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Passion Hymn
Passion hymns are hymns dedicated to the Passion of Jesus. They are often sung during Passiontide, namely for Maundy Thursday and Good Friday. Many of them were used as chorales in Passions ''Passions'' is an American television soap opera that originally aired on NBC from July 5, 1999, to September 7, 2007, and on DirecTV's The 101 Network from September 17, 2007, to August 7, 2008. Created by screenwriter James E. Reilly and ..., such as Bach's St John and St Matthew Passion. List of Passion hymns References {{Hymns and songs for Lent and Passiontide Holiday songs lists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passion Of Jesus
In Christianity, the Passion (from the Latin verb ''patior, passus sum''; "to suffer, bear, endure", from which also "patience, patient", etc.) is the short final period in the life of Jesus Christ. Depending on one's views, the "Passion" may include, among other events, Jesus' triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, Jesus' agony in the Garden, his arrest, his Sanhedrin trial, his trial before Pontius Pilate, his crucifixion and his death on Good Friday, his burial, and the resurrection of Jesus. Those parts of the four canonical Gospels that describe these events are known as the "Passion narratives". In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Haupt Voll Blut Und Wunden
O, or o, is the fifteenth letter and the fourth vowel letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''o'' (pronounced ), plural ''oes''. History Its graphic form has remained fairly constant from Phoenician times until today. The name of the Phoenician letter was '' ʿeyn'', meaning "eye", and indeed its shape originates simply as a drawing of a human eye (possibly inspired by the corresponding Egyptian hieroglyph, cf. Proto-Sinaitic script). Its original sound value was that of a consonant, probably , the sound represented by the cognate Arabic letter ع ''ʿayn''. The use of this Phoenician letter for a vowel sound is due to the early Greek alphabets, which adopted the letter as O "omicron" to represent the vowel . The letter was adopted with this value in the Old Italic alphabets, including the early Latin alphabet. In Greek, a variation of the fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ride On, Ride On In Majesty!
"Ride On, Ride On in Majesty!", also titled "Ride On! Ride On in Majesty", is a Christian hymn written by Henry Hart Milman in 1820. It is a Palm Sunday hymn and refers to Matthew 21:1–17 and Jesus' triumphal entry into Jerusalem. History While Milman wrote "Ride On, Ride On in Majesty!" in 1820, it was not published in a hymn book until 1827 when it was published in Bishop Reginald Heber's ''Hymns Written and Adapted to the Weekly Church Service of the Year''. This is reported to only have happened after Milman met Heber in 1823 before Heber became Bishop of Calcutta. It was described by composer Stanley L. Osbourne as "Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge". The hymn proved popular: in 1907, John Julian, in his ''Dictionary of Hymnology'', stated it was the most popular Palm Sunday hymn in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Mensch, Bewein Dein Sünde Groß
"" (O man, bewail thy sin so great) is a Lutheran Passion hymn with a text written by Sebald Heyden in 1530. The author reflects the Passion of Jesus, based on the Four Evangelists, originally in 23 stanzas. The lyrics were written for an older melody, "Es sind doch selig alle, die im rechten Glauben wandeln" ( Zahn No. 8303). The first and last stanzas have appeared in 11 hymnals. Catherine Winkworth translated it as "O man, thy grievous sin bemoan". The hymn has been used in Passion music and is known in Bach's setting as a chorale fantasia closing Part I of his '' St Matthew Passion''. Hymn Sebald originally wrote a reflection of the Passion of Jesus based on the four gospels in 23 stanzas of 12 lines each. The original title begins "Der Passion auß den vier Evangelisten" (The Passion from the Four Evangelists). It reflects the Passion, narrating the stations of the cross and adding the context of ''Heilsbedeutung'' (meaning for salvation), beginning with man's sinf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lift High The Cross
"Lift High the Cross" is a 19th century English Christian hymn. It was written in 1887 by George Kitchin and revised in 1916 by Michael R. Newbolt. History Kitchin wrote "Lift High the Cross" in 1887, while he was the Church of England Dean of Winchester, for the Society for the Propagation of the Gospel. It has been suggested that the hymn was inspired by the story of Constantine the Great's conversion to Christianity after seeing a cross with "In hoc signo vinces" on it. It was intended as a festival hymn and was first performed in Winchester Cathedral. In 1916, Newbolt revised the hymn so that it was in twelve couplets and it was printed in the 1916 Supplement to Hymns Ancient and Modern. In that same revision, "Lift High the Cross" was set to the tune of "Crucifer" by Sydney Nicholson. The hymn is often sung during Lent or Holy Week but is also used as a processional hymn or recessional hymn before or after a church service. "Lift High the Cross" was first published in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An Wasserflüssen Babylon
"An Wasserflüssen Babylon" (By the rivers of Babylon) is a Lutheran hymn by Wolfgang Dachstein, which was first published in Strasbourg in 1525. The text of the hymn is a paraphrase of Psalm 137. Its singing tune, which is the best known part of the hymn and Dachstein's best known melody, was popularised as chorale tune of Paul Gerhardt's 17th-century Passion hymn " Ein Lämmlein geht und trägt die Schuld". With this hymn text, Dachstein's tune is included in the Protestant hymnal '' Evangelisches Gesangbuch''. Several vocal and organ settings of the hymn "An Wasserflüssen Babylon" have been composed in the 17th and 18th century, including short four-part harmonisations by Johann Hermann Schein, Heinrich Schütz and Johann Sebastian Bach. In the second half of the 17th century, Johann Pachelbel, Johann Adam Reincken and Bach's cousin, Johann Christoph, arranged settings for chorale preludes. Reincken's setting of "An Wasserflüssen Babylon" was elaborate and of great le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ein Lämmlein Geht Und Trägt Die Schuld
"Ein Lämmlein geht und trägt die Schuld" (A Lambkin goes and bears the guilt) is a Lutheran Passion hymn in German by Paul Gerhardt. The hymn text was first published in Johann Crüger's ''Praxis Pietatis Melica'', starting from the lost 1647 edition. Wolfgang Dachstein's 16th-century "An Wasserflüssen Babylon" melody is commonly indicated as its hymn tune, although other settings exist. From the late 17th century Gerhardt's hymn text is used in larger vocal works such as Passion settings. With Dachstein's hymn tune it is included in the Protestant hymnal '' Evangelisches Gesangbuch''. History Paul Gerhardt's "Ein Lämmlein geht und trägt die Schuld" was first published in 1647, in a lost edition of Johann Crüger's ''Praxis Pietatis Melica''. The earliest extant print of the hymn, in the ''Praxis Pietatis Melica'' of 1648, indicates Wolfgang Dachstein's 16th-century "An Wasserflüssen Babylon" melody as its singing tune: The hymn was originally used as a communion s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnus Dei
is the Latin name under which the " Lamb of God" is honoured within the Catholic Mass and other Christian liturgies descending from the Latin liturgical tradition. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer. The use of the title "Lamb of God" in liturgy is based on , in which St. John the Baptist, upon seeing Jesus, proclaims "Behold, the Lamb of God, who takes away the sin of the world!" Liturgical usage Latin Catholic The Syrian custom of a chant addressed to the Lamb of God was introduced into the Roman Rite Mass by Pope Sergius I (687–701) in the context of his rejection of the Council of Trullo of 692 (which was well received in the Byzantine East), whose canons had forbidden the iconographic depiction of Christ as a lamb instead of a man. The verse used in the first and second invocations may be repeated as many times as necessary whilst the ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Lamm Gottes, Unschuldig
"O Lamm Gottes, unschuldig" ("O Lamb of God, innocent") is an early Lutheran hymn, with text and melody attributed to Nikolaus Decius. Originally intended as a German version of the Latin Agnus Dei, it was instead used as a Passion hymn. In both contexts, the hymn has often been set to music, prominently as the cantus firmus in the opening chorus of Bach's '' St. Matthew Passion''. It is included in most German hymnals, and has been translated by Catherine Winkworth, among others. History Until the 18th century, "O Lamm Gottes, unschuldig" was printed in hymnals without mentioning an author. In his ''Braunschweigische Kirchen-Historie'', presented a Latin report from 1600 that identified Decius the author of the hymn's text and melody and of "Allein Gott in der Höh sei Ehr". A medieval melody may have been the model for the tune. Decius's work is dated 1522/23, in the early Reformation, before Martin Luther's first hymns, published in 1524 in the first Lutheran hymnal. The s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The English Hymnal
''The English Hymnal'' is a hymn book which was published in 1906 for the Church of England by Oxford University Press. It was edited by the clergyman and writer Percy Dearmer and the composer and music historian Ralph Vaughan Williams, and was a significant publication in the history of Anglican church music. Methodology The preface to the hymnal describes itself as "a collection of the best hymns in the English language." Much of the contents was used for the first time at St Mary's, Primrose Hill, in north London, and the hymnbook could be considered a musical companion to ''The Parson's Handbook'', Dearmer's 1899 manifesto on English church ceremonial, vestments and furnishings. The high quality of the music is due largely to the work of Vaughan Williams as musical editor. The standard of the arrangements and original compositions made it a landmark in English hymnody and one of the most influential hymnals of the 20th century. The hymnal included the first printing of se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Is Finished! Christ Hath Known
Jesu, meines Glaubens Zier is a German Lutheran hymn by Gottfried Wilhelm Sacer, first published in 1661. Its hymn tune, Zahn No. 6453, was first published in 1714, in Freylinghausen's hymnal. In 1736 the hymn was adopted in , with a figured bass accompaniment which may have been contributed by Johann Sebastian Bach (BWV 472). The tune is also known in English due to its presence in the 1906 English Hymnal and its 1986 successor, where it appears to "It is finished! Christ hath known", a Passion text by Gabriel Gillett written for the 1906 publication and based on Jesus' dying words, per the Gospel of John, "" ("It is finished!"), which have inspired many other hymns. Text The original German text is a Passion hymn Passion hymns are hymns dedicated to the Passion of Jesus. They are often sung during Passiontide, namely for Maundy Thursday and Good Friday. Many of them were used as chorales in Passions ''Passions'' is an American television soap opera t ... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 472
Jesu, meines Glaubens Zier is a German Lutheran hymn by Gottfried Wilhelm Sacer, first published in 1661. Its hymn tune, Zahn No. 6453, was first published in 1714, in Freylinghausen's hymnal. In 1736 the hymn was adopted in , with a figured bass accompaniment which may have been contributed by Johann Sebastian Bach (BWV 472). The tune is also known in English due to its presence in the 1906 English Hymnal and its 1986 successor, where it appears to "It is finished! Christ hath known", a Passion text by Gabriel Gillett written for the 1906 publication and based on Jesus' dying words, per the Gospel of John, "" ("It is finished!"), which have inspired many other hymns. Text The original German text is a Passion hymn Passion hymns are hymns dedicated to the Passion of Jesus. They are often sung during Passiontide, namely for Maundy Thursday and Good Friday. Many of them were used as chorales in Passions ''Passions'' is an American television soap opera t ... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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