' was from Gascony (details of the dialect of his poems support this) and was the son of a poor woman named Marcabrunela. This evidently comes from a reading of poem 293,18. According to the longer biography in MS. Vat. Lat. 5232 ''Marcabru'' was abandoned at a rich man's door, and no one knew his origin. He was brought up by Aldric del Vilar, learned to make poetry from Cercamon, was at first nicknamed ''Pan-perdut'' and later ''Marcabru''. He became famous, and the lords of Gascony, about whom he had said many bad things, eventually put him to death. This appears to be based on poems 16b,1 and 293,43 (an excha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canso (song)
The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing ''coblas esparsas''. The ''canso'' became, in Old French, the ''grand chant'' and, in Italian, the ''canzone''. Structure A ''canso'' usually consists of three parts. The first stanza is the ''exordium'', where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the ''exordium''; formally, aside from the ''envoi''(''s''), which are not always present, a ''canso'' is made of stanzas all having the same sequence of verses, in the sense that each verse has the same number of metrical syllables. This makes it possible to use the same melody for every stanza. The sequence can be extremely simple, as in ''Can vei la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raimbaut D'Aurenga
Raimbaut of Orange (c. 1147 – 1173) or, in his native Old Provençal, Raimbaut d'Aurenga, was the lord of Orange and Aumelas. His properties included the towns of Frontignan and Mireval. He was the only son of William of Aumelas and of Tiburge, Countess of Orange, daughter of Raimbaut, count of Orange. After the early death of Raimbaut's father, his guardians were his uncle William VII of Montpellier and his elder sister Tibors. He was a major troubadour, having contributed to the creation of ''trobar ric'', or articulate style, in troubadour poetry. Abouforty of his workssurvive, displaying a gusto for rare rhymes and intricate poetic form. His death in 1173 is mourned in a ''planh'' (lament) by Giraut de Bornelh, and also in the only surviving poem of the trobairitz Azalais de Porcairagues, who was the lover of Raimbaut's cousin Gui Guerrejat. It seems possible that Azalais's poem was composed in an earlier form while Raimbaut was still alive, because in his poem ''A mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond V Of Toulouse
Raymond V ( oc, Ramon; c. 1134 – c. 1194) was Count of Toulouse from 1148 until his death in 1194. He was the son of Alphonse I of Toulouse and Faydida of Provence. Alphonse took his son with him on the Second Crusade in 1147. When Alphonse died in Caesarea in 1148, the county of Toulouse passed to his son Raymond, then aged 14. The young count was honoured by Rorgo Fretellus, archdeacon of Nazareth, who dedicated a new edition of his ''Description of the Holy Places'' to him. As count, Raymond permitted the first assembly of townsmen in Toulouse, the origin of the later capitouls. In 1165, in the town of Lombers, the Bishop of Albi, attended by both clerics and members of the nobility, including Constance, the wife of Raymond V, interrogated and debated with members of an alleged heretical sect. Calling themselves "Good Men", this group held beliefs similar to those of Henry of Lausanne and Peter of Bruys as well as indicating Cathar influence. While the Good Men de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Of Toulouse
The count of Toulouse ( oc, comte de Tolosa, french: comte de Toulouse) was the ruler of county of Toulouse, Toulouse during the 8th to 13th centuries. Originating as vassals of the kingdom of the Franks, Frankish kings, the hereditary counts ruled the city of Toulouse and its surrounding County of Toulouse, county from the late 9th century until 1270. The counts and other family members were also at various times counts of Quercy, Rouergue, Albi, and Nîmes, and sometimes margraves (military defenders of the Holy Roman Empire) of Septimania and Provence. Count Raymond IV, Count of Toulouse, Raymond IV founded the Crusader state of County of Tripoli, Tripoli, and his descendants were also counts there. They reached the zenith of their power during the 11th and 12th centuries, but after the Albigensian Crusade the county fell to the kingdom of France, nominally in 1229 and ''de facto'' in 1271. Later the title was revived for Louis Alexandre, Count of Toulouse, a bastard of L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Of Provence
The land of Provence has a history quite separate from that of any of the larger nations of Europe. Its independent existence has its origins in the frontier nature of the dukedom in Merovingian Gaul. In this position, influenced and affected by several different cultures on different sides, the Provençals maintained a unity which was reinforced when the region was made a separate kingdom during the Carolingian decline of the later ninth century. Provence was eventually joined to the other Burgundian kingdom, but it remained ruled by its own powerful, and largely independent, counts. In the eleventh century, Provence became disputed between the traditional line and the counts of Toulouse, who claimed the title of "Margrave of Provence". In the High Middle Ages, the title of Count of Provence belonged to local families of Frankish origin, to the House of Barcelona, to the House of Anjou and to a cadet branch of the House of Valois. After 1032, the county was part of the Holy Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counts Of Barcelona
The Count of Barcelona ( ca, Comte de Barcelona, es, Conde de Barcelona, french: Comte de Barcelone, ) was the ruler of the County of Barcelona and also, by extension and according with the Usages of Barcelona, usages and Catalan constitutions, of the Principality of Catalonia as Prince#Prince as generic for ruler, Princeps for much of History of Catalonia, Catalan history, from the 9th century until the 18th century. History The County of Barcelona was created by Charlemagne after he had conquered lands north of the river Ebro and Barcelona, after a Siege of Barcelona (801), siege in 801. These lands, called the ''Marca Hispanica'', were partitioned into various counties, of which the count of Barcelona, usually holding other counties simultaneously, eventually obtained the primacy over the region. As the county became hereditary in one family, the bond of the counts to their Frankish overlords loosened, especially after the Capetian dynasty supplanted the Carolingians. In the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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