Paul Whitehead
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Paul Whitehead
Paul Whitehead is a British painter and graphic artist known for his surrealistic album covers for artists on the Charisma Records label in the 1970s, such as Genesis and Van der Graaf Generator. __TOC__ Life and work England: Liberty Records and Charisma Records An art show in London in the mid-sixties led to Whitehead being picked up as an in-house artist for the London office of Jazz record label Liberty Records. Previously, he had been studying at the University of Oxford on an art scholarship. The first record cover he designed was for a repackaged Fats Domino album. This was followed by a series of work for other reissues for the UK market. In 1968, Whitehead became the original art director for '' Time Out in London'' magazine, which led him to further commissions for album covers. After a meeting with producer John Anthony, Whitehead was introduced to Tony Stratton-Smith, the founder of Charisma Records. Stratton-Smith introduced Whitehead to Genesis, and he was hired ...
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Paul Whitehead And Lennon Alambrije (2402408053)
Paul may refer to: *Paul (given name), a given name (includes a list of people with that name) *Paul (surname), a list of people People Christianity *Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Christian missionary and writer *Pope Paul (other), multiple Popes of the Roman Catholic Church *Saint Paul (other), multiple other people and locations named "Saint Paul" Roman and Byzantine empire *Lucius Aemilius Paullus Macedonicus (c. 229 BC – 160 BC), Roman general *Julius Paulus Prudentissimus (), Roman jurist *Paulus Catena (died 362), Roman notary *Paulus Alexandrinus (4th century), Hellenistic astrologer *Paul of Aegina or Paulus Aegineta (625–690), Greek surgeon Royals *Paul I of Russia (1754–1801), Tsar of Russia *Paul of Greece (1901–1964), King of Greece Other people *Paul the Deacon or Paulus Diaconus (c. 720 – c. 799), Italian Benedictine monk *Paul (father of Maurice), the father of Maurice, Byzan ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Renaissance (band)
Renaissance are an English progressive rock band, best known for their 1978 UK top 10 hit " Northern Lights" and progressive rock classics like "Carpet of the Sun", "Mother Russia", and "Ashes Are Burning". They developed a unique sound, combining a female Lead vocalist, lead vocal with a fusion of classical music, classical, folk music, folk, rock music, rock, and jazz influences. Characteristic elements of the Renaissance sound are Annie Haslam's wide vocal range, prominent piano accompaniment, orchestration, orchestral arrangements, vocal harmonies, acoustic guitar, bass guitar, synthesiser, and versatile drum work. The band created a significant following in the northeast United States in the 1970s, and that region remains their strongest fan base. The original line-up included two former members of the Yardbirds, Keith Relf and Jim McCarty, along with John Hawken, Louis Cennamo and Relf's sister Jane Relf. They intended to put "something together with more of a classical in ...
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Sea Shanties (High Tide Album)
''Sea Shanties'' is the debut album of English rock band High Tide. It was one of the first albums to use violin as a rock instrument. The cover artwork was drawn by Paul Whitehead. Production Denny Gerrard (of Warm Sounds) produced ''Sea Shanties'' in return for High Tide acting as the backing band on his solo album ''Sinister Morning''. The recording sessions for the two albums overlapped, with ''Sinister Morning'' being finished in late June 1969,(1970). In ''Sinister Morning'' leeve notes and ''Sea Shanties'' being started on the 2nd of that month. Reception Though it met with a scathing review in ''Melody Maker'',Shaw, Adrian. (2000"Tony Hill interview" ''Perfect Sound Forever magazine''. reviews in the underground press were universally positive, and sales were just enough to convince Liberty to give the green light to a second album.Powell, Mark (2006). "High Tide - Sea Shanties". In ''Sea Shanties'' (pp.8-10) D booklet London: Eclectic Entertainment Ltd. The AllMusi ...
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High Tide (band)
High Tide was an English rock band, formed in 1969 by Tony Hill (guitar and vocals), Simon House (violin and keyboards), Peter Pavli (bass guitar) and Roger Hadden (drums). History Allmusic author, Wilson Neate, stated this of the group, "High Tide had the muscularity of a no-nonsense proto-metal band, but they also ventured into prog territory with changing time signatures and tempos, soft-hard dynamics, multi-part arrangements, and even some ornate faux-Baroque interludes". High Tide made their first recordings as the backing band on Denny Gerrard's album ''Sinister Morning''.Shaw, Adrian. (2000"Tony Hill interview" ''Perfect Sound Forever magazine''. Gerrard returned the favor by producing their first album, ''Sea Shanties'', which was released in October 1969. Though it met with a scathing review in ''Melody Maker'', reviews in the underground press were universally positive, and sales were just enough to convince Liberty to give the green light to a second album.Powell, M ...
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Johnny Hallyday
Jean-Philippe Léo Smet (; 15 June 1943 – 5 December 2017), better known by his stage name Johnny Hallyday, was a French rock and roll and pop singer and actor, credited for having brought rock and roll to France. During a career spanning 57 years, he released 79 albums and sold more than 110 million records worldwide, mainly in the French-speaking world, making him one of the best-selling artists in the world. He had five diamond albums, 40 golden albums, 22 platinum albums and earned ten ''Victoires de la Musique''. He sang an estimated 1,154 songs and performed 540 duets with 187 artists. Credited for his strong voice and his spectacular shows, he sometimes arrived by entering a stadium through the crowd and once by jumping from a helicopter above the Stade de France, where he performed 9 times. Among his 3,257 shows completed in 187 tours, the most memorable were at Parc des Princes in 1993, at the Stade de France in 1998, just after France's win in the 1998 FIFA World Cu ...
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Chameleon In The Shadow Of The Night
''Chameleon in the Shadow of the Night'' is the second solo album by British singer-songwriter Peter Hammill. It followed in the aftermath of the breakup of Hammill's band Van der Graaf Generator, and (as with many of Hammill's solo albums from this period) other ex-members of Van der Graaf Generator perform on the album. The album was produced by John Anthony at Rockfield Studios, Wales, for the first time using pre-recorded parts done by Peter Hammill in his home studio in Worth. For final mixing the then much better equipped Trident Studios were used. The album was released in May 1973 on Charisma Records. Some of the songs ("German Overalls" and "In the End") relate to Van der Graaf Generator's decision to split, following an exhausting, demoralising and poverty-stricken experience of being a touring rock band. "German Overalls" name-checks bandmates Hugh Banton and David Jackson. Hammill has continued to perform "Easy to Slip Away" in concert to the present day. The s ...
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Pawn Hearts
''Pawn Hearts'' is the fourth album by English progressive rock band Van der Graaf Generator, released in October 1971 on Charisma Records. The original album features just three tracks, including the side-long suite "A Plague of Lighthouse Keepers". The album was not commercially successful in the UK, but reached number one in Italy. It has since seen retrospective critical praise and was reissued on CD in 2005 with extra material. The songs for the album were worked out while on tour in 1971, with further development and arranging at manager Tony Stratton-Smith's house in Crowborough, Sussex over a two-month period. The original plan had been to release more material, making up a double album, but Charisma vetoed the idea. A non-album single, " Theme One" was included on some releases in the US and Canada. The album's strong commercial showing in Italy resulted in a number of lucrative promotional tours there, but the resulting pressure led to the band's split in August 1972. ...
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H To He, Who Am The Only One
''H to He, Who Am the Only One'' is the third album by the British progressive rock band Van der Graaf Generator. It was released in 1970 on Charisma Records. The band recorded the album in several stages throughout mid-1970 in Trident Studios with producer John Anthony. The songs mentioned a killer shark in "Killer", lost love in "Lost" and science fiction material in "Pioneers Over c". Bassist Nic Potter left the group in August partway through recording, with organist Hugh Banton covering on bass guitar in the studio and playing bass pedals in concert. King Crimson's Robert Fripp made a guest appearance on guitar, and the cover was the first of several by the band to feature the artwork of Paul Whitehead. The album did not chart in the UK, and contemporary reviews were mixed, but it has since been regarded as a good example of progressive rock albums by critics. "Killer" has been singled out for praise as a fan favourite. Background The group's previous album, ''The Leas ...
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Genesis Live
''Genesis Live'' is the first live album from the English rock band Genesis, released on 20 July 1973 on Charisma Records. Initially recorded for radio broadcast on the American rock program ''King Biscuit Flower Hour'', the album is formed from the recordings of shows at Free Trade Hall, Manchester and De Montfort Hall, Leicester in February 1973 during the band's tour supporting their fourth studio album '' Foxtrot'' (1972). ''Genesis Live'' is the band's first album to enter the top 10 in the UK, reaching No. 9. Following its US release in 1974, it peaked at No. 105. History Genesis were persuaded by their label, Charisma Records, to release ''Genesis Live'' as a budget-priced title to mark time while the band recorded ''Selling England by the Pound'' in mid-1973. The group's manager, Tony Stratton Smith said that the low price would allow it to be sold in stores such as Woolworths and WHSmith. ''Genesis Live'' was issued in the US several months after ''Selling Engl ...
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Foxtrot (album)
''Foxtrot'' is the fourth studio album by the English progressive rock band Genesis, released on 6 October 1972 on Charisma Records. It features their longest recorded song, the 23-minute track " Supper's Ready". The album was recorded following the tour in support of their previous album, '' Nursery Cryme'' (1971), which saw them gain popularity, including a well-received slot at the Great Western Express Festival, Lincolnshire in May 1972. The album was written over the summer of 1972 and combined songs that had already been performed live with new material worked out in jam sessions. Recording began in August with John Anthony, but sessions were prone to tension and disagreements. After a short Italian tour, sessions resumed with Dave Hitchcock taking over production duties. The cover was the final Genesis work to be designed by Paul Whitehead, featuring a fox wearing a red dress. Frontman Peter Gabriel wore the dress and a fox's head on stage for the following tour, whic ...
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Nursery Cryme
''Nursery Cryme'' is the third studio album by the English rock band Genesis, released in November 1971 on Charisma Records. It was their first to feature drummer/vocalist Phil Collins and guitarist Steve Hackett. The album received a mixed response from critics and was not initially a commercial success; it did not enter the UK chart until 1974, when it reached its peak at No. 39. However, the album was successful in Continental Europe, particularly Italy. At approximately 39 minutes long, it is the shortest studio album by the band to date. Following extensive touring in support of their previous album ''Trespass'' (1970), which included the recruitment of Collins and Hackett, the band began writing and rehearsing for a follow-up in Luxford House, East Sussex, with recording following at Trident Studios. ''Nursery Cryme'' saw the band take a more aggressive direction of some songs, with substantially improved drumming. The opening piece, " The Musical Box" combined the band's tr ...
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