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Passamezzo
The passamezzo (plural: ''passamezzi'' or ''passamezzos'') is an Italian folk dance of the 16th and early 17th centuries. Many pieces named "passamezzo" follow one of two chord progressions that came to be named after the dance, passamezzo antico and passamezzo moderno. The chord progression would be repeated numerous times in succession while the dance was being performed. According to Renaissance practices, the passamezzo dance is often followed by other dances in a triple time, such as the saltarello, gagliarda or paduana. Name There are many variant spellings. In Italian or international usage, the name is also rendered as ''pass'e mez(z)o'', ''passo e mezzo'', and ''passomez(z)o''. In early English usage, the names frequently incorporated the word measure in a folk etymology, giving such renderings as ''passemeasure'', ''passingmeasure'', ''passy-measures'' or ''passemeasure(s) pavan'', particularly to designate the ''passamezzo antico'' progression. Passamezzi followin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passamezzo Antico
The passamezzo antico is a ground bass or chord progression that was popular during the Italian Renaissance and known throughout Europe in the 16th century. van der Merwe, Peter. 1989. ''Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music'', p.207. Oxford: Clarendon Press. . The progression is a variant of the double tonic: its major mode variant is known as the passamezzo moderno. The sequence consists of two phrases as follows: ''(For an explanation of this notation see Chord progression)'' Though usually in the key of G minor, in the key of A minor this gives: The romanesca is a variant of the passamezzo antico, where the first chord is the III (e.g., a C major chord in A minor). A famous example is "Greensleeves". The passamezzo antico chord changes are found, knowingly or not, in modern popular music culture: Carrie Underwood Carrie Marie Underwood (born March 10, 1983) is an American singer. She rose to prominence after winning the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passamezzo Moderno
The passamezzo moderno ("modern half step"; also quadran, quadrant, or quadro pavan), or Gregory Walker was "one of the most popular harmonic formulae in the Renaissance period, divid nginto two complementary strains thus:" For example, in C major the progression is as follows: : The progression or ground bass, the major mode variation of the passamezzo antico, originated in Italian and French dance music during the first half of the 16th century, where it was often used with a contrasting progression or section known as ''ripresi''. Though one of Thomas Morley's characters in ''Plaine and Easie Introduction to Practicall Musicke'' denigrates the Gregory Walker, comparing unskilled singing to its sound, it was popular in both pop/popular/folk and classical musics through 1700. Its popularity was revived in the mid 19th century, and the American variant (below) evolved into the twelve bar blues. Examples Listed in : *several in ''The Fitzwilliam Virginal Book'' *"Up and Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saltarello
The ''saltarello'' is a musical dance originally from Italy. The first mention of it is in Add MS 29987, a late-fourteenth- or early fifteenth-century manuscript of Tuscan origin, now in the British Library. It was usually played in a fast triple meter and is named for its peculiar leaping step, after the Italian verb ''saltare'' ("to jump"). This characteristic is also the basis of the German name ''Hoppertanz'' or ''Hupfertanz'' ("hopping dance"); other names include the French ''pas de Brabant'' and the Spanish ''alta'' or ''alta danza''. History The saltarello enjoyed great popularity in the courts of medieval Europe. During the 14th century, the word saltarello became the name of a particular dance step (a double with a hop on the final or initial upbeat), and the name of a meter of music (a fast triple), both of which appear in many choreographed dances. Entire dances consisting of only the saltarello step and meter are described as being improvised dances in 15th-cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galliard
The ''galliard'' (; french: gaillarde; it, gagliarda) was a form of Renaissance dance and music popular all over Europe in the 16th century. It is mentioned in dance manuals from England, Portugal, France, Spain, Germany, and Italy. Dance form The ''galliard'' is not an improvised dance, but rather, it consists of choreographed patterns of steps, which occupy one or more measures of music. In one measure, a galliard typically has five steps; in French such a basic step is called a ''cinq pas'' and in Italy, ''cinque passi''. This is sometimes written in English sources as ''sinkapace''. These steps are: right, left, right, left, cadence. The galliard is an athletic dance, characterised by leaps, jumps, hops and other similar figures. The main feature that defines a galliard step is a large jump, after which the dancer lands with one leg ahead of the other. This jump is called a ''cadence,'' and the final landing is called the ''posture.'' The cadence is typically preceded by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavane
The ''pavane'' ( ; it, pavana, ''padovana''; german: Paduana) is a slow processional dance common in Europe during the 16th century (Renaissance). The pavane, the earliest-known music for which was published in Venice by Ottaviano Petrucci, in Joan Ambrosio Dalza's ''Intabolatura de lauto libro quarto'' in 1508, is a sedate and dignified couple dance, similar to the 15th-century basse danse. The music which accompanied it appears originally to have been fast or moderately fast but, like many other dances, became slower over time . Origin of term The word ''pavane'' is most probably derived from Italian 'danza''''padovana'' , , meaning "ancetypical of Padua" (similar to Bergamask, "dance from Bergamo"); ''pavan'' is an old Northern Italian form for the modern Italian adjective ''padovano'' (= from Padua). This origin is consistent with the equivalent form, ''Paduana''. An alternative explanation is that it derives from the Spanish ''pavón'' meaning ''peacock'' . Altho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Measure (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Etymology
Folk etymology (also known as popular etymology, analogical reformation, reanalysis, morphological reanalysis or etymological reinterpretation) is a change in a word or phrase resulting from the replacement of an unfamiliar form by a more familiar one. The form or the meaning of an archaic, foreign, or otherwise unfamiliar word is reinterpreted as resembling more familiar words or morphemes. The term ''folk etymology'' is a loan translation from German language, German ''Volksetymologie'', coined by Ernst Förstemann in 1852. Folk etymology is a Productivity (linguistics), productive process in historical linguistics, language change, and social relation, social interaction. Reanalysis of a word's history or original form can affect its spelling, pronunciation, or meaning. This is frequently seen in relation to loanwords or words that have become archaic or obsolete. Examples of words created or changed through folk etymology include the English dialectal form wikt:sparrowgrass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavan (dance)
The ''pavane'' ( ; it, pavana, ''padovana''; german: Paduana) is a slow processional dance common in Europe during the 16th century (Renaissance). The pavane, the earliest-known music for which was published in Venice by Ottaviano Petrucci, in Joan Ambrosio Dalza's ''Intabolatura de lauto libro quarto'' in 1508, is a sedate and dignified couple dance, similar to the 15th-century basse danse. The music which accompanied it appears originally to have been fast or moderately fast but, like many other dances, became slower over time . Origin of term The word ''pavane'' is most probably derived from Italian 'danza''''padovana'' , , meaning "ancetypical of Padua" (similar to Bergamask, "dance from Bergamo"); ''pavan'' is an old Northern Italian form for the modern Italian adjective ''padovano'' (= from Padua). This origin is consistent with the equivalent form, ''Paduana''. An alternative explanation is that it derives from the Spanish ''pavón'' meaning ''peacock'' . Altho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine De' Medici
Catherine de' Medici ( it, Caterina de' Medici, ; french: Catherine de Médicis, ; 13 April 1519 – 5 January 1589) was an Florentine noblewoman born into the Medici family. She was Queen of France from 1547 to 1559 by marriage to King Henry II and the mother of French Kings Francis II, Charles IX, and Henry III. The years during which her sons reigned have been called "the age of Catherine de' Medici" since she had extensive, if at times varying, influence in the political life of France. Catherine was born in Florence to Lorenzo de' Medici, Duke of Urbino, and Madeleine de La Tour d'Auvergne. In 1533, at the age of 14, Catherine married Henry, the second son of King Francis I and Queen Claude of France. Catherine's marriage was arranged by her uncle Pope Clement VII. Henry excluded Catherine from participating in state affairs and instead showered favours on his chief mistress, Diane de Poitiers, who wielded much influence over him. Henry's death in 1559 thrust Cath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IMSLP
The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based digital library of public-domain music scores. The project, which uses MediaWiki software, has uploaded more than 630,000 scores and 73,000 recordings of more than 195,000 works by 24,000 composers. IMSLP has both an iOS app and an Android app. History Overview The site was launched on February 16, 2006. The library consists mainly of scans of old musical editions out of copyright. In addition, it admits scores by contemporary composers who wish to share their music with the world by releasing it under a Creative Commons license. One of the main projects of the IMSLP was the sorting and uploading of the complete works of Johann Sebastian Bach in the Bach-Gesellschaft Ausgabe (1851–99), a task that was completed on November 3, 2008. Besides J.S. Bach's complete public domain works, all public domain works of Ludwig van Beet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Dance
Renaissance dances belong to the broad group of historical dances. During the Renaissance period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone. At Court, the formal entertainment would often be followed by many hours of country dances which all present could join in. Dances described as country dances such as Chiarantana or Chiaranzana remained popular over a long period – over two centuries in the case of this dance. A Renaissance dance can be likened to a ball. Knowledge of court dances has survived better than that of country dances as they were collected by dancing masters in manuscripts and later in printed books. The earliest surviving manuscripts that provide detailed dance instructions are from 15th century Italy. The earliest printed dance manuals come from late 16th century France and Italy. The earliest da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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