Pei Di
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Pei Di
Pei Di () was a Chinese poet of the Tang dynasty, approximate year of birth 714, with one work included in the popular ''Three Hundred Tang Poems''. Pei Di was a contemporary of Wang Wei, although younger by fifteen years. Pei Di has twenty preserved poems in the '' Wangchuan ji'' poetry collection, which collects twenty matching poems by Wang Wei and Pei Di. The poet's name is also rendered into English as "P'ei Ti" or "Pei Shidi" (''shi'' = 十). The close personal friendship between Wang Wei and Pei Di is preserved in a letter by Wang Wei inviting Pei for a Springtime visit together at Wang's country estate. This letter has been translated by Arthur Waley. Pei also had a poetic relationship with Du Fu. Other than through Pei Di's few surviving poems, and the poems addressed to him by Wang Wei and Du Fu, "pitifully little" is known about Pei Di, other than that he had a reasonably successful government career. Poems One of Pei Di's poems, translated by Witter Bynner as "A Farew ...
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Tang Dynasty
The Tang dynasty (, ; zh, t= ), or Tang Empire, was an Dynasties in Chinese history, imperial dynasty of China that ruled from 618 to 907 AD, with an Zhou dynasty (690–705), interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a Golden age (metaphor), golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The House of Li, Lǐ family () founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Zhou dynasty (690–705), Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The devast ...
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Fields And Gardens Poetry
Fields and Gardens poetry (), in poetry) is a poetic movement which sparked centuries of poetic enthusiasm, generally considered to effectively date from the Six Dynasties era. Both the Chinese Landscape poetry and the Fields and Gardens poetry share a common theme of nature foremost with human beings and human thought seemingly not in main focus; however, in the case of the Fields and Gardens genre the nature that was focused upon was more domestic—the nature found in gardens, in backyards, and in the cultivated countryside. Sometimes, the poems were designed to be viewed with a particular work of art, others were intended to be "textual art" that invoked an image inside a reader's mind. Fields and Gardens poetry is one of many Classical Chinese poetry genres. One of the main practitioners of the Fields and Gardens poetry genre was Tao Yuanming (also known as Tao Qian (365–427), among other names or versions of names). Tao Yuanming has been regarded as the first great poet as ...
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Three Hundred Tang Poems Poets
3 is a number, numeral, and glyph. 3, three, or III may also refer to: * AD 3, the third year of the AD era * 3 BC, the third year before the AD era * March, the third month Books * ''Three of Them'' (Russian: ', literally, "three"), a 1901 novel by Maksim Gorky * ''Three'', a 1946 novel by William Sansom * ''Three'', a 1970 novel by Sylvia Ashton-Warner * ''Three'' (novel), a 2003 suspense novel by Ted Dekker * ''Three'' (comics), a graphic novel by Kieron Gillen. * ''3'', a 2004 novel by Julie Hilden * ''Three'', a collection of three plays by Lillian Hellman * ''Three By Flannery O'Connor'', collection Flannery O'Connor bibliography Brands * 3 (telecommunications), a global telecommunications brand ** 3Arena, indoor amphitheatre in Ireland operating with the "3" brand ** 3 Hong Kong, telecommunications company operating in Hong Kong ** Three Australia, Australian telecommunications company ** Three Ireland, Irish telecommunications company ** Three UK, British tel ...
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8th-century Chinese Poets
The 8th century is the period from 701 ( DCCI) through 800 ( DCCC) in accordance with the Julian Calendar. The coast of North Africa and the Iberian Peninsula quickly came under Islamic Arab domination. The westward expansion of the Umayyad Empire was famously halted at the siege of Constantinople by the Byzantine Empire and the Battle of Tours by the Franks. The tide of Arab conquest came to an end in the middle of the 8th century.Roberts, J., ''History of the World'', Penguin, 1994. In Europe, late in the century, the Vikings, seafaring peoples from Scandinavia, begin raiding the coasts of Europe and the Mediterranean, and go on to found several important kingdoms. In Asia, the Pala Empire is founded in Bengal. The Tang dynasty reaches its pinnacle under Chinese Emperor Xuanzong. The Nara period begins in Japan. Events * Estimated century in which the poem Beowulf is composed. * Classical Maya civilization begins to decline. * The Kombumerri burial grounds are founded. * ...
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714 Births
__NOTOC__ Year 714 ( DCCXIV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. The denomination 714 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Europe * In Septimania, local Visigothic nobles of the anti-Roderick party are offered peace terms similar to those of Prince Theodemir (see 713), and accept Muslim overlordship. Other Visigoths revolt and proclaim Ardo as king. Visigothic refugees gather in the Picos de Europa in the mountains of Asturias. * December 16 – Pepin II (of Herstal), mayor of the Merovingian palace, dies at Jupille (modern Belgium). His grandson Theudoald (who at age eight was still well into early childhood) becomes the nominal mayor of the palace, while his wife Plectrude holds actual power and imprisons Pepin's illegitimate son Charles Martel. * Civil War within the Pe ...
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Hugh McBirney Stimson
Hugh McBirney Stimson (December 5, 1931 – January 24, 2011) was an American sinologist and linguist who specialised in the poetry of the Tang Dynasty (618–907). He was particularly known for his research into Chinese historical phonology which enabled him to reconstruct the spoken language of Tang poetry. Biography Stimson was born in Port Chester, New York in 1931. He studied for his undergraduate degree at Yale University, where he was a prestigious "scholar of the house" in his final year. After graduating in 1953 he stayed on at Yale to study towards a PhD, spending a year at the National Taiwan University during 1954–1955. His dissertation, completed in 1959, was a study of the Old Mandarin phonological system documented in the '' Zhongyuan Yinyun''. After spending a year as assistant director of the Foreign Service Institute in Taiwan (1959–1960), he took up a position at Yale University, in the Department of East Asian Languages and Literatures and the Dep ...
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Tang Poetry
Tang poetry () refers to poetry written in or around the time of or in the characteristic style of China's Tang dynasty, (June 18, 618 – June 4, 907, including the 690–705 reign of Wu Zetian) and/or follows a certain style, often considered as the Golden Age of Chinese poetry. The ''Quan Tangshi'' includes over 48,900 poems written by over 2,200 authors. During the Tang dynasty, poetry continued to be an important part of social life at all levels of society. Scholars were required to master poetry for the civil service exams, but the art was theoretically available to everyone. This led to a large record of poetry and poets, a partial record of which survives today. The two most famous poets of the period were Li Bai and Du Fu. Through the ''Three Hundred Tang Poems'', Tang poetry has remain familiar to educated Chinese in modern times. Periodization The periodization scheme employed in this article is the one detailed by the Ming dynasty scholar Gao Bing (1350–1423) in th ...
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Shi (poetry)
''Shi'' and ''shih''Based on the Wade-Giles system formerly used by Taiwan and English-speaking countries. are romanizations of the character /, the Chinese word for all poetry generally and across all languages. In Western analysis of the styles of Chinese poetry, ''shi'' is also used as a term of art for a specific poetic tradition, modeled after the Old Chinese works collected in the Confucian ''Classic of Poetry''. This anthology included both aristocratic poems (the "Hymns" and "Eulogies") and more rustic works believed to have derived from Huaxia folk songs (the "Odes"). They are composed in ancient Chinese, mostly in four-character lines. In such analysis, "''shi''" poetry is contrasted with other forms such as the Chu-derived "'' cí''" and the Han-era "'' fu''".Watson, Burton. ''Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century''. Columbia Univ. Press (New York), 1971. .Frankel, Hans. ''The Flowering Plum and the Palace Lady''. Yale Univ. Press (New ...
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List Of Chinese Language Poets
The following is a list of Poets who wrote or write much of their poetry in the languages of China. __NOTOC__ A *Ai Qing B *Bai Juyi or Bo Juyi *Consort Ban * Ban Gu (32–92 A.D.)Minford, John, and Joseph S. M. Lau, ''Classical Chinese Literature: An Anthology of Translations, New York: Columbia University Press and Hong Kong: The Chinese University Press , 2000 * Bei Dao *Bei Ling * Bian Zhilin C * Cai Wenji * Cai Yong * Cao Cao 曹操 * Cao Pi * Cao Zhi * Cen Shen * Chen Sanli * Chen Yinke * Chen Zi'ang * Chūgan Engetsu ( 1300–1375), Japanese poet who wrote in Chinese, a figure in "Japanese Literature of the Five Mountains" (literature in Chinese written in Japan) * Cui Hao, Tang dynasty poet D * Dai Biaoyuan * Dai Wangshu * Dong Xiaowan * Du Fu 杜甫, the "Poet Sage" * Du Mu (803-852), Tang poet, official * Duo Duo E * Emperor Xuanzong of Tang F * Fei Ye 菲野 *Fenggan, "Big Stick", a legendary Buddhist Monk. He was an associate of the famous legend ...
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Classical Chinese Poetry
Classical Chinese poetry is traditional Chinese poetry written in Classical Chinese and typified by certain traditional forms, or modes; traditional genres; and connections with particular historical periods, such as the poetry of the Tang dynasty. The existence of classical Chinese poetry is documented at least as early as the publication of the ''Classic of Poetry'' (''Shijing''). Various combinations of forms and genres have developed over the ages. Many or most of these poetic forms were developed by the end of the Tang dynasty, in 907 CE. The use and development of Classical Chinese poetry actively continued up until the May Fourth Movement, in 1919, and is still developed even today. Poetry created during this period of more-or-less continuous development displays a great deal of diversity – categorized by both major historical periods and by dynastic periods (the traditional Chinese historical method). Another key aspect of Classical Chinese poetry is its intense int ...
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Three Hundred Tang Poems
The ''Three Hundred Tang Poems'' () is an anthology of poems from the Chinese Tang dynasty (618–907). It was first compiled around 1763 by Sun Zhu (1722–1778Yu, 64–65), who was a Qing Dynasty scholar and was also known as Hengtang Tuishi (, "Retired Master of Hengtang"). Various later editions also exist. All editions contain slightly more than 300 total poems. The number 300 (or more exactly 305) was a classic number for a poetry collection due to the influence of the ''Classic of Poetry'' (, ''Shijing''), which was generally known as ''The Three Hundred Poems''. Dissatisfied with the anthology ''Poems by a Thousand Masters'' (, ''Qianjiashi'') compiled by Liu Kezhuang in the late Southern Song, and influenced by Ming Dynasty poetry anthologies, Sun selected the poems based on their popularity and educational value. The collection has been popular ever since and can be found in many Chinese households. For centuries, elementary students memorized the poems and used them to ...
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Chinese Poetry
Chinese poetry is poetry written, spoken, or chanted in the Chinese language. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, ''Classical Chinese poetry'' and ''Modern Chinese poetry''. Poetry has consistently been held in extremely high regard in China, often incorporating expressive folk influences filtered through the minds of Chinese literation. In Chinese culture, poetry has provided a format and a forum for both public and private expressions of deep emotion, offering an audience of peers, readers, and scholars insight into the inner life of Chinese writers across more than two millennia. Chinese poetry often reflects the influence of China's various religious traditions as well. Classical Chinese poetry includes, perhaps first and foremost ''Shi (poetry), shi'' (詩/诗), and also other major types such as ' ...
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