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Paul Ladmirault
Paul Émile Ladmirault (8 December 1877 – 30 October 1944) was a French language, French composer and Music criticism, music critic whose music expressed his devotion to Brittany. Claude Debussy wrote that his work possessed a "fine dreamy musicality", commenting on its characteristically hesitant character by suggesting that it sounded as if it was "afraid of expressing itself too much". Florent Schmitt said of him: "Of all the musicians of his generation, he was perhaps the most talented, most original, but also the most modest". Peter Warlock dedicated his Capriol Suite to him and Swan Hennessy his Trio, Op. 54. Life Ladmirault was born in Nantes. A child prodigy, he learned piano, organ (music), organ and violin from an early age. At the age of eight, he composed a sonata for violin and piano. At the age of fifteen, when still a student of the Nantes Secondary school, High School, he wrote a three-act opera ''Gilles de Retz''. It was first performed on 18 May 1893. He was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul De Ladmirault
Paul de Ladmirault (17 February 1808, in Montmorillon – 1 February 1898, in Sillars) was a French general active in the French conquest of Algeria and during the wars of the Second French Empire. Life Ladmirault was born on 17 February 1808 at Montmorillon to an old family belonging to the Poitou minor aristocracy. His father had Émigré, fled France during the French Revolution. Ladmirault entered the prestigious École spéciale militaire de Saint-Cyr, Saint-Cyr Military School in 1826 (in the same class as the future Marshal of France François Certain Canrobert). Upon his graduation in 1829, he was commissioned a second lieutenant in the 62nd Line Infantry Regiment. In 1831 he was promoted to lieutenant in the 67th Regiment before being sent to Algeria, where he spent the next 22 years. He was promoted to the post of ''adjudant-major'' in 1834, then to captain in the Zouaves in 1837, and finally major in 1840. In the same year he was transferred to the 2nd Battalion of Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Roger-Ducasse
Jean Jules Aimable Roger-Ducasse (Bordeaux, 18 April 1873 – Le Taillan-Médoc ( Gironde), 19 July 1954) was a French composer. Biography Jean Roger-Ducasse studied at the Paris Conservatoire with Émile Pessard and André Gedalge, and was the star pupil and close friend of Gabriel Fauré. He succeeded Fauré as professor of composition, and in 1935 he succeeded Paul Dukas as professor of orchestration. His personal style was firmly rooted in the French school of orchestration, in an unbroken tradition from Hector Berlioz through Camille Saint-Saëns. Among his notable pupils were Jehan Alain, Claude Arrieu, Sirvart Kalpakyan Karamanuk, Jean-Louis Martinet, and Francis George Scott. Compositions Roger-Ducasse wrote music in nearly all classical forms, and was particularly known for his operatic stage works and orchestral compositions. These include: *''Au Jardin de Marguerite'', 1901–05 Based on an episode in Goethe's ''Faust'' *''Sarabande'', 1907 Symphonic poem with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Aubert
Louis François Marie Aubert (19 February 1877 – 9 January 1968) was a French composer. Biography Born in Paramé, Ille-et-Vilaine, Louis Aubert was a child prodigy. His parents, recognizing their son's musical talent, sent him to Paris to receive an education at an early age. He became recognised for his voice, primarily for his renditions of the ''Pie Jesu'' from Gabriel Fauré's Requiem at the Église de la Madeleine. The young Aubert met Fauré at the Paris Conservatoire, and he regularly attended at his composition classes, which greatly influenced his development. Aubert became an excellent pianist. In 1911, he premiered Maurice Ravel's ''Valses nobles et sentimentales'', which were written for and dedicated to him. He also worked as a piano and composition teacher, both privately and on the faculty of the Conservatoire de Paris. He counted among his students Henry Barraud, Jean-Marie Beaudet, Jean Berger, Marinus Flipse, and Georges Savaria. He composed music for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Gedalge
André Gedalge (27 December 1856 – 5 February 1926) was a French composer and teacher. Biography André Gedalge was born at 75 rue des Saints-Pères in Paris where he first worked as a bookseller and editor, specialising in ''livres de prix'' for public schools. During this time his father and him published books by Marie Laubot and Edmond About for the Librairie Gedalge. In 1886, at the age of 28, he entered the Conservatoire de Paris. In that same year he won the Second Prix de Rome. He studied under Ernest Guiraud, professor of counterpoint and fugue, who had also been Jules Massenet's teacher. In 1891, Gedalge composed the score for ''Le Petit Savoyard'', a pantomime in four acts performed at the Théâtre des Nouveautés. In 1895, ''Pris au Piège'' was awarded the Prix Cressant. In June 1900, his one act ballet ''Phoebé'' debuted at the Opéra-Comique. He composed ''Quatuor d'archet'', ''Les Vaux de Vire'' (a collection of ''mélodies''), children's songs, and three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Taudou
Antoine-Barthélémy Taudou (24 August 1846 – 6 July 1925) was a French music educator, violinist and composer. Life Born in Perpignan, Taudou studied at the Conservatoire de Paris and won the Premier Grand Prix de Rome in 1869 with the cantata ''Françoise da Rimini''. After the stay in Rome associated with the prize, he lived as a violinist in Paris. He was, among others, a member of the orchestra of the Théâtre de la Porte St. Martin and from 1872 to 1889 of the Orchestre de la Société des Concerts du Conservatoire. For several years he led the string quartet Quatour Taudou. From 1883, he was professor for harmony at the Paris Conservatory. There, , Erik Satie, Charles Koechlin, Jacques de La Presle, Aymé Kunc, Joseph Boulnois, Joseph-Ermend Bonnal and Francisco Braga were among his students. Taudou composed music for the play ''Le Luthier de Crémone'' by François Coppée, which was performed at the Comédie-Française in 1876. He also composed a trio for flute, vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Fauré
Gabriel Urbain Fauré (; 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his ''Pavane (Fauré), Pavane'', Requiem (Fauré), Requiem, ''Sicilienne (Fauré), Sicilienne'', Fauré Nocturnes, nocturnes for piano and the songs Trois mélodies, Op. 7 (Fauré), "Après un rêve" and Clair de lune (Fauré), "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmony, harmonically and melody, melodically complex style. Fauré was born into a cultured but not especially musical family. His talent became clear when he was a young boy. At the age of nine, he was sent to the École Niedermeyer de Paris, Ecole Niedermeyer music college in Paris, where he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Conservatoire
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
