|
Peace (Horace Silver Song)
"Peace" is a composition by Horace Silver that was first recorded on August 29, 1959. It has become a jazz standard.Huey, Stev"Horace Silver / Horace Silver Quintet – Blowin' the Blues Away" AllMusic. Retrieved January 18, 2016. Silver also wrote lyrics for the tune. Composition According to Silver, "I was doodlin' around on the piano, and it just came to me, but I also had the impression that there was an angel standing over me, impressing my mind with this beautiful melody and harmony." Unusually for popular Silver compositions, "Peace" is a slow ballad. It has a ten-bar structure. Ted Gioia observed that "You won't find a single catchy melodic motif here, no surprising interlude, no harmonic shift that takes the piece in an unexpected direction. Instead the soloist cycles through a series of gentle resolving chords, mostly following a familiar ii-V formula, before settling unobtrusively into the tonic key of B flat." Recordings The piece was first recorded on August 29, 1959, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Silver
Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s. After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their ''Horace Silver and the Jazz Messengers'' album contained Silver's first hit, " The Preacher". After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blowin' The Blues Away
''Blowin' the Blues Away'' is an album by jazz pianist Horace Silver, released on the Blue Note label in 1959, featuring performances by Silver with Blue Mitchell, Junior Cook, Eugene Taylor, and Louis Hayes. Recording dates and location The title track and "Baghdad Blues" were recorded on August 29, 1959; "The St. Vitus Dance" and "Melancholy Mood" were recorded on September 13, 1959; all other tracks were recorded on August 30, 1959, at the Van Gelder Studio in Englewood Cliffs, New Jersey. Reception The Allmusic review by Steve Huey awarded the album 4½ stars and states: "''Blowin' the Blues Away'' is one of Horace Silver's all-time Blue Note classics... one of Silver's finest albums, and it's virtually impossible to dislike."Huey, S. Allmusic Review Retrieved November 16, 2009. The ninth edition of the ''Penguin Guide to Jazz Recordings'' places the album among its suggested "Core Collection" of essential recordings, saying that it exemplifies Silver's "virtues as pianist, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Note Records
Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernism, modernist art direction. History Historically, Blue Note has principally been associated with the "hard bop" style of jazz (mixing bebop with other forms of music including soul music, soul, blues, rhythm and blues and gospel music, gospel), but also recorded essential albums in the avant-garde and Free Jazz, free styles of jazz. Horace Silver, Jimm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Lion
Alfred Lion (born Alfred Löw; April 21, 1908 – February 2, 1987), was an American record executive who co-founded the jazz record label Blue Note in 1939. Lion retired in 1967, having sold the company, after producing recordings by leading musicians throughout the 1940s, 1950s, and 1960s. Early years Lion was born in Schöneberg -later a borough of Berlin- on April 21, 1908.Garner, Carla"Alfred Lion."In ''Immigrant Entrepreneurship: German-American Business Biographies, 1720 to the Present'', vol. 5, edited by R. Daniel Wadhwani. German Historical Institute. Last modified April 28, 2014. His fascination with jazz began at the age of 16 when he saw a concert by Sam Wooding's Orchestra. In 1926, Lion emigrated to the United States, but while working on the New York docks he was attacked by an anti-immigrant worker; he returned to Germany to convalesce. From 1933, Lion lived in South America, working for German import-export companies, returning to New York in 1938. His presence at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junior Cook
Herman "Junior" Cook (July 22, 1934 – February 3, 1992) was an American hard bop tenor saxophone player. Biography Cook was born in Pensacola, Florida. After playing with Dizzy Gillespie in 1958, Cook was a member of the Horace Silver Quintet (1958–1964); when Silver left the group in the hands of Blue Mitchell Cook stayed in the quintet for five more years (1964–1969). Later associations included Freddie Hubbard, Elvin Jones, George Coleman, Louis Hayes (1975–1976), Bill Hardman (1979–1989), and the McCoy Tyner big band. In addition to many appearances as a sideman, Junior Cook recorded as a leader for Jazzland (1961), Catalyst (1977), Muse, and SteepleChase. He also taught at Berklee School of Music for a year during the 1970s. In the early 1990s, Cook was playing with Clifford Jordan, and also leading his own group. He died in February 1992 in his apartment in New York City, aged 57. Discography As leader/co-leader * '' Junior's Cookin''' ( Jazzland, 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Mitchell
Richard Allen "Blue" Mitchell (March 13, 1930 – May 21, 1979) was an American trumpeter and composer who worked in jazz, rhythm and blues, soul, rock and funk. He recorded albums as leader and sideman for Riverside, Mainstream Records, and Blue Note. Early life Mitchell was born and raised in Miami, Florida, United States. He began playing trumpet in high school, with the nickname "Blue". Career After high school, he played in the rhythm & blues ensembles of Paul Williams, Earl Bostic, and Chuck Willis. He returned to Miami and was heard by Cannonball Adderley, with whom he recorded for Riverside Records in New York in 1958. Mitchell then joined the Horace Silver Quintet, playing with tenor saxophonist Junior Cook, bassist Gene Taylor, and drummer Roy Brooks. Mitchell stayed with Silver's group until the band's break-up in 1964, after which Mitchell formed a group with members from the Silver quintet, substituting the young pianist Chick Corea for Silver and replacing B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Taylor (bassist)
Calvin Eugene "Gene" Taylor (March 19, 1929 – December 22, 2001), was an American jazz double bassist. He was born in Toledo, Ohio, and began his career in Detroit, Michigan. Taylor worked with Horace Silver from 1958 until 1963. He then joined Blue Mitchell's quintet, with whom he recorded and performed until 1965. From 1966 until 1968, he toured and recorded with Nina Simone. Simone recorded the song "Why? (The King of Love is Dead)", which Taylor wrote following the assassination of Martin Luther King Jr. Taylor began teaching music in New York public schools. Taylor worked with Judy Collins from 1968 until 1976, and made numerous television appearances accompanying Simone and Collins. He died on December 22, 2001, in Sarasota, Florida, where he had been living since 1990. Discography As sideman * Roland Alexander: '' Pleasure Bent'' (New Jazz, 1961) * Junior Cook: ''Junior's Cookin''' (Jazzland, 1961) * Barry Harris: '' Barry Harris Plays Tadd Dameron'' (Xanadu Records ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Hayes
Louis Hayes (born May 31, 1937) is an American jazz drummer and band leader. He was with McCoy Tyner's trio for more than three years. Since 1989 he has led his own band, and together with Vincent Herring formed the Cannonball Legacy Band. He is part of the NEA Jazz Masters awards class of 2023. Biography Louis Sedell Hayes was born in Detroit, Michigan, United States, to a father, an automaker, who played drums and piano. His mother waited tables and played the piano. She was the sister of John Nelson, the father of the musician Prince. Hayes got his first drum set at age 10. The key influence in his early development was his cousin Clarence Stamps, an accomplished drummer who grounded his technical fundamentals and gave him lessons that stuck for life. He refers to the early influence of hearing jazz, especially big bands on the radio. His main influence was Philly Joe Jones and he was mentored by Jo Jones. His three main associations were with Horace Silver's Quintet (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andy Bey
Andrew W. Bey (born October 28, 1939) is an American jazz singer and pianist. Bey has a wide vocal range, with a four-octave baritone voice. Raised in Newark, New Jersey,Adler, David R"Andy Bey" ''JazzTimes'', April 25, 2019. Accessed December 14, 2020. "We are sitting in Bey’s studio apartment on the western edge of Manhattan’s Chelsea district, where he has lived for the last 13 years. Originally from Newark, N.J., Bey knew the Shorter brothers-Wayne and Alan-when they were both teenagers." Bey attended Newark Arts High School. Career He worked on the 1959/1960 television show '' Startime'' with Connie Francis, and sang for Louis Jordan. At age 17, he formed a trio with his siblings Salome Bey and Geraldine Bey (de Haas) called Andy and the Bey Sisters. The trio went on a 16-month tour of Europe. The jazz trumpeter Chet Baker's 1988 documentary '' Let's Get Lost'' includes footage of Bey and his sisters delighting a Parisian audience. The trio recorded three albums (one fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
That Healin' Feelin' (Horace Silver Album)
''That Healin' Feelin (subtitled ''The United States of Mind Phase 1'') is an album by jazz pianist Horace Silver released on the Blue Note label in 1970, featuring performances by Silver with Randy Brecker, George Coleman, Houston Person, Bob Cranshaw, Jimmy Lewis, Mickey Roker and Idris Muhammad with vocals by Andy Bey, Gail Nelson and Jackie Verdell. It is the first of a trilogy of albums later compiled on CD as ''The United States of Mind''. Reception The Allmusic review by Ron Wynn awarded the album 3 stars and simply states: "Lyrics a bit to the pretentious side; music overcomes it".Allmusic Review accessed November 23, 2009. Track listing All compositions by Horace Silver # "That Healin' Feelin" - 3:54 # "The Happy Medium" - 4:58 # "The Show Has Begun" - 4:11 # "Love Vibrations" - 4:03 # "Peace" - 3:26 # "Permit Me to Introduce You to Yourself" - 3:13 # "Wipe Away the Evil" - 4:15 # "Nobody Knows" - 4:12 # "There's Too Much to Be Done" - 4:11 ''Recorded on April 8 (1-5) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1950s Jazz Standards
Year 195 ( CXCV) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Scrapula and Clemens (or, less frequently, year 948 ''Ab urbe condita''). The denomination 195 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus has the Roman Senate deify the previous emperor Commodus, in an attempt to gain favor with the family of Marcus Aurelius. * King Vologases V and other eastern princes support the claims of Pescennius Niger. The Roman province of Mesopotamia rises in revolt with Parthian support. Severus marches to Mesopotamia to battle the Parthians. * The Roman province of Syria is divided and the role of Antioch is diminished. The Romans annexed the Syrian cities of Edessa and Nisibis. Severus re-establish his head ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
