Paul Burgess (musician)
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Paul Burgess (musician)
Paul Burgess (born 28 September 1950) is an English rock drummer, notable for his association with a wide range of British rock and folk-rock bands. In addition to extensive session work, he has been an official member of 10cc, Jethro Tull, Camel, Magna Carta, and The Icicle Works. Career Burgess was born in Manchester, England. He started playing drums in 1965 and played in 60s Stockport four piece band Axis, which he left in July 1971. He then joined 10cc on their 1973 UK tour and subsequently played with the band on most of their tours until 1983. He played on the ''10cc Live: King Biscuit Flower Hour'' album recorded in 1975 and officially joined 10cc as drummer, percussionist and occasional keyboardist in 1976 after the departure of Kevin Godley and Lol Creme. His first studio album with the band was ''Deceptive Bends'', which featured the hits " The Things We Do for Love", "Good Morning Judge" and "People in Love". During the 1977 10cc tour Burgess was joined on drums b ...
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10cc
10cc are an English rock band formed in Stockport in 1972. The group initially consisted of four musicians – Graham Gouldman, Eric Stewart, Kevin Godley and Lol Creme – who had written and recorded together since 1968. The group featured two songwriting teams. Stewart and Gouldman were predominantly pop songwriters, who created most of the band's accessible songs. Godley and Creme were the predominantly experimental half of 10cc, featuring art and cinematically inspired writing. Every member of 10cc was a multi-instrumentalist, singer, writer and producer. Most of the band's records were recorded at their own Strawberry Studios (North) in Stockport and Strawberry Studios (South) in Dorking, with most of those engineered by Stewart. From 1972 to 1978, 10cc had five consecutive UK top-ten albums: ''Sheet Music'' (1974), '' The Original Soundtrack'' (1975), '' How Dare You!'' (1976), ''Deceptive Bends'' (1977) and ''Bloody Tourists'' (1978). 10cc also had twelve singles reach ...
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Ten Out Of 10
''Ten Out of 10'' is the eighth studio album by 10cc. It was released in two different versions with the original edition coming in November 1981 and the US version coming in June 1982 respectively. Overview After two albums of 10cc as a sixpiece lineup ''Ten Out of 10'' was a return to the core duo of Graham Gouldman and Eric Stewart with all other contributors taking a role of session musicians, despite the fact that the album featured two of the musicians used on the band's previous album, 1980s ''Look Hear?'': drummer Paul Burgess on all but three tracks and guitarist and singer Rick Fenn credited on two tracks but played on all other tracks uncredited. Other session musicians included pianist Vic Emerson of Sad Café, who also joined 10cc on tour. The album credits resulted in identification of Gouldman and Stewart only as "Graham" and "Eric" like on previous albums with other musicians credited by full name after the contributions of the former. The only band member pho ...
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London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ...
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Gerry Conway (musician)
Gerald Conway (born 11 September 1947) is an English folk and rock drummer/percussionist, best known for having performed with the backing band for Cat Stevens in the 1970s, Jethro Tull during the 1980s, and a member of Fairport Convention from 1998 to 2022, alongside various side projects. Conway has done a considerable amount of work as a session musician. Conway is married to vocalist Jacqui McShee, who is the singer of Pentangle, a band Conway is also a member of. History Conway was born in King's Lynn, Norfolk. In the 1970s, he was the drummer for the band Fotheringay as well as for Eclection (other members included Kerrilee Male, Georg Kajanus s George Hultgreen Michael Rosen and Trevor Lucas). In their early years, Steeleye Span also drafted in the services of Conway, who was a friend of the band. Conway played on their now-classic song "Dark-Eyed Sailor" and several others from their first album, ''Hark! The Village Wait'' (1970), which album also featured contr ...
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Pauline Murray
Pauline Murray (born 8 March 1958) is best known as the lead vocalist of the punk rock band Penetration, originally formed in 1976. Early years Pauline Murray was born on 8 March 1958 in Waterhouses, County Durham, England, and her parents later moved to Ferryhill. She left school at age sixteen, studied art at Darlington College and then worked at odd jobs. In May 1976 the 18-year-old Murray saw the Sex Pistols perform, and she and her Ferryhill comrades became Pistols devotees, earning for themselves the title of "Durham Contingent" (coined by the ''NME''). Penetration In late 1976, Murray formed a band with friends Robert Blamire and Gary Smallman and named it after the Stooges' song "Penetration" from ''Raw Power'' (1973). They played their first gig in October 1976 at the Middlesbrough Rock Garden, and played their first gig in London at The Roxy in January 1977, supporting Gen X. The band debuted on vinyl with the single "Don't Dictate", issued by Virgin Records in Nov ...
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Buzzcocks
Buzzcocks are an English punk rock band formed in Bolton, England in 1976 by singer-songwriter-guitarist Pete Shelley and singer-songwriter Howard Devoto. They are regarded as a seminal influence on the Manchester music scene, the independent record label movement, punk rock, power pop, and pop punk. They achieved commercial success with singles that fused pop craftsmanship with rapid-fire punk energy. These singles were collected on ''Singles Going Steady'', an acclaimed compilation album described by music journalist and critic, Ned Raggett, as a "punk masterpiece". Devoto and Shelley chose the name "Buzzcocks" after reading the headline, "It's the Buzz, Cock!", in a review of the TV series ''Rock Follies'' in ''Time Out (company), Time Out'' magazine. The "buzz" is the excitement of playing on stage; "cock" is northern English slang meaning "friend". They thought it captured the excitement of the nascent punk scene, as well as having humorous sexual connotations following ...
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John Cooper Clarke
John Cooper Clarke (born 25 January 1949) is an English performance poet, who first became famous as a "punk poet" in the late 1970s. In the late 1970s and early 1980s, he released several albums. Around this time, he performed on stage with several punk and post-punk bands and continues to perform regularly. His recorded output has mainly relied on musical backing from the Invisible Girls, which featured Martin Hannett, Steve Hopkins, Pete Shelley, Bill Nelson, and Paul Burgess. Early life Clarke was born in Salford, Lancashire, in 1949. He lived in the Higher Broughton area of the city and became interested in poetry after being inspired by his English teacher, John Malone, whom he described as "a real outdoor guy, an Ernest Hemingway type, red blooded, literary bloke". During an April 2018 episode of Steve Jones' radio show ''Jonesy's Jukebox'', Clarke revealed one of his early inspirations to be the poet Sir Henry Newbolt, reciting from memory a portion of Newbolt's poem ...
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Performance Poet
Performance poetry is a broad term, encompassing a variety of styles and genres. In brief, it is poetry that is specifically composed for or during a performance before an audience. During the 1980s, the term came into popular usage to describe poetry written or composed for performance rather than print distribution, mostly open to improvisation. History The term ''performance poetry'' originates from an early press release describing the 1980s performance poet Hedwig Gorski, whose audio recordings achieved success on spoken word radio programs around the world. Her band, East of Eden Band, was described as the most successful at music and poetry collaborations, allowing cassettes of her live radio broadcast recordings to stay in rotation with popular underground music recordings on some radio stations. Gorski, an art school graduate, tried to come up with a term that would distinguish her text-based vocal performances from performance art, especially the work of performance art ...
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The Invisible Girls
The Invisible Girls were a British rock band, formed in Salford, Greater Manchester in 1978, to provide a musical backdrop to the recorded output of Salford punk poet John Cooper Clarke. The band's nucleus was Joy Division and New Order producer Martin Hannett and keyboardist Steve Hopkins, with contributions from, amongst others, Pete Shelley of Buzzcocks and Bill Nelson of Be-Bop Deluxe. The band also played on the first solo album by Pauline Murray (lead singer of Penetration), the eponymous '' Pauline Murray and the Invisible Girls'' and some singles, and later with Nico for the single "Procession". History The band was formed to provide backing music for punk poet John Cooper Clarke. It initially featured Factory Records producer Martin Hannett on bass guitar, Steve Hopkins on keyboards, 10cc drummer Paul Burgess and guitarist Lyn Oakey. This line-up played on Cooper Clarke's debut album ''Où est la maison de fromage?'', before they named themselves the Invisible Girls ...
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Frooty Rooties
''Frooty Rooties'' is the second solo album of Eric Stewart released in 1982. Overview The album opens with a ten minute three part composition "The Ritual" reminiscent of the 10cc songs "Une Nuit a Paris" and " Feel the Benefit". The vocal effects on "The Ritual" were created by the first AMS delay line, a repeat echo unit that revolutionised "Double Track" Vocals in the 1970s and the chorusing/flanging was achieved by modulating the effect of the repeated vocal ever so slightly so that it moves around the stereo. The ballad "Make the Pieces Fit" was originally written for 10cc album ''Look Hear?'' and was also featured on Stewart's previous album, "Girls". "Doris the Florist" is another ballad in the classic 10cc style. The rest of the album is Eric Stewart's homage to the classic rock'n'roll of the 60's thus the album's name. ''Frooty Rooties'' was recorded mostly by Eric Stewart and Paul Burgess and features several additional contributions from then 10cc lineup musicians. ...
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Girls (Eric Stewart Album)
''Girls'' is the first solo album released by Eric Stewart in 1980. It was the soundtrack to the film ''Girls''.


Overview

The album is half instrumental and was mostly co-written by Eric Stewart and then keyboardist Duncan Mackay. It was recorded during the time of recording of the 10cc's seventh studio album '''' and features contributions from all of the other then 10cc members. The song "Make the Pieces Fit" was originally intended for ''Look Hear?'' but was eventually included on ''Girls''.
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