Peiraikos
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Peiraikos
Peiraikos, or Piraeicus, was an Ancient Greek painter of uncertain date and location. None of his work is known to have survived and he is known only from a brief discussion by the Latin author Pliny the Elder. Pliny's passage comes in the middle of his discussion of painting in Book XXXV of his '' Natural History'', completed about 78 AD: It is well to add an account of the artists who won fame with the brush in painting smaller pictures. Amongst them was Peiraikos. In mastery of his art but few take rank above him, yet by his choice of a path he has perhaps marred his own success, for he followed a humble line, winning however the highest glory that it had to bring. He painted barbers' shops, cobblers' stalls, asses, eatables and similar subjects, earning for himself the name of ''rhyparographos'' ainter of dirt/low things In these subjects he could give consummate pleasure, selling them for more than other artists received for their large pictures. In the terms of later a ...
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Pieter Aertsen
Pieter Aertsen (1508 – 2 June 1575), called ''Lange Piet'' ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life and genre painting and often also includes a biblical scene in the background. He was active in his native city Amsterdam but also worked for a long period in Antwerp, then the centre of artistic life in the Netherlands. His genre scenes were influential on later Flemish Baroque painting, Dutch still life painting and also in Italy. His peasant scenes preceded by a few years the much better-known paintings produced in Antwerp by Pieter Bruegel the Elder. Career Aertsen was born in Amsterdam, and was apprenticed to Allaert Claesz. He later travelled to the Southern Netherlands and took up residence in Antwerp, first with his compatriot Jan Mandijn. Aertsen became a member of Antwerp's Guild of Saint Luke. In the official books of the G ...
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Still-life
A still life (plural: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to the objects dep ...
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Genre Painting
Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings (also called ''grand genre'') and portraits. A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model. In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist. Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class. Genre subjects appear in many traditions of art. Painted decorations in anc ...
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Hellenistic
In Classical antiquity, the Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire, as signified by the Battle of Actium in 31 BC and the conquest of Ptolemaic Egypt the following year. The Ancient Greek word ''Hellas'' (, ''Hellás'') was gradually recognized as the name for Greece, from which the word ''Hellenistic'' was derived. "Hellenistic" is distinguished from "Hellenic" in that the latter refers to Greece itself, while the former encompasses all ancient territories under Greek influence, in particular the East after the conquests of Alexander the Great. After the Macedonian invasion of the Achaemenid Empire in 330 BC and its disintegration shortly after, the Hellenistic kingdoms were established throughout south-west Asia ( Seleucid Empire, Kingdom of Pergamon), north-east Africa ( Ptolemaic Kingdom) and South Asia ( Greco-Bactrian Kingdom, Indo-Gree ...
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Roman Art
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality. Ancient Roman pottery was not a luxury product, but a vast production of "fine wares" in ''terra sigillata'' were decorated with reliefs that reflected the latest taste, and provided a large group in society with stylish objects at what was evidently an affordable price. Roman coins were an important means of p ...
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Pieter Aertsen 002
Pieter is a male given name, the Dutch form of Peter. The name has been one of the most common names in the Netherlands for centuries, but since the mid-twentieth century its popularity has dropped steadily, from almost 3000 per year in 1947 to about 100 a year in 2016.Pieter
at the Corpus of First Names in The Netherlands Some of the better known people with this name are below. See for a longer list. * (?-1332), Flemish revolutionary * (c. 1480–1572), Flemish Franciscan missionary in Mexico known as "Pedro de Gante" *

Hadrianus Junius
Hadrianus Junius (1511–1575), also known as Adriaen de Jonghe, was a Dutch physician, classical scholar, translator, lexicographer, antiquarian, historiographer, emblematist, school rector, and Latin poet. He is not to be confused with several namesakes (including a seventeenth-century Amsterdam school rector). He was not related to Franciscus Junius. Biography Life Youth and education Adriaen de Jonge or Hadrianus Junius, was born in the West Frisian town of Hoorn on 1 July 1511, from a family of local regents. He attended the Latin School in Haarlem. At the relatively advanced age of 23, he went to study in Louvain, where he spent a couple of years. He then embarked on his peregrinatio academica, which led him through Siena, Bologna, Venice and Rome. In his letters, he reports on his visits to the famous legal humanist Andrea Alciato, his attendance at an interrupted Greek-orthodox liturgical service in Venice, and on an experiment with glow-worms in the Bolognese coun ...
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Pieter Pietersz The Elder
Pieter Pietersz the Elder, also Pieter Pietersz. (I), (1540–1603) was a Dutch Renaissance painter. Biography Pietersz was born in Antwerp. According to Karel van Mander, who mentioned him in his biography of his father Pieter Aertsen, he followed in his father's footsteps but took to portrait painting because large commissions were not to be had.Pieter Pietersz
in 's '''', 1604, courtesy of the

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Self-portrait
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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Berlin
Berlin ( , ) is the capital and largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's most populous city, according to population within city limits. One of Germany's sixteen constituent states, Berlin is surrounded by the State of Brandenburg and contiguous with Potsdam, Brandenburg's capital. Berlin's urban area, which has a population of around 4.5 million, is the second most populous urban area in Germany after the Ruhr. The Berlin-Brandenburg capital region has around 6.2 million inhabitants and is Germany's third-largest metropolitan region after the Rhine-Ruhr and Rhine-Main regions. Berlin straddles the banks of the Spree, which flows into the Havel (a tributary of the Elbe) in the western borough of Spandau. Among the city's main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel and Dahme, the largest of which is Lake Müggelsee. Due to its l ...
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Pieter Van Laer
Pieter Bodding van Laer (christened 14 December 1599, Haarlem – 1641 or later) was a Dutch painter and printmaker. He was active in Rome for over a decade and was known for genre scenes, animal paintings and landscapes placed in the environs of Rome.Pieter van Laer
at the
Pieter van Laer was an active member of the association of Flemish and Dutch artists in Rome known as the . His nickname in this group ("bent name") was Il Bamboccio. The style of genre painting he introduced was followed by other Northe ...
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Bamboccianti
The ''Bamboccianti'' were genre painters active in Rome from about 1625 until the end of the seventeenth century. Most were Dutch and Flemish artists who brought existing traditions of depicting peasant subjects from sixteenth-century Netherlandish art with them to Italy, and generally created small cabinet paintings or etchings of the everyday life of the lower classes in Rome and its countryside.Haskell, pp. 132–134. Typical subjects include food and beverage sellers, farmers and milkmaids at work, soldiers at rest and play, and beggars, or, as Salvator Rosa lamented in the mid-seventeenth century, "rogues, cheats, pickpockets, bands of drunks and gluttons, scabby tobacconists, barbers, and other 'sordid' subjects."Levine, p. 569. Despite their lowly subject matter, the works found appreciation among elite collectors and fetched high prices. Artists Many of the artists associated with the Bamboccianti were members of the '' Bentvueghels'' (Dutch for 'birds of a feather'), ...
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