Paul Armand Silvestre
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Paul Armand Silvestre
Paul Armand Silvestre (18 April 1837 – 19 February 1901) was a 19th-century French poet and ''conteur'' born in Paris. He studied at the École polytechnique with the intention of entering the army, but in 1870 he entered the department of finance. Silvestre had a successful official career, was decorated with the Legion of Honour in 1886, and in 1892 was made inspector of fine arts. Armand Silvestre made his entry into literature as a poet, and was reckoned among the Parnassian poets, Parnassians. Works Armand Silvestre's works were published mainly by Alphonse Lemerre and Gervais Charpentier. Some of his poems were set to music by Gabriel Fauré, under the form of mélodies for one voice and piano (''Le Secret'', ''L'Automne''...). Thirteen of his poems were set by André Messager. Silvestre's poem ''Jours Passés'' was set in music by Léo Delibes under the title ''Regrets''. Poetry *''Rimes neuves et vieilles'', with a preface by George Sand (1866) see on Gallic ...
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Armand Sylvestre
Armand Sylvestre may refer to: * Armand Sylvestre (MLA) (1910–1980), Quebec lawyer, judge and member of the Quebec legislative assembly representing Berthier * Armand Sylvestre (MP) (1890–1972), Quebec lawyer and member of the Canadian House of Commons representing Lake St. John * Paul Armand Silvestre, French poet, author of the libretto for the opera ''Grisélidis'' by Jules Massenet {{hndis, name=Sylvestre, Armand ...
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Victorin De Joncières
Félix-Ludger Rossignol, known as Victorin de Joncières (12 April 1839 – 26 October 1903), was a French composer and music critic.Wright LA. "Victorin de Joncières". In: ''The New Grove Dictionary of Opera.'' Macmillan, London & New York, 1997. Biography Son of a political writer and editor of ''La Patrie'' and ''Constitutionel'', he was born at Paris, and his first musical lessons were from aunts. Leaving the Lycée Bonaparte at 16, he decided to study to be a painter, entering the studio of Picot. Fétis F-J. ''Biographie universelle des musiciens.'' Paris, 1878. However, Joncières kept up his musical interest and had a short opéra comique performed by students of the Conservatoire de Paris, and was advised to abandon art and take up music. He entered the Conservatoire and followed the classes of Simon Leborne in fugue and counterpoint. However, after hearing one of Richard Wagner's first concerts in the French capital, he had a disagreement with the professors and in 1860 ...
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Jules Adenis
Jules-Adenis de Colombeau (28 June 1823 – 1900) was a 19th-century French opera librettist, playwright, and journalist. Adenis was born in Paris and studied at the Collège royal de Bourbon (now the Lycée Condorcet). Colombeau was initially employed by the Compagnie de Saint-Gobain. At this time he was already working for various newspapers and magazines. Some of Colombeau's works include ''Un Postillon en gage'' (1856) ''Sylvie'' (1864), and ''La Grand'tante'' (1867).T.J. Walsh: ''Second Empire opera: The Théâtre Lyrique, Paris 1851-1870'' (London: John Calder, 1981)
page 341 Both of Colombeau's sons, Eugène (1854–1923) and

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Benjamin Godard
Benjamin Louis Paul Godard (18 August 184910 January 1895) was a French violinist and Romantic-era composer of Jewish extraction, best known for his opera ''Jocelyn''. Godard composed eight operas, five symphonies, two piano and two violin concertos, string quartets, sonatas for violin and piano, piano pieces and etudes, and more than a hundred songs. He died at the age of 45 in Cannes (Alpes-Maritimes) of tuberculosis and was buried in the family tomb in Taverny in the French department of Val-d'Oise. Life and career Godard was born in Paris in 1849. He entered the Conservatoire de Paris in 1863 where he studied under Henri Vieuxtemps (violin) and Napoléon Henri Reber (harmony) and accompanied Vieuxtemps twice to Germany. In 1876, his ''Concerto romantique'' was performed at the Concerts Populaires, and other of his large works were also performed at these concerts. In 1878, Godard was the co-winner of the Prix de la Ville de Paris. His winning composition, a dramatic symphony ...
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Opéra Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a ''monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like No ...
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Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ...
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Henry VIII (opera)
''Henry VIII'' is an opera in four acts by Camille Saint-Saëns, from a libretto by Léonce Détroyat and Armand Silvestre, based on ''El cisma en Inglaterra'' (''The Schism in England'') (1627) by Pedro Calderón de la Barca. Composition history The action covers the period in Henry VIII's life when the king was attempting to divorce Queen Catherine of Aragon in favour of marrying Anne Boleyn, a move rejected by the Church. In an effort to evoke the historical context, Saint-Saëns researched English music from the period and incorporated several English, Scottish, and Irish folk melodies into his score, as well as two airs by William Byrd (c. 1540–1623), contained in ''The Will Forster Virginal Book'' (1624), the "Carman's Whistle" and a section of a tune called "The New Medley". He also sampled from the Benjamin Cosyn's ''Virginal Book'' (1620), using the opening from the tune "Mr Beauins Service", along with "Te Deum". Henry VIII died in 1547, about 70 years before ...
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Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ...
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Ernest Guiraud
Ernest is a given name derived from Germanic word ''ernst'', meaning "serious". Notable people and fictional characters with the name include: People *Archduke Ernest of Austria (1553–1595), son of Maximilian II, Holy Roman Emperor * Ernest, Margrave of Austria (1027–1075) *Ernest, Duke of Bavaria (1373–1438) *Ernest, Duke of Opava (c. 1415–1464) *Ernest, Margrave of Baden-Durlach (1482–1553) *Ernest, Landgrave of Hesse-Rheinfels (1623–1693) *Ernest Augustus, Elector of Brunswick-Lüneburg (1629–1698) *Ernest, Count of Stolberg-Ilsenburg (1650–1710) *Ernest Augustus, King of Hanover (1771–1851), son of King George III of Great Britain *Ernest II, Duke of Saxe-Coburg and Gotha (1818–1893), sovereign duke of the Duchy of Saxe-Coburg and Gotha *Ernest Augustus, Crown Prince of Hanover (1845–1923) *Ernest, Landgrave of Hesse-Philippsthal (1846–1925) *Ernest Augustus, Prince of Hanover (1914–1987) *Prince Ernst August of Hanover (born 1954) * Prince Ernst A ...
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Théâtre Des Bouffes-Parisiens
The Théâtre des Bouffes-Parisiens () is a Parisian theatre founded in 1855 by the composer Jacques Offenbach for the performance of opéra bouffe and operetta. The current theatre is located in the 2nd arrondissement at 4 rue Monsigny with an entrance at the back at 65 Passage Choiseul. In the 19th century the theatre was often referred to as the Salle Choiseul. With the decline in popularity of operetta after 1870, the theatre expanded its repertory to include comedies.Bouffes-Parisien website
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Lamb, Andrew. "Offenbach, Jacques" in Sadie 1992, vol. 3, pp. 653–658.Levin 2009, pp. 401–402.


History


Salle Lacaze


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Cogniard Brothers
The Cogniard brothers were two French brothers who worked as playwrights and theatre directors, producing an incalculable number of vaudevilles, reviews, féeries and operettas. The elder of the two was Charles-Théodore or Théodore Cogniard (30 April 1806 - 13 May 1872) and the younger was Jean-Hippolyte or Hippolyte Cogniard (28 November 1807 – 6 February 1882) Both brothers were born and died in Paris. Career Nicknamed "les jumeaux siamois du vaudeville" (the Siamese twins of vaudeville),Huart (1839) they headed the théâtre de la Porte-Saint-Martin from 1840 to 1845. In 1845 Hippolyte took sole charge of the Théâtre du Vaudeville, then of the Théâtre des Variétés from 1854 to 1869, where he instituted a repertoire solely consisting of operettas. It was under Hippolyte's leadership that Jacques Offenbach created his best known works : ''La Belle Hélène'', '' Barbe-Bleue'', ''La Grande-Duchesse de Gérolstein'' and ''La Périchole''. In 1869, on behalf of his son L ...
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Théâtre Du Châtelet
The Théâtre du Châtelet () is a theatre and opera house, located in the place du Châtelet in the 1st arrondissement of Paris, France. One of two theatres (the other being the Théâtre de la Ville) built on the site of a ''châtelet'', a small castle or fortress, it was designed by Gabriel Davioud at the request of Baron Haussmann between 1860 and 1862. Originally named the Théâtre Impérial du Châtelet, it has undergone remodeling and name changes over the years. Currently it seats 2,500 people. Description The theatre is one of two apparent twins constructed along the quays of the Seine, facing each other across the open Place du Châtelet. The other is the Théâtre de la Ville. Their external architecture is essentially Palladian entrances under arcades, although their interior layouts differ considerably. At the centre of the plaza is an ornate, sphinx-endowed fountain, erected in 1808, which commemorates Napoleon's victory in Egypt. Origins The Théâtre Impà ...
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